# My 2018 Mathematics A To Z: Volume

Ray Kassinger, of the popular web comic Housepets!, had a silly suggestion when I went looking for topics. In one episode of Mystery Science Theater 3000, Crow T Robot gets the idea that you could describe the size of a space by the number of turkeys which fill it. (It’s based on like two minor mentions of “turkeys” in the show they were watching.)

I liked that episode. I’ve got happy memories of the time when I first saw it. I thought the sketch in which Crow T Robot got so volume-obsessed was goofy and dumb in the fun-nerd way.

I accept Mr Kassinger’s challenge only I’m going to take it seriously.

# Volume.

How big is a thing?

There is a legend about Thomas Edison. He was unimpressed with a new hire. So he hazed the college-trained engineer who deeply knew calculus. He demanded the engineer tell him the volume within a light bulb. The engineer went to work, making measurements of the shape of the bulb’s outside. And then started the calculations. This involves a calculus technique called “volumes of rotation”. This can tell the volume within a rotationally symmetric shape. It’s tedious, especially if the outer edge isn’t some special nice shape. Edison, fed up, took the bulb, filled it with water, poured that out into a graduated cylinder and said that was the answer.

I’m skeptical of legends. I’m skeptical of stories about the foolish intellectual upstaged by the practical man-of-action. And I’m skeptical of Edison because, jeez, I’ve read biographies of the man. Even the fawning ones make him out to be yeesh.

But the legend’s Edison had a point. If the volume of a shape is not how much stuff fits inside the shape, what is it? And maybe some object has too complicated a shape to find its volume. Can we think of a way to produce something with the same volume, but that is easier? Sometimes we can. When we do this with straightedge and compass, the way the Ancient Greeks found so classy, we call this “quadrature”. It’s called quadrature from its application in two dimensions. It finds, for a shape, a square with the same area. For a three-dimensional object, we find a cube with the same volume. Cubes are easy to understand.

Straightedge and compass can’t do everything. Indeed, there’s so much they can’t do. Some of it is stuff you’d think it should be able to, like, find a cube with the same volume as a sphere. Integration gives us a mathematical tool for describing how much stuff is inside a shape. It’s even got a beautiful shorthand expression. Suppose that D is the shape. Then its volume V is:

$V = \int\int\int_D dV$

Here “dV” is the “volume form”, a description of how the coordinates we describe a space in relate to the volume. The $\int\int\int$ is jargon, meaning, “integrate over the whole volume”. The subscript “D” modifies that phrase by adding “of D” to it. Writing “D” is shorthand for “these are all the points inside this shape, in whatever coordinate system you use”. If we didn’t do that we’d have to say, on each $\int$ sign, what points are inside the shape, coordinate by coordinate. At this level the equation doesn’t offer much help. It says the volume is the sum of infinitely many, infinitely tiny pieces of volume. True, but that doesn’t give much guidance about whether it’s more or less than two cups of water. We need to get more specific formulas, usually. We need to pick coordinates, for example, and say what coordinates are inside the shape. A lot of the resulting formulas can’t be integrated exactly. Like, an ellipsoid? Maybe you can integrate that. Don’t try without getting hazard pay.

We can approximate this integral. Pick a tiny shape whose volume is easy to know. Fill your shape with duplicates of it. Count the duplicates. Multiply that count by the volume of this tiny shape. Done. This is numerical integration, sometimes called “numerical quadrature”. If we’re being generous, we can say the legendary Edison did this, using water molecules as the tiny shape. And working so that he didn’t need to know the exact count or the volume of individual molecules. Good computational technique.

It’s hard not to feel we’re begging the question, though. We want the volume of something. So we need the volume of something else. Where does that volume come from?

Well, where does an inch come from? Or a centimeter? Whatever unit you use? You pick something to use as reference. Any old thing will do. Which is why you get fascinating stories about choosing what to use. And bitter arguments about which of several alternatives to use. And we express the length of something as some multiple of this reference length.

