## Reading the Comics, April 5, 2019: The Slow Week Edition

People reading my Reading the Comics post Sunday maybe noticed something. I mean besides my correct, reasonable complaining about the Comics Kingdom redesign. That is that all the comics were from before the 30th of March. That is, none were from the week before the 7th of April. The last full week of March had a lot of comic strips. The first week of April didn’t. So things got bumped a little. Here’s the results. It wasn’t a busy week, not when I filter out the strips that don’t offer much to write about. So now I’m stuck for what to post Thursday.

Jason Poland’s Robbie and Bobby for the 3rd is a Library of Babel comic strip. This is mathematical enough for me. Jorge Luis Borges’s Library is a magnificent representation of some ideas about infinity and probability. I’m surprised to realize I haven’t written an essay specifically about it. I have touched on it, in writing about normal numbers, and about the infinite monkey theorem.

The strip explains things well enough. The Library holds every book that will ever be written. In the original story there are some constraints. Particularly, all the books are 410 pages. If you wanted, say, a 600-page book, though, you could find one book with the first 410 pages and another book with the remaining 190 pages and then some filler. The catch, as explained in the story and in the comic strip, is finding them. And there is the problem of finding a ‘correct’ text. Every possible text of the correct length should be in there. So every possible book that might be titled Mark Twain vs Frankenstein, including ones that include neither Mark Twain nor Frankenstein, is there. Which is the one you want to read?

Henry Scarpelli and Craig Boldman’s Archie for the 4th features an equal-divisions problem. In principle, it’s easy to divide a pizza (or anything else) equally; that’s what we have fractions for. Making them practical is a bit harder. I do like Jughead’s quick work, though. It’s got the slight-of-hand you expect from stage magic.

Scott Hilburn’s The Argyle Sweater for the 4th takes place in an algebra class. I’m not sure what algebraic principle $7^4 \times 13^6$ demonstrates, but it probably came from somewhere. It’s 4,829,210. The exponentials on the blackboard do cue the reader to the real joke, of the sign reading “kick10 me”. I question whether this is really an exponential kicking situation. It seems more like a simple multiplication to me. But it would be harder to make that joke read clearly.

Tony Cochran’s Agnes for the 5th is part of a sequence investigating how magnets work. Agnes and Trout find just … magnet parts inside. This is fair. It’s even mathematics.

Thermodynamics classes teach one of the great mathematical physics models. This is about what makes magnets. Magnets are made of … smaller magnets. This seems like question-begging. Ultimately you get down to individual molecules, each of which is very slightly magnetic. When small magnets are lined up in the right way, they can become a strong magnet. When they’re lined up in another way, they can be a weak magnet. Or no magnet at all.

How do they line up? It depends on things, including how the big magnet is made, and how it’s treated. A bit of energy can free molecules to line up, making a stronger magnet out of a weak one. Or it can break up the alignments, turning a strong magnet into a weak one. I’ve had physics instructors explain that you could, in principle, take an iron rod and magnetize it just by hitting it hard enough on the desk. And then demagnetize it by hitting it again. I have never seen one do this, though.

This is more than just a physics model. The mathematics of it is … well, it can be easy enough. A one-dimensional, nearest-neighbor model, lets us describe how materials might turn into magnets or break apart, depending on their temperature. Two- or three-dimensional models, or models that have each small magnet affected by distant neighbors, are harder.

And then there’s the comic strips that didn’t offer much to write about.
Brian Basset’s Red and Rover for the 3rd,
Liniers’s Macanudo for the 5th, Stephen Bentley’s Herb and Jamaal rerun for the 5th, and Gordon Bess’s Redeye rerun for the 5th all idly mention mathematics class, or things brought up in class.

Doug Savage’s Savage Chickens for the 2nd is another more-than-100-percent strip. Richard Thompson’s Richard’s Poor Almanac for the 3rd is a reprint of his Christmas Tree guide including a fir that “no longer inhabits Euclidean space”.

Mike Baldwin’s Cornered for the 31st depicts a common idiom about numbers. Eric the Circle for the 5th, by Rafoliveira, plays on the ∞ symbol.

And that covers the mathematically-themed comic strips from last week. There are more coming, though. I’ll show them on Sunday. Thanks for reading.

## Reading the Comics, January 28, 2019: Stock Subjects Edition

There are some subjects that seem to come up all the time in these Reading the Comics posts. Lotteries. Roman numerals. Venn Diagrams. The New Math. Kids not doing arithmetic well, or not understanding when they do it. This is the slate of comics for today’s discussion.

Olivia Jaimes’s Nancy for the 27th is the Roman Numerals joke for the week. I am not certain there is a strong consensus about the origins of Roman numerals. It’s hard to suppose that the first several numerals, though, are all that far from tally marks. Adding serifs just makes the numerals probably easier to read, if harder to write. I’ll go along with Nancy’s excuse of using the weights to represent work with a lesser weight.

Joe Martin’s Mr Boffo for the 27th is a lottery joke. And a probability joke, comparing the chances of being struck by lightning to those of winning the lottery. This gives me an excuse to link back to The Wandering Melon joke about the person who suffered both. And that incident in which a person did both win the lottery and get struck by lightning, albeit several years apart.

Rick DeTorie’s One Big Happy for the 28th has the kid, Joe, impressed by something that he ought to have already expected. Grandpa uses this to take a crack at “that new, new math”, as though there were a time people weren’t amazed by what they should have deduced. Or a level of person who’s not surprised by the implications. One of Richard Feynman’s memoirs recounts him pranking people who have taken calculus by pointing out how whatever way you hold a French curve, the lowest point on it has a horizontal slope. This is true of the drafting instrument; but it’s also true of any curve that hasn’t got a corner or discontinuity.

There aren’t comments (so far as I’m aware) on Creators.com, which hosted this strip. So there weren’t any cracks about Common Core. But I am curious whether DeTorie wrote Grandpa as mentioning the New Math because the character would, plausibly, have seen that educational reform movement come and go. Or did DeTorie just riff on the New Math because that’s been a reliable punching bag since the mid-60s?

Liniers’s Macanudo for the 28th is the Venn Diagram joke for the week. And it commits to its Venn-ness. This did make me wonder whether John Venn did marry. Well, he’d taught at Cambridge in the 19th century. Sometimes marrying was forbidden. He married Sussanna Carnegie Edmonstone in 1867, and they had one child. I know nothing about whether he ever had a significant marital problem.

This past week was much busier for mathematically-themed comic strips. There’s going to be at least one more essay this week. There might be two. They’ll appear here, along with all the other Reading the Comics posts.