It was a slow week for mathematically-themed comic strips. What I have are meager examples. Small topics to discuss. The end of the week didn’t have anything even under loose standards of being on-topic. Which is fine, since I lost an afternoon of prep time to thunderstorms that rolled through town and knocked out power for hours. Who saw that coming? … If I had, I’d have written more the day before.
Mac King and Bill King’s Magic in a Minute for the 29th of October looks like a word problem. Well, it is a word problem. It looks like a problem about extrapolating a thing (price) from another thing (quantity). Well, it is an extrapolation problem. The fun is in figuring out what quantities are relevant. Now I’ve spoiled the puzzle by explaining it all so.
Olivia Walch’s Imogen Quest for the 30th doesn’t say it’s about a mathematics textbook. But it’s got to be. What other kind of textbook will have at least 28 questions in a section and only give answers to the odd-numbered problems in back? You never see that in your social studies text.
Eric the Circle for the 30th, this one by Dennill, tests how slow a week this was. I guess there’s a geometry joke in Jane Austen? I’ll trust my literate readers to tell me. My doing the world’s most casual search suggests there’s no mention of triangles in Pride and Prejudice. The previous might be the most ridiculously mathematics-nerdy thing I have written in a long while.
Tony Murphy’s It’s All About You for the 31st does some advanced-mathematics name-dropping. In so doing, it’s earned a spot taped to the door of two people in any mathematics department with more than 24 professors across the country. Or will, when they hear there was a gap unification theory joke in the comics. I’m not sure whether Murphy was thinking of anything particular in naming the subject “gap unification theory”. It sounds like a field of mathematical study. But as far as I can tell there’s just one (1) paper written that even says “gap unification theory”. It’s in partition theory. Partition theory is a rich and developed field, which seems surprising considering it’s about breaking up sets of the counting numbers into smaller sets. It seems like a time-waster game. But the game sneaks into everything, so the field turns out to be important. Gap unification, in the paper I can find, is about studying the gaps between these smaller sets.
There’s also a “band-gap unification” problem. I could accept this name being shortened to “gap unification” by people who have to say its name a lot. It’s about the physics of semiconductors, or the chemistry of semiconductors, as you like. The physics or chemistry of them is governed by the energies that electrons can have. Some of these energies are precise levels. Some of these energies are bands, continuums of possible values. When will bands converge? When will they not? Ask a materials science person. Going to say that’s not mathematics? Don’t go looking at the papers.
Whether partition theory or materials since it seems like a weird topic. Maybe Murphy just put together words that sounded mathematical. Maybe he has a friend in the field.
Bill Amend’s FoxTrot Classics for the 1st of November is aiming to be taped up to the high school teacher’s door. It’s easy to show how the square root of two is irrational. Takes a bit longer to show the square root of three is. Turns out all the counting numbers are either perfect squares — 1, 4, 9, 16, and so on — or else have irrational square roots. There’s no whole number with a square root of, like, something-and-three-quarters or something-and-85-117ths. You can show that, easily if tediously, for any particular whole number. What’s it look like to show for all the whole numbers that aren’t perfect squares already? (This strip originally ran the 8th of November, 2006.)
Comic Strip Master Command apparently doesn’t want me talking about the chances of Friday’s Showcase Showdown. They sent me enough of a flood of mathematically-themed strips that I don’t know when I’ll have the time to talk about the probability of that episode. (The three contestants spinning the wheel all tied, each spinning $1.00. And then in the spin-off, two of the three contestants also spun $1.00. And this after what was already a perfect show, in which the contestants won all six of the pricing games.) Well, I’ll do what comic strips I can this time, and carry on the last week of the Summer 2017 A To Z project, and we’ll see if I can say anything timely for Thursday or Saturday or so.
