Reading the Comics, May 18, 2018: Quincy Doesn’t Make The Cut Edition

I hate to disillusion anyone but I lack hard rules about what qualifies as a mathematically-themed comic strip. During a slow week, more marginal stuff makes it. This past week was going slow enough that I tagged Wednesday’s Quincy rerun, from March of 1979 for possible inclusion. And all it does is mention that Quincy’s got a mathematics test due. Fortunately for me the week picked up a little. It cheats me of an excuse to point out Ted Shearer’s art style to people, but that’s not really my blog’s business.

Also it may not surprise you but since I’ve decided I need to include GoComics images I’ve gotten more restrictive. Somehow the bit of work it takes to think of a caption and to describe the text and images of a comic strip feel like that much extra work.

Roy Schneider’s The Humble Stumble for the 13th of May is a logic/geometry puzzle. Is it relevant enough for here? Well, I spent some time working it out. And some time wondering about implicit instructions. Like, if the challenge is to have exactly four equally-sized boxes after two toothpicks are moved, can we have extra stuff? Can we put a toothpick where it’s just a stray edge, part of no particular shape? I can’t speak to how long you stay interested in this sort of puzzle. But you can have some good fun rules-lawyering it.

Dad: A guy showed me a brain teaser down at the coffee shop. Watch.' Molly: Ooh, coolie! I'm good at these!' Dad: 'OK, you've got 5 equal-sized boxes here ... moving only 2 toothpicks, make it into FOUR equal-size boxes.' (It's three matchstick boxes in the top row, and two underneath, with the rightmost of the top row above the leftmost of the bottom row.) Dad: 'Heh-heh! THAT ought to keep you busy for a while!' Molly: 'I'll have it in a minute.' Silent final panel, Molly there, bloodshot eyes, late at night.
Roy Schneider’s The Humble Stumble rerun for the 13th of May, 2018. This originally ran the 18th of August, 2006, but I wasn’t doing mathematics blogs back then. Also, Molly there is me with any mathematics puzzle, which is why I panic whenever someone brings one to me. This is a new tag for the comic strip.

Jeff Harris’s Shortcuts for the 13th is a children’s informational feature about Aristotle. Aristotle is renowned for his mathematical accomplishments by many people who’ve got him mixed up with Archimedes. Aristotle it’s harder to say much about. He did write great texts that pop-science writers credit as giving us the great ideas about nature and physics and chemistry that the Enlightenment was able to correct in only about 175 years of trying. His mathematics is harder to summarize though. We can say certainly that he knew some mathematics. And that he encouraged thinking of subjects as built on logical deductions from axioms and definitions. So there is that influence.

A panel full of jokes, activities, and trivia relating to Aristotle. There's no way for me to summarize it all (which includes a word search and a maze as activities) in the space available.
Jeff Harris’s Shortcuts for the 13th of May, 2018. That demonstration of Aristotle’s syllogisms is the same one I see when I search DuckDuckGo for ‘aristotle mathematics’ so it must come right from his texts that I’ve never read! That’s how citations work, right?

Dan Thompson’s Brevity for the 15th is a pun, built on the bell curve. This is also known as the Gaussian distribution or the normal distribution. It turns up everywhere. If you plot how likely a particular value is to turn up, you get a shape that looks like a slightly melted bell. In principle the bell curve stretches out infinitely far. In practice, the curve turns into a horizontal line so close to zero you can’t see the difference once you’re not-too-far away from the peak.

Baseball manager warning the player, 'Watch out, he's got a wicked curve'. The pitcher is a classic hand-style bell with clapper, and also arms and a glove and ball.
Dan Thompson’s Brevity for the 15th of May, 2018. I am curious whether there’s any significance to Thompson’s uniforms, particularly the player having a ‘B’ camp and a ‘U’ shoulder patch. I don’t think there’s an obvious relevance to the statistics jokes being made.

Jason Chatfield’s Ginger Meggs for the 16th I assume takes place in a mathematics class. I’m assuming the question is adding together four two-digit numbers. But “what are 26, 24, 33, and 32” seems like it should be open to other interpretations. Perhaps Mr Canehard was asking for some class of numbers those all fit into. Integers, obviously. Counting numbers. Compound numbers rather than primes. I keep wanting to say there’s something deeper, like they’re all multiples of three (or something) but they aren’t. They haven’t got any factors other than 1 in common. I mention this because I’d love to figure out what interesting commonality those numbers have and which I’m overlooking.

