# Reading the Comics, February 21, 2014: Circumferences and Monkeys Edition

And now to finish off the bundle of mathematic comics that I had run out of time for last time around. Once again the infinite monkeys situation comes into play; there’s also more talk about circumferences than average.

Brian and Ron Boychuk’s The Chuckle Brothers (February 13) does a little wordplay on how “circumference” sounds like it could kind of be a knightly name, which I remember seeing in a minor Bugs Bunny cartoon back in the day. “Circumference” the word derives from the Latin, “circum” meaning around and “fero” meaning “to carry”; and to my mind, the really interesting question is why do we have the words “perimeter” and “circumference” when it seems like either one would do? “Circumference” does have the connotation of referring to just the boundary of a circular or roughly circular form, but why should the perimeter of circular things be so exceptional as to usefully have its own distinct term? But English is just like that, I suppose.

Paul Trapp’s Thatababy (February 13) brings back the infinite-monkey metaphor. The infinite monkeys also appear in John Deering’s Strange Brew (February 20), which is probably just a coincidence based on how successfully tossing in lots of monkeys can produce giggling. Or maybe the last time Comic Strip Master Command issued its orders it sent out a directive, “more infinite monkey comics!”

Ruben Bolling’s Tom The Dancing Bug (February 14) delivers some satirical jabs about Biblical textual inerrancy by pointing out where the Bible makes mathematical errors. I tend to think nitpicking the Bible mostly a waste of good time on everyone’s part, although the handful of arithmetic errors are a fair wedge against the idea that the text can’t have any errors and requires no interpretation or even forgiveness, with the Ezra case the stronger one. The 1 Kings one is about the circumference and the diameter for a vessel being given, and those being incompatible, but it isn’t hard to come up with a rationalization that brings them plausibly in line (you have to suppose that the diameter goes from outer wall to outer wall, while the circumference is that of an inner wall, which may be a bit odd but isn’t actually ruled out by the text), which is why I think it’s the weaker.

Bill Whitehead’s Free Range (February 16) uses a blackboard full of mathematics as a generic “this is something really complicated” signifier. The symbols as written don’t make a lot of sense, although I admit it’s common enough while working out a difficult problem to work out weird bundles of partly-written expressions or abuses of notation (like on the middle left of the board, where a bracket around several equations is shown as being less than a bracket around fewer equations), just because ideas are exploding faster than they can be written out sensibly. Hopefully once the point is proven you’re able to go back and rebuild it all in a form which makes sense, either by going into standard notation or by discovering that you have soem new kind of notation that has to be used. It’s very exciting to come up with some new bit of notation, even if it’s only you and a couple people you work with who ever use it. Developing a good way of writing a concept might be the biggest thrill in mathematics, even better than proving something obscure or surprising.

Jonathan Lemon’s Rabbits Against Magic (February 18) uses a blackboard full of mathematics symbols again to give the impression of someone working on something really hard. The first two lines of equations on 8-Ball’s board are the time-dependent Schrödinger Equations, describing how the probability distribution for something evolves in time. The last line is Euler’s formula, the curious and fascinating relationship between pi, the base of the natural logarithm e, imaginary numbers, one, and zero.

Todd Clark’s Lola (February 20) uses the person-on-an-airplane setup for a word problem, in this case, about armrest squabbling. Interesting to me about this is that the commenters get into a squabble about how airplane speeds aren’t measured in miles per hour but rather in nautical miles, although nobody not involved in air traffic control really sees that. What amuses me about this is that what units you use to measure the speed of the plane don’t matter; the kind of work you’d do for a plane-travelling-at-speed problem is exactly the same whatever the units are. For that matter, none of the unique properties of the airplane, such as that it’s travelling through the air rather than on a highway or a train track, matter at all to the problem. The plane could be swapped out and replaced with any other method of travel without affecting the work — except that airplanes are more likely than trains (let’s say) to have an armrest shortage and so the mock question about armrest fights is one in which it matters that it’s on an airplane.

Bill Watterson’s Calvin and Hobbes (February 21) is one of the all-time classics, with Calvin wondering about just how fast his sledding is going, and being interested right up to the point that Hobbes identifies mathematics as the way to know. There’s a lot of mathematics to be seen in finding how fast they’re going downhill. Measuring the size of the hill and how long it takes to go downhill provides the average speed, certainly. Working out how far one drops, as opposed to how far one travels, is a trigonometry problem. Trying the run multiple times, and seeing how the speed varies, introduces statistics. Trying to answer questions like when are they travelling fastest — at a single instant, rather than over the whole run — introduce differential calculus. Integral calculus could be found from trying to tell what the exact distance travelled is. Working out what the shortest or the fastest possible trips introduce the calculus of variations, which leads in remarkably quick steps to optics, statistical mechanics, and even quantum mechanics. It’s pretty heady stuff, but I admit, yeah, it’s math.

## Author: Joseph Nebus

I was born 198 years to the day after Johnny Appleseed. The differences between us do not end there. He/him.

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