Jim Scancarelli’s Gasoline Alley for the 17th is a joke about the student embarrassing the teacher. It uses mathematics vocabulary for the specifics. And it does depict one of those moments that never stops, as you learn mathematics. There’s always more vocabulary. There’s good reasons to have so much vocabulary. Having names for things seems to make them easier to work with. We can bundle together ideas about what a thing is like, and what it may do, under a name. I suppose the trouble is that we’ve accepted a convention that we should define terms before we use them. It’s nice, like having the dramatis personae listed at the start of the play. But having that list isn’t the same as saying why anyone should care. I don’t know how to balance the need to make clear up front what one means and the need to not bury someone under a heap of similar-sounding names.
Mac King and Bill King’s Magic in a Minute for the 17th is another puzzle drawn from arithmetic. Look at it now if you want to have the fun of working it out, as I can’t think of anything to say about it that doesn’t spoil how the trick is done. The top commenter does have a suggestion about how to do the problem by breaking one of the unstated assumptions in the problem. This is the kind of puzzle created for people who want to motivate talking about parity or equivalence classes. It’s neat when you can say something of substance about a problem using simple information, though.
Terri Libenson’s Pajama Diaries for the 18th uses trigonometry as the marker for deep thinking. It comes complete with a coherent equation, too. It gives the area of a triangle with two legs that meet at a 45 degree angle. I admit I am uncomfortable with promoting the idea that people who are autistic have some super-reasoning powers. (Also with the pop-culture idea that someone who spots things others don’t is probably at least a bit autistic.) I understand wanting to think someone’s troubles have some compensation. But people are who they are; it’s not like they need to observe some “balance”.
Mike Thompson’s Grand Avenue for the 18th goes back to classrooms and stuff for clever answers that subvert the teacher. And I notice, per the title given this edition, that the teacher’s trying to make the abstractness of three minus two tangible, by giving it an example. Which pairs it with …
Will Henry’s Wallace the Brace for the 18th, wherein Wallace asserts that arithmetic is easier if you visualize real things. I agree it seems to help with stuff like basic arithmetic. I wouldn’t want to try taking the cosine of an apple, though. Separating the quantity of a thing from the kind of thing measured is one of those subtle breakthroughs. It’s one of the ways that, for example, modern calculations differ from those of the Ancient Greeks. But it does mean thinking of numbers in, we’d say, a more abstract way than they did, and in a way that seems to tax us more.
Wallace the Brave recently had a book collection published, by the way. I mention because this is one of a handful of comics with a character who likes pinball, and more, who really really loves the Williams game FunHouse. This is an utterly correct choice for favorite pinball game. It’s one of the games that made me a pinball enthusiast.
Ryan North’s Dinosaur Comics rerun for the 19th I mention on loose grounds. In it T-Rex suggests trying out an alternate model for how gravity works. The idea, of what seems to be gravity “really” being the shade cast by massive objects in a particle storm, was explored in the late 17th and early 18th century. It avoids the problem of not being able to quite say what propagates gravitational attraction. But it also doesn’t work, analytically. We would see the planets orbit differently if this were how gravity worked. And there’s the problem about mass and energy absorption, as pointed out in the comic. But it can often be interesting or productive to play with models that don’t work. You might learn something about models that do, or that could.
It was an ordinary enough week when I realized I wasn’t sure about the name of the schoolmarm in Barney Google and Snuffy Smith. So I looked it up on Comics Kingdom’s official cast page for John Rose’s comic strip. And then I realized something about the Smiths’ next-door neighbor Elviney and Jughaid’s teacher Miss Prunelly:
Are … are they the same character, just wearing different glasses? I’ve been reading this comic strip for like forty years and I’ve never noticed this before. I’ve also never heard any of you all joking about this, by the way, so I stand by my argument that if they’re prominent enough then, yes, glasses could be an adequate disguise for Superman. Anyway, I’m startled. (Are they sisters? Cousins? But wouldn’t that make mention on the cast page? There are missing pieces here.)