Teacher: 'Meggs! Pop quiz: what are 26, 24, 33, and 32?' Ginger Meggs, after a panel of silent thought: 'Your last four payslips?'
Jason Chatfield’s Ginger Meggs for the 16th of May, 2018. Little surprised Ginger didn’t name cricketeers with those uniform numbers, trusting that cricket players have uniform numbers.

Ed Stein’s Freshly Squeezed for the 17th is a story problem strip. Bit of a passive-aggressive one, in-universe. But I understand why it would be formed like that. The problem’s incomplete, as stated. There could be some fun in figuring out what extra bits of information one would need to give an answer. This is another new-tagged comic.

Nate, the son: 'We're supposed to do today's homework with our parents.' Mom: 'Okay.' Nate: '1. If there are 28 kids in a class, and the education budget is cut by $465 million, how many will be in the class next year?' Dad: 'Taking parental involvement to the next level.' Nate: '2. If the teacher's insurance doesn't cover nervous breakdowns ... '
Ed Stein’s Freshly Squeezed rerun for the 17th of May, 2018. This originally ran the 5th of May, 2011 and maybe I even featured it then. … No, it doesn’t look like I did. Well, I can only imagine how very well this appeal to the parents of the school district under guise of homework went over!

Henry Scarpelli and Craig Boldman’s Archie for the 19th name-drops calculus, credibly, as something high schoolers would be amazed to see one of their own do in their heads. There’s not anything on the blackboard that’s iconically calculus, it happens. Dilton’s writing out a polynomial, more or less, and that’s a fit subject for high school calculus. They’re good examples on which to learn differentiation and integration. They’re a little more complicated than straight lines, but not too weird or abstract. And they follow nice, easy-to-summarize rules. But they turn up in high school algebra too, and can fit into geometry easily. Or any subject, really, as remember, everything is polynomials.

Archie: 'It's amazing how Dilton can do calculus in his head!' Reggie: 'Yeah, I suppose! I guess I'll settle for being the school's most admired athlete and greatest sex symbol!' Jughead: 'It's amazing how Reggie does all that in *his* head, too!'
Henry Scarpelli and Craig Boldman’s Archie rerun for the 19th of May, 2018. And yeah, C^2 + x + 1) isn’t really a coherent expression. It’s either missing a ( mark or, if the C is the open-parentheses, then it’s got nothing-in-particular squared. Also I am so bothered to have close-parentheses and open-parentheses out of order that last sentence. You have no idea.

Mark Anderson’s Andertoons for the 19th is Mark Anderson’s Andertoons for the week. Glad that it’s there. Let me explain why it is proper construction of a joke that a Fibonacci Division might be represented with a spiral. Fibonacci’s the name we give to Leonardo of Pisa, who lived in the first half of the 13th century. He’s most important for explaining to the western world why these Hindu-Arabic numerals were worth learning. But his pop-cultural presence owes to the Fibonacci Sequence, the sequence of numbers 1, 1, 2, 3, 5, 8, and so on. Each number’s the sum of the two before it. And this connects to the Golden Ratio, one of pop mathematics’ most popular humbugs. As the terms get bigger and bigger, the ratio between a term and the one before it gets really close to the Golden Ratio, a bit over 1.618.

Business group looking at a slide showing the golden spiral. Speaker: 'And, as you can see, the Fibonacci division is right on track.'
Mark Anderson’s Andertoons for the 19th of May, 2018. I wonder which direction it’s moving in.

So. Draw a quarter-circle that connects the opposite corners of a 1×1 square. Connect that to a quarter-circle that connects opposite corners of a 2×2 square. Connect that to a quarter-circle connecting opposite corners of a 3×3 square. And a 5×5 square, and an 8×8 square, and a 13×13 square, and a 21×21 square, and so on. Yes, there are ambiguities in the way I’ve described this. I’ve tried explaining how to do things just right. It makes a heap of boring words and I’m trying to reduce how many of those I write. But if you do it the way I want, guess what shape you have?

And that is why this is a correctly-formed joke about the Fibonacci Division.


Reading the Comics, April 11, 2018: Obscure Mathematical Terms Edition

I’d like to open today’s installment with a trifle from Thomas K Dye. He’s a friend, and the cartoonist behind the long-running web comic Newshounds, its new spinoff Infinity Refugees, and some other projects.

