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  • Joseph Nebus 6:00 pm on Sunday, 5 March, 2017 Permalink | Reply
    Tags: Dark Side Of The Horse, , Joe Vanilla, Luann Againn, , , Poor Richard's Almanac, ,   

    Reading the Comics, March 4, 2017: Frazz, Christmas Trees, and Weddings Edition 

    It was another of those curious weeks when Comic Strip Master Command didn’t send quite enough comics my way. Among those they did send were a couple of strips in pairs. I can work with that.

    Samson’s Dark Side Of The Horse for the 26th is the Roman Numerals joke for this essay. I apologize to Horace for being so late in writing about Roman Numerals but I did have to wait for Cecil Adams to publish first.

    In Jef Mallett’s Frazz for the 26th Caulfield ponders what we know about Pythagoras. It’s hard to say much about the historical figure: he built a cult that sounds outright daft around himself. But it’s hard to say how much of their craziness was actually their craziness, how much was just that any ancient society had a lot of what seems nutty to us, and how much was jokes (or deliberate slander) directed against some weirdos. What does seem certain is that Pythagoras’s followers attributed many of their discoveries to him. And what’s certain is that the Pythagorean Theorem was known, at least a thing that could be used to measure things, long before Pythagoras was on the scene. I’m not sure if it was proved as a theorem or whether it was just known that making triangles with the right relative lengths meant you had a right triangle.

    Greg Evans’s Luann Againn for the 28th of February — reprinting the strip from the same day in 1989 — uses a bit of arithmetic as generic homework. It’s an interesting change of pace that the mathematics homework is what keeps one from sleep. I don’t blame Luann or Puddles for not being very interested in this, though. Those sorts of complicated-fraction-manipulation problems, at least when I was in middle school, were always slogs of shuffling stuff around. They rarely got to anything we’d like to know.

    Jef Mallett’s Frazz for the 1st of March is one of those little revelations that statistics can give one. Myself, I was always haunted by the line in Carl Sagan’s Cosmos about how, in the future, with the Sun ageing and (presumably) swelling in size and heat, the Earth would see one last perfect day. That there would most likely be quite fine days after that didn’t matter, and that different people might disagree on what made a day perfect didn’t matter. Setting out the idea of a “perfect day” and realizing there would someday be a last gave me chills. It still does.

    Richard Thompson’s Poor Richard’s Almanac for the 1st and the 2nd of March have appeared here before. But I like the strip so I’ll reuse them too. They’re from the strip’s guide to types of Christmas trees. The Cubist Fur is described as “so asymmetrical it no longer inhabits Euclidean space”. Properly neither do we, but we can’t tell by eye the difference between our space and a Euclidean space. “Non-Euclidean” has picked up connotations of being so bizarre or even horrifying that we can’t hope to understand it. In practice, it means we have to go a little slower and think about, like, what would it look like if we drew a triangle on a ball instead of a sheet of paper. The Platonic Fir, in the 2nd of March strip, looks like a geometry diagram and I doubt that’s coincidental. It’s very hard to avoid thoughts of Platonic Ideals when one does any mathematics with a diagram. We know our drawings aren’t very good triangles or squares or circles especially. And three-dimensional shapes are worse, as see every ellipsoid ever done on a chalkboard. But we know what we mean by them. And then we can get into a good argument about what we mean by saying “this mathematical construct exists”.

    Mark Litzler’s Joe Vanilla for the 3rd uses a chalkboard full of mathematics to represent the deep thinking behind a silly little thing. I can’t make any of the symbols out to mean anything specific, but I do like the way it looks. It’s quite well-done in looking like the shorthand that, especially, physicists would use while roughing out a problem. That there are subscripts with forms like “12” and “22” with a bar over them reinforces that. I would, knowing nothing else, expect this to represent some interaction between particles 1 and 2, and 2 with itself, and that the bar means some kind of complement. This doesn’t mean much to me, but with luck, it means enough to the scientist working it out that it could be turned into a coherent paper.

    'Has Carl given you any reason not to trust him?' 'No, not yet. But he might.' 'Fi ... you seek 100% certainty in people, but that doesn't exist. In the end,' and Dethany is drawn as her face on a pi symbol, 'we're *all* irrational numbers.'

    Bill Holbrook’s On The Fastrack for the 3rd of March, 2017. Fi’s dress isn’t one of those … kinds with the complicated pattern of holes in it. She got it torn while trying to escape the wedding and falling into the basement.

    Bill Holbrook’s On The Fastrack is this week about the wedding of the accounting-minded Fi. And she’s having last-minute doubts, which is why the strip of the 3rd brings in irrational and anthropomorphized numerals. π gets called in to serve as emblematic of the irrational numbers. Can’t fault that. I think the only more famously irrational number is the square root of two, and π anthropomorphizes more easily. Well, you can draw an established character’s face onto π. The square root of 2 is, necessarily, at least two disconnected symbols and you don’t want to raise distracting questions about whether the root sign or the 2 gets the face.