Volume works the same way. Pick a reference volume, something that can be one unit-of-volume. Other volumes are some multiple of that unit-of-volume. Possibly a fraction of that unit-of-volume.

Usually we use a reference volume that’s based on the reference length. Typically, we imagine a cube that’s one unit of length on each side. The volume of this cube with sides of length 1 unit-of-length is then 1 unit-of-volume. This seems all nice and orderly and it’s surely not because mathematicians have paid off by six-sided-dice manufacturers.

Does it have to be?

That we need some reference volume seems inevitable. We can’t very well say the area of something is ten times nothing-in-particular. Does that reference volume have to be a cube? Or even a rectangle or something else? It seems obvious that we need some reference shape that tiles, that can fill up space by itself … right?

What if we don’t?

I’m going to drop out of three dimensions a moment. Not because it changes the fundamentals, but because it makes something easier. Specifically, it makes it easier if you decide you want to get some construction paper, cut out shapes, and try this on your own. What this will tell us about area is just as true for volume. Area, for a two-dimensional sapce, and volume, for a three-dimensional, describe the same thing. If you’ll let me continue, then, I will.

So draw a figure on a clean sheet of paper. What’s its area? Now imagine you have a whole bunch of shapes with reference areas. A bunch that have an area of 1. That’s by definition. That’s our reference area. A bunch of smaller shapes with an area of one-half. By definition, too. A bunch of smaller shapes still with an area of one-third. Or one-fourth. Whatever. Shapes with areas you know because they’re marked on them.

Here’s one way to find the area. Drop your reference shapes, the ones with area 1, on your figure. How many do you need to completely cover the figure? It’s all right to cover more than the figure. It’s all right to have some of the reference shapes overlap. All you need is to cover the figure completely. … Well, you know how many pieces you needed for that. You can count them up. You can add up the areas of all these pieces needed to cover the figure. So the figure’s area can’t be any bigger than that sum.

Can’t be exact, though, right? Because you might get a different number if you covered the figure differently. If you used smaller pieces. If you arranged them better. This is true. But imagine all the possible reference shapes you had, and all the possible ways to arrange them. There’s some smallest area of those reference shapes that would cover your figure. Is there a more sensible idea for what the area of this figure would be?

And put this into three dimensions. If we start from some reference shapes of volume 1 and maybe 1/2 and 1/3 and whatever other useful fractions there are? Doesn’t this covering make sense as a way to describe the volume? Cubes or rectangles are easy to imagine. Tetrahedrons too. But why not any old thing? Why not, as the Mystery Science Theater 3000 episode had it, turkeys?

This is a nice, flexible, convenient way to define area. So now let’s see where it goes all bizarre. We know this thanks to Giuseppe Peano. He’s among the late-19th/early-20th century mathematicians who shaped modern mathematics. They did this by showing how much of our mathematics broke intuition. Peano was (here) exploring what we now call fractals. And noted a family of shapes that curl back on themselves, over and over. They’re beautiful.

And they fill area. Fill volume, if done in three dimensions. It seems impossible. If we use this covering scheme, and try to find the volume of a straight line, we get zero. Well, we find that any positive number is too big, and from that conclude that it has to be zero. Since a straight line has length, but not volume, this seems fine. But a Peano curve won’t go along with this. A Peano curve winds back on itself so much that there is some minimum volume to cover it.

This unsettles. But this idea of volume (or area) by covering works so well. To throw it away seems to hobble us. So it seems worth the trade. We allow ourselves to imagine a line so long and so curled up that it has a volume. Amazing.

And now I get to relax and unwind and enjoy a long weekend before coming to the letter ‘W’. That’ll be about some topic I figure I can whip out a nice tight 500 words about, and instead, produce some 1541-word monstrosity while I wonder why I’ve had no free time at all since August. Tuesday, give or take, it’ll be available at this link, as are the rest of these glossary posts. Thanks for reading.

## Author: Joseph Nebus

I was born 198 years to the day after Johnny Appleseed. The differences between us do not end there. He/him.

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