Dye also has a Patreon, most recently featuring a subscribers-only web comic. And he’s good enough to do the occasional bit of spot art to spruce up my work here.

Henry Scarpelli and Craig Boldman’s Archie rerun for the 9th of April, 2018 is, for me, relatable. I think I’ve read off this anecdote before. The first time I took Real Analysis I was completely lost. Getting me slightly less lost was borrowing a library book on Real Analysis from the mathematics library. The book was in French, a language I can only dimly read. But the different presentation and, probably, the time I had to spend parsing each sentence helped me get a basic understanding of the topic. So maybe trying algebra upside-down isn’t a ridiculous idea.

Archie: 'I can't make any sense out of this algebra!' Jughead: 'Er, Arch! Your book is upside-down!' Archie: 'Yeah, I know! I already tried it the other way, and it didn't make sense then either!'
Henry Scarpelli and Craig Boldman’s Archie rerun for the 9th of April, 2018. Finally, an artistic explanation for putting the name of the book being read on house left!

Lincoln Pierce’s Big Nate rerun for the 9th presents an arithmetic sequence, which is always exciting to work with, if you’re into sequences. I had thought Nate was talking about mathematics quizzes but I see that’s not specified. Could be anything. … And yes, there is something cool in finding a pattern. Much of mathematics is driven by noticing, or looking for, patterns in things and then describing the rules by which new patterns can be made. There’s many easy side questions to be built from this. When would quizzes reach a particular value? When would the total number of points gathered reach some threshold? When would the average quiz score reach some number? What kinds of patterns would match the 70-68-66-64 progression but then do something besides reach 62 next? Or 60 after that? There’s some fun to be had. I promise.

Nate: 'Four quizzes ago, I got a 70. Three quizzes ago, I got a 68. Two quizzes ago, I got a 66, and last quiz I got a 64! See the pattern?' Francis: 'The pattern of academic incompetence?' Nate: 'No, the way it keeps decreasing by twos! Isn't that COOL?'
Lincoln Pierce’s Big Nate rerun for the 9th of April, 2018. Trick question: there’s infinitely many sequences that would start 70, 68, 66, 64. But when we extrapolate this sort of thing we tend to assume that it’ll be some simple sequence. These are often arithmetic — each term increasing or decreasing by the same amount — or geometric — each term the same multiple of the one before. They don’t have to be. These are just easy ones to look for and often turn out well, or at least useful.

Mike Thompson’s Grand Avenue for the 10th is one of the resisting-the-teacher’s-problem style. The problem’s arithmetic, surely for reasons of space. The joke doesn’t depend on the problem at all.

Teacher: 'Gabby, can you solve the problem?' [ '33 x 22' on the blackboard. ] Gabby: 'No, thank you. You're the adult, so I'll let you solve the problem. Why do you need a kid? Adults are able to solve problems on their own.' [ Gabby sits outside the Principal's office, thinking ] 'Looks like he solved his problem after all.'
Mike Thompson’s Grand Avenue for the 10th of April, 2018. My grudge against Grand Avenue is well-established and I fear it will make people think I am being needlessly picky at this. But Gabby’s protest would start from a logical stance if the teacher asked “Would you solve the problem?” Then she’d have reason to argue that adults should be able to solve the problem. “Can” you doesn’t reflect on who ought to solve arithmetic problems.

Dave Whamond’s Reality Check for the 10th similarly doesn’t depend on what the question is. It happens to be arithmetic, but it could as easily be identifying George Washington or picking out the noun in a sentence.

Dog reading an exam: 'Do you know the square root of 81? Do you? Do you? Yes, you do!'
Dave Whamond’s Reality Check for the 10th of April, 2018. I keep wanting to think the exam is playing on the pun between K-9 and canine but it’s not quite there.

Leigh Rubin’s Rubes for the 10th riffs on randomness. In this case it’s riffing on the unpredictability and arbitrariness of random things. Random variables are very interesting in certain fields of mathematics. What makes them interesting is that any specific value — the next number you generate — is unpredictable. But aggregate information about the values is predictable, often with great precision. For example, consider normal distributions. (A lot of stuff turns out to be normal.) In that case we can be confident that the values that come up most often are going to be close to the arithmetic mean of a bunch of values. And that there’ll be about as many values greater than the mean as there are less than the mean. And this will be only loosely true if you’ve looked at a handful of values, at ten or twenty or even two hundred of them. But if you looked at, oh, a hundred thousand values, these truths would be dead-on. It’s wonderful and it seems to defy intuition. It just works.

