## Reading the Comics, June 25, 2016: Busy Week Edition

I had meant to cut the Reading The Comics posts back to a reasonable one a week. Then came the 23rd, which had something like six hundred mathematically-themed comic strips. So I could post another impossibly long article on Sunday or split what I have. And splitting works better for my posting count, so, here we are.

Charles Brubaker’s Ask A Cat for the 19th is a soap-bubbles strip. As ever happens with comic strips, the cat blows bubbles that can’t happen without wireframes and skillful bubble-blowing artistry. It happens that a few days ago I linked to a couple essays showing off some magnificent surfaces that the right wireframe boundary might inspire. The mathematics describing how a soap bubbles’s shape should be made aren’t hard; I’m confident I could’ve understood the equations as an undergraduate. Finding exact solutions … I’m not sure I could have done. (I’d still want someone looking over my work if I did them today.) But numerical solutions, that I’d be confident in doing. And the real thing is available when you’re ready to get your hands … dirty … with soapy water.

Rick Stromoski’s Soup To Nutz for the 19th Shows RoyBoy on the brink of understanding symmetry. To lose at rock-paper-scissors is indeed just as hard as winning is. Suppose we replaced the names of the things thrown with letters. Suppose we replace ‘beats’ and ‘loses to’ with nonsense words. Then we could describe the game: A flobs B. B flobs C. C flobs A. A dostks C. C dostks B. B dostks A. There’s no way to tell, from this, whether A is rock or paper or scissors, or whether ‘flob’ or ‘dostk’ is a win.

Bill Whitehead’s Free Range for the 20th is the old joke about tipping being the hardest kind of mathematics to do. Proof? There’s an enormous blackboard full of symbols and the three guys in lab coats are still having trouble with it. I have long wondered why tips are used as the model of impossibly difficult things to compute that aren’t taxes. I suppose the idea of taking “fifteen percent” (or twenty, or whatever) of something suggests a need for precision. And it’ll be fifteen percent of a number chosen without any interest in making the calculation neat. So it looks like the worst possible kind of arithmetic problem. But the secret, of course, is that you don’t have to have “the” right answer. You just have to land anywhere in an acceptable range. You can work out a fraction — a sixth, a fifth, or so — of a number that’s close to the tab and you’ll be right. So, as ever, it’s important to know how to tell whether you have a correct answer before worrying about calculating it.

Allison Barrows’s Preeteena rerun for the 20th is your cheerleading geometry joke for this week.

I am sure Bill Holbrook’s On The Fastrack for the 22nd is not aimed at me. He hangs around Usenet group rec.arts.comics.strips some, as I do, and we’ve communicated a bit that way. But I can’t imagine he thinks of me much or even at all once he’s done with racs for the day. Anyway, Dethany does point out how a clear identity helps one communicate mathematics well. (Fi is to talk with elementary school girls about mathematics careers.) And bitterness is always a well-received pose. Me, I’m aware that my pop-mathematics brand identity is best described as “I guess he writes a couple things a week, doesn’t he?” and I could probably use some stronger hook, somewhere. I just don’t feel curmudgeonly most of the time.

Darby Conley’s Get Fuzzy rerun for the 22nd is about arithmetic as a way to be obscure. We’ve all been there. I had, at first, read Bucky’s rating as “out of 178 1/3 π” and thought, well, that’s not too bad since one-third of π is pretty close to 1. But then, Conley being a normal person, probably meant “one-hundred seventy-eight and a third”, and π times that is a mess. Well, it’s somewhere around 550 or so. Octave tells me it’s more like 560.251 and so on.