Mac King and Bill King’s Magic In A Minute feature for the 10th sneaks in here yet again with a magic trick based in arithmetic. Here, they use what’s got to be some Magic Square-based technology for a card trick. This probably could be put to use with other arrangements of numbers, but cards have the advantage of being stuff a magician is likely to have around and that are expected to do something weird.
Thom Bluemel’s Birdbrains for the 13th is an Albert Einstein Needing Help panel. It’s got your blackboard full of symbols, not one of which is the famous E = mc2 equation. But given the setup it couldn’t feature that equation, not and be a correct joke.
John Rose’s Barney Google for the 14th does a little more work than necessary for its subtraction-explained-with-candy joke. I non-sarcastically appreciate Rose’s dodging the obvious joke in favor of a guy-is-stupid joke.
Niklas Eriksson’s Carpe Diem for the 14th is a kind of lying-with-statistics joke. That’s as much as it needs to be. Still, thought always should go into exactly how one presents data, especially visually. There are connotations to things. Just inverting an axis is dangerous stuff, though. The convention of matching an increase in number to moving up on the graph is so ingrained that it should be avoided only for enormous cause.
This joke also seems conceptually close, to me, to the jokes about the strangeness of how a “negative” medical test is so often the good news.
Olivia Walch’s Imogen Quest for the 15th is not about solitaire. But “solving” a game by simulating many gameplays and drawing strategic advice from that is a classic numerical mathematics trick. Whether a game is fun once it’s been solved so is up to you. And often in actual play, for a game with many options at each step, it’s impossible without a computer to know the best possible move. You could use simulations like this to develop general guidelines, and a couple rules that often pan out.
It was again a week just busy enough that I’m comfortable splitting the Reading The Comments thread into two pieces. It’s also a week that made me think about cake. So, I’m happy with the way last week shaped up, as far as comic strips go. Other stuff could have used a lot of work Let’s read.
Stephen Bentley’s Herb and Jamaal rerun for the 13th depicts “teaching the kids math” by having them divide up a cake fairly. I accept this as a viable way to make kids interested in the problem. Cake-slicing problems are a corner of game theory as it addresses questions we always find interesting. How can a resource be fairly divided? How can it be divided if there is not a trusted authority? How can it be divided if the parties do not trust one another? Why do we not have more cake? The kids seem to be trying to divide the cake by volume, which could be fair. If the cake slice is a small enough wedge they can likely get near enough a perfect split by ordinary measures. If it’s a bigger wedge they’d need calculus to get the answer perfect. It’ll be well-approximated by solids of revolution. But they likely don’t need perfection.
This is assuming the value of the icing side is not held in greater esteem than the bare-cake sides. This is not how I would value the parts of the cake. They’ll need to work something out about that, too.
Mac King and Bill King’s Magic in a Minute for the 13th features a bit of numerical wizardry. That the dates in a three-by-three block in a calendar will add up to nine times the centered date. Why this works is good for a bit of practice in simplifying algebraic expressions. The stunt will be more impressive if you can multiply by nine in your head. I’d do that by taking ten times the given date and then subtracting the original date. I won’t say I’m fond of the idea of subtracting 23 from 230, or 17 from 170. But a skilled performer could do something interesting while trying to do this subtraction. (And if you practice the trick you can get the hang of the … fifteen? … different possible answers.)
Bill Amend’s FoxTrot rerun for the 14th mentions mathematics. Young nerd Jason’s trying to get back into hand-raising form. Arithmetic has considerable advantages as a thing to practice answering teachers. The questions have clear, definitely right answers, that can be worked out or memorized ahead of time, and can be asked in under half a panel’s word balloon space. I deduce the strip first ran the 21st of August, 2006, although that image seems to be broken.