Door to the Randomness Research Institute. Sign hanging on the doorknob: 'Be Back In: (Your Guess Is As Good As Ours.)'
Leigh Rubin’s Rubes for the 10th of April, 2018. My guess, in the absence of other information, would be “back in about as long as the last time we were out”. In surprisingly many cases your best plausible guess about what the next result should be is whatever the last result was.

John Atkinson’s Wrong Hands for the 10th is the anthropomorphic numerals joke for the week. It’s easy to think of division as just making numbers smaller: 4 divided by 6 is less than either 4 or 6. 1 divided by 4 is less than either 1 or 4. But this is a bad intuition, drawn from looking at the counting numbers that don’t look boring. But 4 divided by 1 isn’t less than either 1 or 4. Same with 6 divided by 1. And then when we look past counting numbers we realize that’s not always so. 6 divided by ½ gives 12, greater than either of those numbers, and I don’t envy the teachers trying to explain this to an understandably confused student. And whether 6 divided by -1 gives you something smaller than 6 or smaller than -1 is probably good for an argument in an arithmetic class.

'The Great Divide'. Numeral 6, looking at an obelus, and speaking to a 4 and a 1; 'It's the guy from division. Looks like we're downsizing'.
John Atkinson’s Wrong Hands for the 10th of April, 2018. Oh yeah, remember a couple months ago when the Internet went wild about how ÷ was a clever way of representing fractions, with the dots representing the numerator and denominator? … Yeah, that wasn’t true, but it’s a great mnemonic.

Zach Weinersmith, Chris Jones and James Ashby’s Snowflakes for the 11th has an argument about predicting humans mathematically. It’s so very tempting to think people can be. Some aspects of people can. In the founding lore of statistics is the astonishment at how one could predict how many people would die, and from what causes, over a time. No person’s death could be forecast, but their aggregations could be. This unsettles people. It should: it seems to defy reason. It seems to me even people who embrace a deterministic universe suppose that while, yes, a sufficiently knowledgeable creature might forecast their actions accurately, mere humans shouldn’t be sufficiently knowledgeable.

Priti: 'Did you know that all human culture can be represented with GRAPHS?!' Sloan: 'Doubtful. Here. Read Machiavelli, Durkheim, and Montesquieu.' Priti: 'I see a lot of French and a lack of graphs.' Sloan: 'Not everything can be represented graphical [sic]. Plus it's full of CITATIONS! Wonderful, wonderful citations!' Priti: 'So, you don't think your behavior can be predicted mathematically?' Sloan: 'Correct.' Priti: 'Predictable'.
Zach Weinersmith, Chris Jones and James Ashby’s Snowflakes for the 11th of April, 2018. So when James Webb, later of NASA fame, was named Under-Secretary of State in 1949 one of his projects was to bring more statistical measure to foreign affairs. He had done much to quantify economic measures, as head of the Bureau of the Budget. But he wasn’t able to overcome institutional skepticism (joking about obvious nonsense like “Bulgaria is down a point!”), and spent his political capital instead on a rather necessary reorganization of the department. That said, I would not trust the wildly enthusiastic promises of any pop mathematics book proclaiming human cultures can be represented by any simple numerical structure.

No strips are tagged for the first time this essay. Just noticing.

Reading the Comics, November 11, 2017: Pictured Comics Edition

And now the other half of last week’s comic strips. It was unusually rich in comics that come from Comics Kingdom or, which have limited windows of access and therefore make me feel confident I should include the strips so my comments make any sense.

Rick Kirkman and Jerry Scott’s Baby Blues for the 9th mentions mathematics homework as a resolutely rage-inducing topic. It’s mathematics homework, obviously, or else it wouldn’t be mentioned around here. And even more specifically it’s Common Core mathematics homework. So it always is with attempts to teach subjects better. Especially mathematics, given how little confidence people have in their own mastery. I can’t blame parents for supposing any change to be just malice.

