I should mention that Peter Mander’s Carnot Cycle blog has a fine entry, “The Geometry of Thermodynamics (Part I)” which admittedly opens with a diagram that looks like the sort of thing you create when you want to present a horrifying science diagram. That’s a bit of flavor.
Mander writes about part of what made J Willard Gibbs probably the greatest theoretical physicist that the United States has yet produced: Gibbs put much of thermodynamics into a logically neat system, the kind we still basically use today, and all the better saw represent it and understand it as a matter of surface geometries. This is an abstract kind of surface — looking at the curve traced out by, say, mapping the energy of a gas against its volume, or its temperature versus its entropy — but if you can accept the idea that we can draw curves representing these quantities then you get to use your understanding how how solid objects (and Gibbs even got made solid objects — James Clerk Maxwell, of Maxwell’s Equations fame, even sculpted some) look and feel.
This is a reblogging of only part one, although as Mander’s on summer holiday you haven’t missed part two.
Volume One of the Scientific Papers of J. Willard Gibbs, published posthumously in 1906, is devoted to Thermodynamics. Chief among its content is the hugely long and desperately difficult “On the equilibrium of heterogeneous substances (1876, 1878)”, with which Gibbs single-handedly laid the theoretical foundations of chemical thermodynamics.
In contrast to James Clerk Maxwell’s textbook Theory of Heat (1871), which uses no calculus at all and hardly any algebra, preferring geometry as the means of demonstrating relationships between quantities, Gibbs’ magnum opus is stuffed with differential equations. Turning the pages of this calculus-laden work, one could easily be drawn to the conclusion that the writer was not a visual thinker.
But in Gibbs’ case, this is far from the truth.
View original post 1,490 more words