The last week in mathematically themed comics was a pleasant one. By “a pleasant one” I mean Comic Strip Master Command sent enough comics out that I feel comfortable splitting them across two essays. Look for the other half of the past week’s strips in a couple days at a very similar URL.
Mac King and Bill King’s Magic in a Minute feature for the 2nd shows off a bit of number-pattern wonder. Set numbers in order on a four-by-four grid and select four as directed and add them up. You get the same number every time. It’s a cute trick. I would not be surprised if there’s some good group theory questions underlying this, like about what different ways one could arrange the numbers 1 through 16. Or for what other size grids the pattern will work for: 2 by 2? (Obviously.) 3 by 3? 5 by 5? 6 by 6? I’m not saying I actually have been having fun doing this. I just sense there’s fun to be had there.
Zach Weinersmith’s Saturday Morning Breakfast Cereal for the 2nd is based on one of those weirdnesses of the way computers add. I remember in the 90s being on a Java mailing list. Routinely it would draw questions from people worried that something was very wrong, as adding 0.01 to a running total repeatedly wouldn’t get to exactly 1.00. Java was working correctly, in that it was doing what the specifications said. It’s just the specifications didn’t work quite like new programmers expected.
What’s going on here is the same problem you get if you write down 1/3 as 0.333. You know that 1/3 plus 1/3 plus 1/3 ought to be 1 exactly. But 0.333 plus 0.333 plus 0.333 is 0.999. 1/3 is really a little bit more than 0.333, but we skip that part because it’s convenient to use only a few points past the decimal. Computers normally represent real-valued numbers with a scheme called floating point representation. At heart, that’s representing numbers with a couple of digits. Enough that we don’t normally see the difference between the number we want and the number the computer represents.
Every number base has some rational numbers it can’t represent exactly using finitely many digits. Our normal base ten, for example, has “one-third” and “two-third”. Floating point arithmetic is built on base two, and that has some problems with tenths and hundredths and thousandths. That’s embarrassing but in the main harmless. Programmers learn about these problems and how to handle them. And if they ask the mathematicians we tell them how to write code so as to keep these floating-point errors from growing uncontrollably. If they ask nice.
Random Acts of Nancy for the 3rd is a panel from Ernie Bushmiller’s Nancy. That panel’s from the 23rd of November, 1946. And it just uses mathematics in passing, arithmetic serving the role of most of Nancy’s homework. There’s a bit of spelling (I suppose) in there too, which probably just represents what’s going to read most cleanly. Random Acts is curated by Ernie Bushmiller fans Guy Gilchrist (who draws the current Nancy) and John Lotshaw.
Thom Bluemel’s Birdbrains for the 4th depicts the discovery of a new highest number. When humans discovered ‘1’ is, I would imagine, probably unknowable. Given the number sense that animals have it’s probably something that predates humans, that it’s something we’re evolved to recognize and understand. A single stroke for 1 seems to be a common symbol for the number. I’ve read histories claiming that a culture’s symbol for ‘1’ is often what they use for any kind of tally mark. Obviously nothing in human cultures is truly universal. But when I look at number symbols other than the Arabic and Roman schemes I’m used to, it is usually the symbol for ‘1’ that feels familiar. Then I get to the Thai numeral and shrug at my helplessness.
Bill Amend’s FoxTrot Classics for the 4th is a rerun of the strip from the 11th of October, 2005. And it’s made for mathematics people to clip out and post on the walls. Jason and Marcus are in their traditional nerdly way calling out sequences of numbers. Jason’s is the Fibonacci Sequence, which is as famous as mathematics sequences get. That’s the sequence of numbers in which every number is the sum of the previous two terms. You can start that sequence with 0 and 1, or with 1 and 1, or with 1 and 2. It doesn’t matter.
Marcus calls out the Perrin Sequence, which I neve heard of before either. It’s like the Fibonacci Sequence. Each term in it is the sum of two other terms. Specifically, each term is the sum of the second-previous and the third-previous terms. And it starts with the numbers 3, 0, and 2. The sequence is named for François Perrin, who described it in 1899, and that’s as much as I know about him. The sequence describes some interesting stuff. Take n points and put them in a ‘cycle graph’, which looks to the untrained eye like a polygon with n corners and n sides. You can pick subsets of those points. A maximal independent set is the biggest subset you can make that doesn’t fit into another subset. And the number of these maximal independent sets in a cyclic graph is the n-th number in the Perrin sequence. I admit this seems like a nice but not compelling thing to know. But I’m not a cyclic graph kind of person so what do I know?
Jeffrey Caulfield and Alexandre Rouillard’s Mustard and Boloney for the 4th is the anthropomorphic numerals joke for this essay and I was starting to worry we wouldn’t get one.