Boxing instructor: 'Now focus, Wanda! Think of something that makes you really angry, and take it out on the [punching] bag!' Wanda: 'HARD WATER SPOTS ON THE GLASSWARE!' She punches the bag hard enough to rip it apart. Instructor: 'Okay then ... ' Wanda: 'If I had pictured Common Core math homework, I could've put that sucker through the wall.'
Rick Kirkman and Jerry Scott’s Baby Blues for the 9th of November, 2017. Again I maybe am showing off my lack of domesticity here, but, really, hard water spots? But I admit I’d like to get the tannin stain out of my clear plastic teapot, so I guess we all have our things. I just don’t feel strongly enough to punch about it. I just want something that I can scrub with.

Bill Amend’s FoxTrot Classics for the 9th is about random numbers. As Jason says, it is hard to generate random numbers. Random numbers are a resource. Having a good source of them makes a lot of computation work. But they’re hard to make. It seems to be a contradiction to create random numbers by an algorithm. There’s reasons we accept pseudorandom numbers, or find quasirandom numbers. This strip originally ran the 16th of November, 2006.

A night scene. Lots of stars. Crazy Eddie: 'The number of stars is beyond my comprehension!' Hagar: 'Mine, too! What comes after five?'
Chris Browne’s Hagar the Horrible for the 10th of November, 2017. Before you go getting all smug about Hagar no grasping numbers beyond ‘five’, consider what a dog’s breakfast English has managed historically to make of ‘hundred’. Thank you.

Chris Browne’s Hagar the Horrible for the 10th is about the numerous. There’s different kinds of limits. There’s the greatest number of things we can count in an instant. There’s a limit to how long a string of digits or symbols we can remember. There’s the biggest number of things we can visualize. And “visualize” is a slippery concept. I think I have a pretty good idea what we mean when we say “a thousand” of something. I could calculate how long it took me to do something a thousand times, or to write a thousand of something. I know that it was at about a thousand words that, last A To Z sequence, I got to feeling I should wrap up any particular essay. But did I see any particular difference between word 999 and word 1,000? No; what I really knew was “about enough paragraphs” and maybe “fills just over two screens in my text editor”. So do I know what a thousand is? Anyway, we all have our limits, acknowledge them or not.

Archie: 'Moose, your math answers are all wrong!' Moose: 'I'll try again'. So ... Moose: 'Better?' Archie: 'Sorry, Moose! They're still wrong! And writing 'More or Less' after after each answer doesn't help!'
Henry Scarpelli and Craig Boldman’s Archie rerun for the 17th of November, 2017. It really reminds you how dumb Moose is given that he’s asking Archie for help with his mathematics. C’mon, you know Dilton Doiley. And this strip is surely a rerun from before Dilton would be too busy with his oyPhone or his drones or any other distraction; what’s he have to do except help Moose out?

Henry Scarpelli and Craig Boldman’s Archie rerun for the 17th is about Moose’s struggle with mathematics. Just writing “more or less” doesn’t fix an erroneous answer, true. But error margins, and estimates of where an answer should be, can be good mathematics. (Part of the Common Core that many parents struggle with is making the estimate of an answer the first step, and a refined answer later. Based on what I see crossing social media, this really offends former engineering majors who miss the value in having an expected approximate answer.) It’s part of how we define limits, and derivatives, and integrals, and all of calculus. But it’s in a more precise way than Moose tries to do.

Teacher: 'Quincy, if you put your hand in your pocket and pulled out 65 cents ... and put your hand in the other pocket and pulled out 35 cents ... what would you have?' Quincy: 'Somebody else's pants!'
Ted Shearer’s Quincy for the 18th of September, 1978 and rerun the 11th of November, 2017. I feel like anytime I mention Quincy here I end up doing a caption about Ted Shearer’s art. But, I mean, look at the mathematics teacher in the second panel there. There’s voice in that face.

Ted Shearer’s Quincy for the 18th of September, 1978 is a story-problem joke. Some of these aren’t complicated strips.

Reading the Comics, April 15, 2017: Extended Week Edition

It turns out last Saturday only had the one comic strip that was even remotely on point for me. And it wasn’t very on point either, but since it’s one of the strips I’ve got the strip to show. That’s enough for me.

Henry Scarpelli and Craig Boldman’s Archie for the 8th is just about how algebra hurts. Some days I agree.

'Ugh! Achey head! All blocked up! Throbbing! Completely stuffed!' 'Sounds like sinuses!' 'No. Too much algebra!'
Henry Scarpelli and Craig Boldman’s Archie for the 8th of April, 2017. Do you suppose Archie knew that Dilton was listening there, or was he just emoting his fatigue to himself?