Ed Allison’s Unstrange Phenomena for the 14th suggests changes in the definition of the mile and the gallon to effortlessly improve the fuel economy of cars. As befits Allison’s Dadaist inclinations the numbers don’t work out. As it is, if you defined a New Mile of 7,290 feet (and didn’t change what a foot was) and a New Gallon of 192 fluid ounces (and didn’t change what an old fluid ounce was) then a 20 old-miles-per-old-gallon car would come out to about 21.7 new-miles-per-new-gallon. Commenter Del_Grande points out that if the New Mile were 3,960 feet then the calculation would work out. This inspires in me curiosity. Did Allison figure out the numbers that would work and then make a mistake in the final art? Or did he pick funny-looking numbers and not worry about whether they made sense? No way to tell from here, I suppose. (Allison doesn’t mention ways to get in touch on the comic’s About page and I’ve only got the weakest links into the professional cartoon community.)
Patrick Roberts’s Todd the Dinosaur for the 15th mentions long division as the stuff of nightmares. So it is. I guess MathWorld and Wikipedia endorse calling 128 divided by 4 long division, although I’m not sure I’m comfortable with that. This may be idiosyncratic; I’d thought of long division as where the divisor is two or more digits. A three-digit number divided by a one-digit one doesn’t seem long to me. I’d just think that was division. I’m curious what readers’ experiences have been.
So this past week saw a lot of comic strips with some mathematical connection put forth. There were enough just for the 26th that I probably could have done an essay with exclusively those comics. So it’s another split-week edition, which suits me fine as I need to balance some of my writing loads the next couple weeks for convenience (mine).
Tony Cochrane’s Agnes for the 25th of June is fun as the comic strip almost always is. And it’s even about estimation, one of the things mathematicians do way more than non-mathematicians expect. Mathematics has a reputation for precision, when in my experience it’s much more about understanding and controlling error methods. Even in analysis, the study of why calculus works, the typical proof amounts to showing that the difference between what you want to prove and what you can prove is smaller than your tolerance for an error. So: how do we go about estimating something difficult, like, the number of stars? If it’s true that nobody really knows, how do we know there are some wrong answers? And the underlying answer is that we always know some things, and those let us rule out answers that are obviously low or obviously high. We can make progress.
Russell Myers’s Broom Hilda for the 25th is about one explanation given for why time keeps seeming to pass faster as one age. This is a mathematical explanation, built on the idea that the same linear unit of time is a greater proportion of a young person’s lifestyle so of course it seems to take longer. This is probably partly true. Most of our senses work by a sense of proportion: it’s easy to tell a one-kilogram from a two-kilogram weight by holding them, and easy to tell a five-kilogram from a ten-kilogram weight, but harder to tell a five from a six-kilogram weight.
As ever, though, I’m skeptical that anything really is that simple. My biggest doubt is that it seems to me time flies when we haven’t got stories to tell about our days, when they’re all more or less the same. When we’re doing new or exciting or unusual things we remember more of the days and more about the days. A kid has an easy time finding new things, and exciting or unusual things. Broom Hilda, at something like 1500-plus years old and really a dour, unsociable person, doesn’t do so much that isn’t just like she’s done before. Wouldn’t that be an influence? And I doubt that’s a complete explanation either. Real things are more complicated than that yet.
Norm Feuti’s Retail for the 26th is about how you get good at arithmetic. I suspect there’s two natural paths; you either find it really interesting in your own right, or you do it often enough you want to find ways to do it quicker. Marla shows the signs of learning to do arithmetic quickly because she does it a lot: turning “30 percent off” into “subtract ten percent three times over” is definitely the easy way to go. The alternative is multiplying by seven and dividing by ten and you don’t want to multiply by seven unless the problem gives a good reason why you should. And I certainly don’t fault the customer not knowing offhand what 30 percent off $25 would be. Why would she be in practice doing this sort of problem?