    That said, it’s a lot easier to prove that the square root of 2 is irrational. Even the Pythagoreans knew it, and a bright child can follow the proof. A really bright child could create a proof of it. To prove that π is irrational is not at all easy; it took mathematicians until the 19th century. And the best proof I know of the fact does it by a roundabout method. We prove that if a number (other than zero) is rational then the tangent of that number must be irrational, and vice-versa. And the tangent of π/4 is 1, so therefore π/4 must be irrational, so therefore π must be irrational. I know you’ll all trust me on that argument, but I wouldn’t want to sell it to a bright child.

    'Fi ... humans are complicated. Like the irrational number pi, we can go on forever. You never get to the bottom of us! But right now, upstairs, there are two variables who *want* you in their lives. Assign values to them.' Carl, Fi's fiancee, is drawn as his face with a y; his kid as a face on an x.

    Bill Holbrook’s On The Fastrack for the 4th of March, 2017. I feel bad that I completely forgot Carl had a kid and that the face on the x doesn’t help me remember anything.

    Holbrook continues the thread on the 4th, extends the anthropomorphic-mathematics-stuff to call people variables. There’s ways that this is fair. We use a variable for a number whose value we don’t know or don’t care about. A “random variable” is one that could take on any of a set of values. We don’t know which one it does, in any particular case. But we do know — or we can find out — how likely each of the possible values is. We can use this to understand the behavior of systems even if we never actually know what any one of it does. You see how I’m going to defend this metaphor, then, especially if we allow that what people are likely or unlikely to do will depend on context and evolve in time.

  • Joseph Nebus 6:00 pm on Thursday, 9 February, 2017 Permalink | Reply
    Tags: , , Dark Side Of The Horse, Dogs of C Kennel, , , , Nest Heads,   

    Reading the Comics, February 3, 2017: Counting Edition 

    And now I can close out last week’s mathematically-themed comic strips. Two of them are even about counting, which is enough for me to make that the name of this set.

    John Allen’s Nest Heads for the 2nd mentions a probability and statistics class and something it’s supposed to be good for. I would agree that probability and statistics are probably (I can’t find a better way to write this) the most practically useful mathematics one can learn. At least once you’re past arithmetic. They’re practical by birth; humans began studying them because they offer guidance in uncertain situations. And one can use many of their tools without needing more than arithmetic.

    I’m not so staunchly anti-lottery as many mathematics people are. I’ll admit I play it myself, when the jackpot is large enough. When the expectation value of the prize gets to be positive, it’s harder to rationalize not playing. This happens only once or twice a year, but it’s fun to watch and see when it happens. I grant it’s a foolish way to use two dollars (two tickets are my limit), but you know? My budget is not so tight I can’t spend four dollars foolishly a year. Besides, I don’t insist on winning one of those half-billion-dollar prizes. I imagine I’d be satisfied if I brought in a mere $10,000.

    'Hey, Ruthie's Granny, how old are you?' 'You can't count that high, James.' 'I can too!' 'Fine! Start at one and I'll tell you when you get to my age.' '1, 2, 3, 4, 11, 22, 88, 99, 200, a gazillion!' 'Very good! It's somewhere between 22 and a gazillion!' 'Gazowie!'

    Rick Detorie’s One Big Happy for the 3rd of February, 2017. A ‘gazillion’ is actually a surprisingly low number, hovering as it does somewhere around 212. Fun fact!

    Rick Detorie’s One Big Happy for the 3rd continues my previous essay’s bit of incompetence at basic mathematics, here, counting. But working out that her age is between 22 an a gazillion may be worth doing. It’s a common mathematical challenge to find a correct number starting from little information about it. Usually we find it by locating bounds: the number must be larger than this and smaller than that. And then get the bounds closer together. Stop when they’re close enough for our needs, if we’re numerical mathematicians. Stop when the bounds are equal to each other, if we’re analytic mathematicians. That can take a lot of work. Many problems in number theory amount to “improve our estimate of the lowest (or highest) number for which this is true”. We have to start somewhere.

    Samson’s Dark Side of the Horse for the 3rd is a counting-sheep joke and I was amused that the counting went so awry here. On looking over the strip again for this essay, though, I realize I read it wrong. It’s the fences that are getting counted, not the sheep. Well, it’s a cute little sheep having the same problems counting that Horace has. We don’t tend to do well counting more than around seven things at a glance. We can get a bit farther if we can group things together and spot that, say, we have four groups of four fences each. That works and it’s legitimate; we’re counting and we get the right count out of it. But it does feel like we’re doing something different from how we count, say, three things at a glance.

    Mick Mastroianni and Mason MastroianniDogs of C Kennel for the 3rd is about the world’s favorite piece of statistical mechanics, entropy. There’s room for quibbling about what exactly we mean by thermodynamics saying all matter is slowly breaking down. But the gist is fair enough. It’s still mysterious, though. To say that the disorder of things is always increasing forces us to think about what we mean by disorder. It’s easy to think we have an idea what we mean by it. It’s hard to make that a completely satisfying definition. In this way it’s much like randomness, which is another idea often treated as the same as disorder.