Ruben Bolling’s Super-Fun-Pak Comix for the 8th is an installation of They Came From The Third Dimension. “Dimension” is one of those oft-used words that’s come loose of any technical definition. We use it in mathematics all the time, at least once we get into Introduction to Linear Algebra. That’s the course that talks about how blocks of space can be stretched and squashed and twisted into each other. You’d expect this to be a warmup act to geometry, and I guess it’s relevant. But where it really pays off is in studying differential equations and how systems of stuff changes over time. When you get introduced to dimensions in linear algebra they describe degrees of freedom, or how much information you need about a problem to pin down exactly one solution.

It does give mathematicians cause to talk about “dimensions of space”, though, and these are intuitively at least like the two- and three-dimensional spaces that, you know, stuff moves in. That there could be more dimensions of space, ordinarily inaccessible, is an old enough idea we don’t really notice it. Perhaps it’s hidden somewhere too.

Amanda El-Dweek’s Amanda the Great of the 9th started a story with the adult Becky needing to take a mathematics qualification exam. It seems to be prerequisite to enrolling in some new classes. It’s a typical set of mathematics anxiety jokes in the service of a story comic. One might tsk Becky for going through university without ever having a proper mathematics class, but then, I got through university without ever taking a philosophy class that really challenged me. Not that I didn’t take the classes seriously, but that I took stuff like Intro to Logic that I was already conversant in. We all cut corners. It’s a shame not to use chances like that, but there’s always so much to do.

Mark Anderson’s Andertoons for the 10th relieves the worry that Mark Anderson’s Andertoons might not have got in an appearance this week. It’s your common kid at the chalkboard sort of problem, this one a kid with no idea where to put the decimal. As always happens I’m sympathetic. The rules about where to move decimals in this kind of multiplication come out really weird if the last digit, or worse, digits in the product are zeroes.

Mel Henze’s Gentle Creatures is in reruns. The strip from the 10th is part of a story I’m so sure I’ve featured here before that I’m not even going to look up when it aired. But it uses your standard story problem to stand in for science-fiction gadget mathematics calculation.

Dave Blazek’s Loose Parts for the 12th is the natural extension of sleep numbers. Yes, I’m relieved to see Dave Blazek’s Loose Parts around here again too. Feels weird when it’s not.

Bill Watterson’s Calvin and Hobbes rerun for the 13th is a resisting-the-story-problem joke. But Calvin resists so very well.

John Deering’s Strange Brew for the 13th is a “math club” joke featuring horses. Oh, it’s a big silly one, but who doesn’t like those too?

Dan Thompson’s Brevity for the 14th is one of the small set of punning jokes you can make using mathematician names. Good for the wall of a mathematics teacher’s classroom.

Shaenon K Garrity and Jefferey C Wells’s Skin Horse for the 14th is set inside a virtual reality game. (This is why there’s talk about duplicating objects.) Within the game, the characters are playing that game where you start with a set number (in this case 20) tokens and take turn removing a couple of them. The “rigged” part of it is that the house can, by perfect play, force a win every time. It’s a bit of game theory that creeps into recreational mathematics books and that I imagine is imprinted in the minds of people who grow up to design games.

Reading the Comics, March 18, 2017: Pi Day Edition

No surprise what the recurring theme for this set of mathematics-mentioning comic strips is. Look at the date range. But here goes.

Henry Scarpelli and Craig Boldman’s Archie rerun for the 13th uses algebra as the thing that will stun a class into silence. I know the silence. As a grad student you get whole minutes of instructions on how to teach a course before being sent out as recitation section leader for some professor. And what you do get told is the importance of asking students their thoughts and their ideas. This maybe works in courses that are obviously friendly to opinions or partially formed ideas. But in Freshman Calculus? It’s just deadly. Even if you can draw someone into offering an idea how we might start calculating a limit (say), they’re either going to be exactly right or they’re going to need a lot of help coaxing the idea into something usable. I’d like to have more chatty classes, but some subjects are just hard to chat about.

Mr Weatherby walks past a silent class. 'What a well-behaved class! ... Flutesnoot, how do you get them to be so quiet and still?' 'I just asked for a volunteer to solve an algebra problem!'
Henry Scarpelli and Craig Boldman’s Archie rerun for the 13th of March, 2017. I didn’t know the mathematics teacher’s name and suppose that “Flutesnoot” is as plausible as anything. Anyway, I admire his ability to stand in front of a dead-silent class. The stage fright the scenario produces is powerful. At least when I was taught how to teach we got nothing about stage presence or how to remain confident during awkward pauses. What I know I learned from a half-year Drama course in high school.

