Today’s is another request from **gaurish** and another I’m glad to have as it let me learn things too. That’s a particularly fun kind of essay to have here.

## Yang Hui’s Triangle.

It’s a triangle. Not because we’re interested in triangles, but because it’s a particularly good way to organize what we’re doing and show why we do that. We’re making an arrangement of numbers. First we need cells to put the numbers in.

Start with a single cell in what’ll be the top middle of the triangle. It spreads out in rows beneath that. The rows are staggered. The second row has two cells, each one-half width to the side of the starting one. The third row has three cells, each one-half width to the sides of the row above, so that its center cell is directly under the original one. The fourth row has four cells, two of which are exactly underneath the cells of the second row. The fifth row has five cells, three of them directly underneath the third row’s cells. And so on. You know the pattern. It’s the one that pins in a plinko board take. Just trimmed down to a triangle. Make as many rows as you find interesting. You can always add more later.

In the top cell goes the number ‘1’. There’s also a ‘1’ in the leftmost cell of each row, and a ‘1’ in the rightmost cell of each row.

What of interior cells? The number for those we work out by looking to the row above. Take the cells to the immediate left and right of it. Add the values of those together. So for example the center cell in the third row will be ‘1’ plus ‘1’, commonly regarded as ‘2’. In the third row the leftmost cell is ‘1’; it always is. The next cell over will be ‘1’ plus ‘2’, from the row above. That’s ‘3’. The cell next to that will be ‘2’ plus ‘1’, a subtly different ‘3’. And the last cell in the row is ‘1’ because it always is. In the fourth row we get, starting from the left, ‘1’, ‘4’, ‘6’, ‘4’, and ‘1’. And so on.

It’s a neat little arithmetic project. It has useful application beyond the joy of making something neat. Many neat little arithmetic projects don’t have that. But the numbers in each row give us binomial coefficients, which we often want to know. That is, if we wanted to work out (a + b) to, say, the third power, we would know what it looks like from looking at the fourth row of Yanghui’s Triangle. It will be . This turns up in polynomials all the time.

Look at diagonals. By diagonal here I mean a line parallel to the line of ‘1’s. Left side or right side; it doesn’t matter. Yang Hui’s triangle is bilaterally symmetric around its center. The first diagonal under the edges is a bit boring but familiar enough: 1-2-3-4-5-6-7-et cetera. The second diagonal is more curious: 1-3-6-10-15-21-28 and so on. You’ve seen those numbers before. They’re called the triangular numbers. They’re the number of dots you need to make a uniformly spaced, staggered-row triangle. Doodle a bit and you’ll see. Or play with coins or pool balls.

The third diagonal looks more arbitrary yet: 1-4-10-20-35-56-84 and on. But these are something too. They’re the tetrahedronal numbers. They’re the number of things you need to make a tetrahedron. Try it out with a couple of balls. Oranges if you’re bored at the grocer’s. Four, ten, twenty, these make a nice stack. The fourth diagonal is a bunch of numbers I never paid attention to before. 1-5-15-35-70-126-210 and so on. This is — well. We just did tetrahedrons, the triangular arrangement of three-dimensional balls. Before that we did triangles, the triangular arrangement of two-dimensional discs. Do you want to put in a guess what these “pentatope numbers” are about? Sure, but you hardly need to. If we’ve got a bunch of four-dimensional hyperspheres and want to stack them in a neat triangular pile we need one, or five, or fifteen, or so on to make the pile come out neat. You can guess what might be in the fifth diagonal. I don’t want to think too hard about making triangular heaps of five-dimensional hyperspheres.

There’s more stuff lurking in here, waiting to be decoded. Add the numbers of, say, row four up and you get two raised to the third power. Add the numbers of row ten up and you get two raised to the ninth power. You see the pattern. Add everything in, say, the top five rows together and you get the fifth Mersenne number, two raised to the fifth power (32) minus one (31, when we’re done). Add everything in the top ten rows together and you get the tenth Mersenne number, two raised to the tenth power (1024) minus one (1023).

Or add together things on “shallow diagonals”. Start from a ‘1’ on the outer edge. I’m going to suppose you started on the left edge, but remember symmetry; it’ll be fine if you go from the right instead. Add to that ‘1’ the number you get by moving one cell to the right and going up-and-right. And then again, go one cell to the right and then one cell up-and-right. And again and again, until you run out of cells. You get the Fibonacci sequence, 1-1-2-3-5-8-13-21-and so on.

We can even make an astounding picture from this. Take the cells of Yang Hui’s triangle. Color them in. One shade if the cell has an odd number, another if the cell has an even number. It will create a pattern we know as the Sierpiński Triangle. (Wacław Sierpiński is proving to be the surprise special guest star in many of this A To Z sequence’s essays.) That’s the fractal of a triangle subdivided into four triangles with the center one knocked out, and the remaining triangles them subdivided into four triangles with the center knocked out, and on and on.

By now I imagine even my most skeptical readers agree this is an interesting, useful mathematical construct. Also that they’re wondering why I haven’t said the name “Blaise Pascal”. The Western mathematical tradition knows of this from Pascal’s work, particularly his 1653 Traité du triangle arithmétique. But mathematicians like to say their work is universal, and independent of the mere human beings who find it. Constructions like this triangle give support to this. Yang lived in China, in the 12th century. I imagine it *possible* Pascal had hard of his work or been influenced by it, by some chain, but I know of no evidence that he did.

And even if he had, there are other apparently independent inventions. The Avanti Indian astronomer-mathematician-astrologer Varāhamihira described the addition rule which makes the triangle work in commentaries written around the year 500. Omar Khayyám, who keeps appearing in the history of science and mathematics, wrote about the triangle in his 1070 Treatise on Demonstration of Problems of Algebra. Again so far as I am aware there’s not a direct link between any of these discoveries. They are things different people in different traditions found because the tools — arithmetic and aesthetically-pleasing orders of things — were ready for them.

Yang Hui wrote about his triangle in the 1261 book Xiangjie Jiuzhang Suanfa. In it he credits the use of the triangle (for finding roots) as invented around 1100 by mathematician Jia Xian. This reminds us that it is not merely mathematical discoveries that are found by many peoples at many times and places. So is Boyer’s Law, discovered by Hubert Kennedy.

This is first time that I have read an article about Pascal triangle without a picture of it in front of me and could still imagine it in my mind. :)

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Thank you; I’m glad you like it. I did spend a good bit of time before writing the essay thinking about why it

isa triangle that we use for this figure, and that helped me think about how things are organized and why. (The one thing I didn’t get into was identifying the top row, the single cell, as row zero. Computers may index things starting from zero and there may be fair reasons to do it, but that is always going to be a weird choice for humans.)LikeLiked by 1 person