Johnny Hart’s Back To B.C. for the 26th reruns the comic from the 30th of December, 1959. In it … uh … one of the cavemen guys has found his calendar for the next year has too many days. (Think about what 1960 was.) It’s a common problem. Every calendar people have developed has too few or too many days, as the Earth’s daily rotations on its axis and annual revolution around the sun aren’t perfectly synchronized. We handle this in many different ways. Some calendars worry little about tracking solar time and just follow the moon. Some calendars would run deliberately short and leave a little stretch of un-named time before the new year started; the ancient Roman calendar, before the addition of February and January, is famous in calendar-enthusiast circles for this. We’ve now settled on a calendar which will let the nominal seasons and the actual seasons drift out of synch slowly enough that periodic changes in the Earth’s orbit will dominate the problem before the error between actual-year and calendar-year length will matter. That’s a pretty good sort of error control.
8,978,432 is not anywhere near the number of days that would be taken between 4,000 BC and the present day. It’s not a joke about Bishop Ussher’s famous research into the time it would take to fit all the Biblically recorded events into history. The time is something like 24,600 years ago, a choice which intrigues me. It would make fair sense to declare, what the heck, they lived 25,000 years ago and use that as the nominal date for the comic strip. 24,600 is a weird number of years. Since it doesn’t seem to be meaningful I suppose Hart went, simply enough, with a number that was funny just for being riotously large.
Mark Tatulli’s Heart of the City for the 26th places itself on my Grand Avenue warning board. There’s plenty of time for things to go a different way but right now it’s set up for a toxic little presentation of mathematics. Heart, after being grounded, was caught sneaking out to a slumber party and now her mother is sending her to two weeks of Math Camp. I’m supposing, from Tatulli’s general attitude about how stuff happens in Heart and in Lio that Math Camp will not be a horrible, penal experience. But it’s still ominous talk and I’m watching.
Brian Fies’s Mom’s Cancer story for the 26th is part of the strip’s rerun on GoComics. (Many comic strips that have ended their run go into eternal loops on GoComics.) This is one of the strips with mathematical content. The spatial dimension of a thing implies relationships between the volume (area, hypervolume, whatever) of a thing and its characteristic linear measure, its diameter or radius or side length. It can be disappointing.
Nicholas Gurewitch’s Perry Bible Fellowship for the 26th is a repeat of one I get on my mathematics Twitter friends now and then. Should warn, it’s kind of racy content, at least as far as my usual recommendations here go. It’s also a little baffling because while the reveal of the unclad woman is funny … what, exactly, does it mean? The symbols don’t mean anything; they’re just what fits graphically. I think the strip is getting at Dr Loring not being able to see even a woman presenting herself for sex as anything but mathematics. I guess that’s funny, but it seems like the idea isn’t quite fully developed.
Zach Weinersmith’s Saturday Morning Breakfast Cereal Again for the 26th has a mathematician snort about plotting a giraffe logarithmically. This is all about representations of figures. When we plot something we usually start with a linear graph: a couple of axes perpendicular to one another. A unit of movement in the direction of any of those axes represents a constant difference in whatever that axis measures. Something growing ten units larger, say. That’s fine for many purposes. But we may want to measure something that changes by a power law, or that grows (or shrinks) exponentially. Or something that has some region where it’s small and some region where it’s huge. Then we might switch to a logarithmic plot. Here the same difference in space along the axis represents a change that’s constant in proportion: something growing ten times as large, say. The effective result is to squash a shape down, making the higher points more nearly flat.
And to completely smother Weinersmith’s fine enough joke: I would call that plot semilogarithmically. I’d use a linear scale for the horizontal axis, the gazelle or giraffe head-to-tail. But I’d use a logarithmic scale for the vertical axis, ears-to-hooves. So, linear in one direction, logarithmic in the other. I’d be more inclined to use “logarithmic” plots to mean logarithms in both the horizontal and the vertical axes. Those are useful plots for turning up power laws, like the relationship between a planet’s orbital radius and the length of its year. Relationships like that turn into straight lines when both axes are logarithmically spaced. But I might also describe that as a “log-log plot” in the hopes of avoiding confusion.