Steve Skelton’s 2 Cows And A Chicken for the 13th includes some casual talk about probability. As normally happens, they figure the chances are about 50-50. I think that’s a default estimate of the probability of something. If you have no evidence to suppose one outcome is more likely than the other, then that is a reason to suppose the chance of something is 50 percent. This is the Bayesian approach to probability, in which we rate things as more or less likely based on what information we have about how often they turn out. It’s a practical way of saying what we mean by the probability of something. It’s terrible if we don’t have much reliable information, though. We need to fall back on reasoning about what is likely and what is not to save us in that case.

Scott Hilburn’s The Argyle Sweater lead off the Pi Day jokes with an anthropomorphic numerals panel. This is because I read most of the daily comics in alphabetical order by title. It is also because The Argyle Sweater is The Argyle Sweater. Among π’s famous traits is that it goes on forever, in decimal representations, yes. That’s not by itself extraordinary; dull numbers like one-third do that too. (Arguably, even a number like ‘2’ does, if you write all the zeroes in past the decimal point.) π gets to be interesting because it goes on forever without repeating, and without having a pattern easily describable. Also because it’s probably a normal number but we don’t actually know that for sure yet.

Mark Parisi’s Off The Mark panel for the 14th is another anthropomorphic numerals joke and nearly the same joke as above. The answer, dear numeral, is “chained tweets”. I do not know that there’s a Twitter bot posting the digits of π in an enormous chained Twitter feed. But there’s a Twitter bot posting the digits of π in an enormous chained Twitter feed. If there isn’t, there is now.

John Zakour and Scott Roberts’s Working Daze for the 14th is your basic Pi Day Wordplay panel. I think there were a few more along these lines but I didn’t record all of them. This strip will serve for them all, since it’s drawn from an appealing camera angle to give the joke life.

Dave Blazek’s Loose Parts for the 14th is a mathematics wordplay panel but it hasn’t got anything to do with π. I suspect he lost track of what days he was working on, back six or so weeks when his deadline arrived.

Keith Tutt and Daniel Saunders’s Lard’s World Peace Tips for the 15th is some sort of joke about the probability of the world being like what it seems to be. I’m not sure precisely what anyone is hoping to express here or how it ties in to world peace. But the world does seem to be extremely well described by techniques that suppose it to be random and unpredictable in detail. It is extremely well predictable in the main, which shows something weird about the workings of the world. It seems to be doing all right for itself.

Zach Weinersmith’s Saturday Morning Breakfast Cereal for the 15th is built on the staggering idea that the Earth might be the only place with life in the universe. The cosmos is a good stand-in for infinitely large things. It might be better as a way to understand the infinitely large than actual infinity would be. Somehow thinking of the number of stars (or whatnot) in the universe and writing out a representable number inspires an understanding for bigness that the word “infinity” or the symbols we have for it somehow don’t seem to, at least to me.

Mikael Wulff and Anders Morgenthaler’s TruthFacts for the 17th gives us valuable information about how long ahead of time the comic strips are working. Arithmetic is probably the easiest thing to use if one needs an example of a fact. But even “2 + 2 = 4” is a fact only if we accept certain ideas about what we mean by “2” and “+” and “=” and “4”. That we use those definitions instead of others is a reflection of what we find interesting or useful or attractive. There is cultural artifice behind the labelling of this equation as a fact.

Jimmy Johnson’s Arlo and Janis for the 18th capped off a week of trying to explain some point about the compression and dilution of time in comic strips. Comic strips use space and time to suggest more complete stories than they actually tell. They’re much like every other medium in this way. So, to symbolize deep thinking on a subject we get once again a panel full of mathematics. Yes, I noticed the misquoting of “E = mc2” there. I am not sure what Arlo means by “Remember the boat?” although thinking on it I think he did have a running daydream about living on a boat. Arlo and Janis isn’t a strongly story-driven comic strip, but Johnson is comfortable letting the setting evolve. Perhaps all this is forewarning that we’re going to jump ahead to a time in Arlo’s life when he has, or has had, a boat. I don’t know.