    Bill Amend’s FoxTrot Classics for the 3rd reprinted the comic from the 10th of February, 2006. Mathematics teachers always want to see how you get your answers. Why? … Well, there are different categories of mistakes someone can make. One can set out trying to solve the wrong problem. One can set out trying to solve the right problem in a wrong way. One can set out solving the right problem in the right way and get lost somewhere in the process. Or one can be doing just fine and somewhere along the line change an addition to a subtraction and get what looks like the wrong answer. Each of these is a different kind of mistake. Knowing what kinds of mistakes people make is key to helping them not make these mistakes. They can get on to making more exciting mistakes.

  • Joseph Nebus 6:00 pm on Sunday, 1 January, 2017 Permalink | Reply
    Tags: , , Bad Machinery, Buni, Daily Drawing, Dark Side Of The Horse, Madeline L'Engle, , , , Speechless, Wrong Hands   

    Reading the Comics, December 30, 2016: New Year’s Eve Week Edition 

    So last week, for schedule reasons, I skipped the Christmas Eve strips and promised to get to them this week. There weren’t any Christmas Eve mathematically-themed comic strips. Figures. This week, I need to skip New Year’s Eve comic strips for similar schedule reasons. If there are any, I’ll talk about them next week.

    Lorie Ransom’s The Daily Drawing for the 28th is a geometry wordplay joke for this installment. Two of them, when you read the caption.

    John Graziano’s Ripley’s Believe It or Not for the 28th presents the quite believable claim that Professor Dwight Barkley created a formula to estimate how long it takes a child to ask “are we there yet?” I am skeptical the equation given means all that much. But it’s normal mathematician-type behavior to try modelling stuff. That will usually start with thinking of what one wants to represent, and what things about it could be measured, and how one expects these things might affect one another. There’s usually several plausible-sounding models and one has to select the one or ones that seem likely to be interesting. They have to be simple enough to calculate, but still interesting. They need to have consequences that aren’t obvious. And then there’s the challenge of validating the model. Does its description match the thing we’re interested in well enough to be useful? Or at least instructive?

    Len Borozinski’s Speechless for the 28th name-drops Albert Einstein and the theory of relativity. Marginal mathematical content, but it’s a slow week.

    John Allison’s Bad Machinery for the 29th mentions higher dimensions. More dimensions. In particular it names ‘ana’ and ‘kata’ as “the weird extra dimensions”. Ana and kata are a pair of directions coined by the mathematician Charles Howard Hinton to give us a way of talking about directions in hyperspace. They echo the up/down, left/right, in/out pairs. I don’t know that any mathematicians besides Rudy Rucker actually use these words, though, and that in his science fiction. I may not read enough four-dimensional geometry to know the working lingo. Hinton also coined the “tesseract”, which has escaped from being a mathematician’s specialist term into something normal people might recognize. Mostly because of Madeline L’Engle, I suppose, but that counts.

    Samson’s Dark Side of the Horse for the 29th is Dark Side of the Horse‘s entry this essay. It’s a fun bit of play on counting, especially as a way to get to sleep.

    John Graziano’s Ripley’s Believe It or Not for the 29th mentions a little numbers and numerals project. Or at least representations of numbers. Finding other orders for numbers can be fun, and it’s a nice little pastime. I don’t know there’s an important point to this sort of project. But it can be fun to accomplish. Beautiful, even.

    Mark Anderson’s Andertoons for the 30th relieves us by having a Mark Anderson strip for this essay. And makes for a good Roman numerals gag.

    Ryan Pagelow’s Buni for the 30th can be counted as an anthropomorphic-numerals joke. I know it’s more of a “ugh 2016 was the worst year” joke, but it parses either way.

    John Atkinson’s Wrong Hands for the 30th is an Albert Einstein joke. It’s cute as it is, though.

  • Joseph Nebus 5:42 pm on Sunday, 29 July, 2012 Permalink | Reply
    Tags: , Barney and Clyde, , Brian Boychuk, , , Chris Browne, , , , , , Dan Weingarten, Dark Side Of The Horse, , David Clark, , Don Wimmer, Gene Weingarten, Ginger Meggs, Guy Endore-Kaiser, Hagar, Hagar the Horrible, , In The Bleachers, Jason Chatfield, John Forgetta, L A Rose, , , Mark Leiknes, math panic, , ocean, Pat Brady, , , roller coaster ride, Ron Boychuk, Rose is Rose, Samson, square root, Steve Moore, The Meaning of Lila, Viking,   

    Reading the Comics, July 28, 2012 

    I intend to be back to regular mathematics-based posts soon. I had a fine idea for a couple posts based on Sunday’s closing of the Diaster Transport roller coaster ride at Cedar Point, actually, although I have to technically write them first. (My bride and I made a trip to the park to get a last ride in before its closing, and that lead to inspiration.) But reviews of math-touching comic strips are always good for my readership, if I’m readin the statistics page here right, so let’s see what’s come up since the last recap, going up to the 14th of July.

    (More …)

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