If there was a theme this week, it was puzzles. So many strips had little puzzles to work out. You’ll see. Thank you.
Bill Amend’s FoxTrot for the 30th of April tries to address my loss of Jumble panels. Thank you, whoever at Comic Strip Master Command passed along word of my troubles. I won’t spoil your fun. As sometimes happens with a Jumble you can work out the joke punchline without doing any of the earlier ones. 64 in binary would be written 1000000. And from this you know what fits in all the circles of the unscrambled numbers. This reduces a lot of the scrambling you have to do: just test whether 341 or 431 is a prime number. Check whether 8802, 8208, or 2808 is divisible by 117. The integer cubed you just have to keep trying possibilities. But only one combination is the cube of an integer. The factorial of 12, just, ugh. At least the circles let you know you’ve done your calculations right.
Steve McGarry’s activity feature Kidtown for the 30th plays with numbers some. And a puzzle that’ll let you check how well you can recognize multiles of four that are somewhere near one another. You can use diagonals too; that’s important to remember.
Mac King and Bill King’s Magic in a Minute feature for the 30th is also a celebration of numerals. Enjoy the brain teaser about why the encoding makes sense. I don’t believe the hype about NASA engineers needing days to solve a puzzle kids got in minutes. But if it’s believable, is it really hype?
Marty Links’s Emmy Lou from the 29th of October, 1963 was rerun the 2nd of May. It’s a reminder that mathematics teachers of the early 60s also needed something to tape to their doors.
Mark Litzler’s Joe Vanilla for the 2nd name-drops the Null Hypothesis. I’m not sure what Litzler is going for exactly. The Null Hypothesis, though, comes to us from statistics and from inference testing. It turns up everywhere when we sample stuff. It turns up in medicine, in manufacturing, in psychology, in economics. Everywhere we might see something too complicated to run the sorts of unambiguous and highly repeatable tests that physics and chemistry can do — things that are about immediately practical questions — we get to testing inferences. What we want to know is, is this data set something that could plausibly happen by chance? Or is it too far out of the ordinary to be mere luck? The Null Hypothesis is the explanation that nothing’s going on. If your sample is weird in some way, well, everything is weird. What’s special about your sample? You hope to find data that will let you reject the Null Hypothesis, showing that the data you have is so extreme it just can’t plausibly be chance. Or to conclude that you fail to reject the Null Hypothesis, showing that the data is not so extreme that it couldn’t be chance. We don’t accept the Null Hypothesis. We just allow that more data might come in sometime later.
I don’t know what Litzler is going for with this. I feel like I’m missing a reference and I’ll defer to a finance blogger’s Reading the Comics post.
I’m writing this a little bit early because I’m not able to include the Saturday strips in the roundup. There won’t be enough to make a split week edition; I’ll just add the Saturday strips to next week’s report. In the meanwhile:
Mac King and Bill King’s Magic in a Minute for the 2nd is a magic trick, as the name suggests. It figures out a card by way of shuffling a (partial) deck and getting three (honest) answers from the other participant. If I’m not counting wrongly, you could do this trick with up to 27 cards and still get the right card after three answers. I feel like there should be a way to explain this that’s grounded in information theory, but I’m not able to put that together. I leave the suggestion here for people who see the obvious before I get to it.
Bil Keane and Jeff Keane’s Family Circus (probable) rerun for the 6th reassured me that this was not going to be a single-strip week. And a dubiously included single strip at that. I’m not sure that lotteries are the best use of the knowledge of numbers, but they’re a practical use anyway.
Bill Bettwy’s Take It From The Tinkersons for the 6th is part of the universe of students resisting class. I can understand the motivation problem in caring about numbers of apples that satisfy some condition. In the role of distinct objects whose number can be counted or deduced cards are as good as apples. In the role of things to gamble on, cards open up a lot of probability questions. Counting cards is even about how the probability of future events changes as information about the system changes. There’s a lot worth learning there. I wouldn’t try teaching it to elementary school students.
Jeffrey Caulfield and Alexandre Rouillard’s Mustard and Boloney for the 6th uses mathematics as the stuff know-it-alls know. At least I suppose it is; Doctor Know It All speaks of “the pathagorean principle”. I’m assuming that’s meant to be the Pythagorean theorem, although the talk about “in any right triangle the area … ” skews things. You can get to stuf about areas of triangles from the Pythagorean theorem. One of the shorter proofs of it depends on the areas of the squares of the three sides of a right triangle. But it’s not what people typically think of right away. But he wouldn’t be the first know-it-all to start blathering on the assumption that people aren’t really listening. It’s common enough to suppose someone who speaks confidently and at length must know something.
Zach Weinersmith’s Saturday Morning Breakfast Cereal for the 6th builds on the form of a classic puzzle, about a sequence indexed to the squares of a chessboard. The story being riffed on is a bit of mathematical legend. The King offered the inventor of chess any reward. The inventor asked for one grain of wheat for the first square, two grains for the second square, four grains for the third square, eight grains for the fourth square, and so on, through all 64 squares. An extravagant reward, but surely one within the king’s power to grant, right? And of course not: by the 64th doubling the amount of wheat involved is so enormous it’s impossibly great wealth.
The father’s offer is meant to evoke that. But he phrases it in a deceptive way, “one penny for the first square, two for the second, and so on”. That “and so on” is the key. Listing a sequence and ending “and so on” is incomplete. The sequence can go in absolutely any direction after the given examples and not be inconsistent. There is no way to pick a single extrapolation as the only logical choice.
We do it anyway, though. Even mathematicians say “and so on”. This is because we usually stick to a couple popular extrapolations. We suppose things follow a couple common patterns. They’re polynomials. Or they’re exponentials. Or they’re sine waves. If they’re polynomials, they’re lower-order polynomials. Things like that. Most of the time we’re not trying to trick our fellow mathematicians. Or we know we’re modeling things with some physical base and we have reason to expect some particular type of function.
In this case, the $1.27 total is consistent with getting two cents for every chess square after the first. There are infinitely many other patterns that would work, and the kid would have been wise to ask for what precisely “and so on” meant before choosing.
Berkeley Breathed’s Bloom County 2017 for the 7th is the climax of a little story in which Oliver Wendell Holmes has been annoying people by shoving scientific explanations of things into their otherwise pleasant days. It’s a habit some scientifically-minded folks have, and it’s an annoying one. Many of us outgrow it. Anyway, this strip is about the curious evidence suggesting that the universe is not just expanding, but accelerating its expansion. There are mathematical models which allow this to happen. When developing General Relativity, Albert Einstein included a Cosmological Constant for little reason besides that without it, his model would suggest the universe was of a finite age and had expanded from an infinitesimally small origin. He had grown up without anyone knowing of any evidence that the size of the universe was a thing that could change.
Anyway, the Cosmological Constant is a puzzle. We can find values that seem to match what we observe, but we don’t know of a good reason it should be there. We sciencey types like to have models that match data, but we appreciate more knowing why the models look like that and not anything else. So it’s a good problem some of the cosmologists have been working on. But we’ve been here before. A great deal of physics, especially in the 20th Century, has been driven by looking for reasons behind what look like arbitrary points in a successful model. If Oliver were better-versed in the history of science — something scientifically minded people are often weak on, myself included — he’d be less easily taunted by Opus.
Since I suspect that the comics roundup posts are the most popular ones I post, I’m very glad to see there was a bumper crop of strips among the ones I read regularly (from King Features Syndicate and from gocomics.com) this past week. Some of those were from cancelled strips in perpetual reruns, but that’s fine, I think: there aren’t any particular limits on how big an electronic comics page one can have, after all, and while it’s possible to read a short-lived strip long enough that you see all its entries, it takes a couple go-rounds to actually have them all memorized.