## Reading the Comics, April 5, 2019: The Slow Week Edition

People reading my Reading the Comics post Sunday maybe noticed something. I mean besides my correct, reasonable complaining about the Comics Kingdom redesign. That is that all the comics were from before the 30th of March. That is, none were from the week before the 7th of April. The last full week of March had a lot of comic strips. The first week of April didn’t. So things got bumped a little. Here’s the results. It wasn’t a busy week, not when I filter out the strips that don’t offer much to write about. So now I’m stuck for what to post Thursday.

Jason Poland’s Robbie and Bobby for the 3rd is a Library of Babel comic strip. This is mathematical enough for me. Jorge Luis Borges’s Library is a magnificent representation of some ideas about infinity and probability. I’m surprised to realize I haven’t written an essay specifically about it. I have touched on it, in writing about normal numbers, and about the infinite monkey theorem.

The strip explains things well enough. The Library holds every book that will ever be written. In the original story there are some constraints. Particularly, all the books are 410 pages. If you wanted, say, a 600-page book, though, you could find one book with the first 410 pages and another book with the remaining 190 pages and then some filler. The catch, as explained in the story and in the comic strip, is finding them. And there is the problem of finding a ‘correct’ text. Every possible text of the correct length should be in there. So every possible book that might be titled Mark Twain vs Frankenstein, including ones that include neither Mark Twain nor Frankenstein, is there. Which is the one you want to read?

Henry Scarpelli and Craig Boldman’s Archie for the 4th features an equal-divisions problem. In principle, it’s easy to divide a pizza (or anything else) equally; that’s what we have fractions for. Making them practical is a bit harder. I do like Jughead’s quick work, though. It’s got the slight-of-hand you expect from stage magic.

Scott Hilburn’s The Argyle Sweater for the 4th takes place in an algebra class. I’m not sure what algebraic principle $7^4 \times 13^6$ demonstrates, but it probably came from somewhere. It’s 4,829,210. The exponentials on the blackboard do cue the reader to the real joke, of the sign reading “kick10 me”. I question whether this is really an exponential kicking situation. It seems more like a simple multiplication to me. But it would be harder to make that joke read clearly.

Tony Cochran’s Agnes for the 5th is part of a sequence investigating how magnets work. Agnes and Trout find just … magnet parts inside. This is fair. It’s even mathematics.

Thermodynamics classes teach one of the great mathematical physics models. This is about what makes magnets. Magnets are made of … smaller magnets. This seems like question-begging. Ultimately you get down to individual molecules, each of which is very slightly magnetic. When small magnets are lined up in the right way, they can become a strong magnet. When they’re lined up in another way, they can be a weak magnet. Or no magnet at all.

How do they line up? It depends on things, including how the big magnet is made, and how it’s treated. A bit of energy can free molecules to line up, making a stronger magnet out of a weak one. Or it can break up the alignments, turning a strong magnet into a weak one. I’ve had physics instructors explain that you could, in principle, take an iron rod and magnetize it just by hitting it hard enough on the desk. And then demagnetize it by hitting it again. I have never seen one do this, though.

This is more than just a physics model. The mathematics of it is … well, it can be easy enough. A one-dimensional, nearest-neighbor model, lets us describe how materials might turn into magnets or break apart, depending on their temperature. Two- or three-dimensional models, or models that have each small magnet affected by distant neighbors, are harder.

And then there’s the comic strips that didn’t offer much to write about.
Brian Basset’s Red and Rover for the 3rd,
Liniers’s Macanudo for the 5th, Stephen Bentley’s Herb and Jamaal rerun for the 5th, and Gordon Bess’s Redeye rerun for the 5th all idly mention mathematics class, or things brought up in class.

Doug Savage’s Savage Chickens for the 2nd is another more-than-100-percent strip. Richard Thompson’s Richard’s Poor Almanac for the 3rd is a reprint of his Christmas Tree guide including a fir that “no longer inhabits Euclidean space”.

Mike Baldwin’s Cornered for the 31st depicts a common idiom about numbers. Eric the Circle for the 5th, by Rafoliveira, plays on the ∞ symbol.

And that covers the mathematically-themed comic strips from last week. There are more coming, though. I’ll show them on Sunday. Thanks for reading.

## Reading the Comics, December 4, 2018: Christmas Specials Edition

This installment took longer to write than you’d figure, because it’s the time of year we’re watching a lot of mostly Rankin/Bass Christmas specials around here. So I have to squeeze words out in-between baffling moments of animation and, like, arguing whether there’s any possibility that Jack Frost was not meant to be a Groundhog Day special that got rewritten to Christmas because the networks weren’t having it otherwise.

Graham Nolan’s Sunshine State for the 3rd is a misplaced Pi Day strip. I did check the copyright to see if it might be a rerun from when it was more seasonal.

Jeffrey Caulfield and Brian Ponshock’s Yaffle for the 3rd is the anthropomorphic numerals joke for the week. … You know, I’ve always wondered in this sort of setting, what are two-digit numbers like? I mean, what’s the difference between a twelve and a one-and-two just standing near one another? How do people recognize a solitary number? This is a darned silly thing to wonder so there’s probably a good web comic about it.

John Hambrock’s The Brilliant Mind of Edison Lee for the 4th has Edison forecast the outcome of a basketball game. I can’t imagine anyone really believing in forecasting the outcome, though. The elements of forecasting a sporting event are plausible enough. We can suppose a game to be a string of events. Each of them has possible outcomes. Some of them score points. Some block the other team’s score. Some cause control of the ball (or whatever makes scoring possible) to change teams. Some take a player out, for a while or for the rest of the game. So it’s possible to run through a simulated game. If you know well enough how the people playing do various things? How they’re likely to respond to different states of things? You could certainly simulate that.

But all sorts of crazy things will happen, one game or another. Run the same simulation again, with different random numbers. The final score will likely be different. The course of action certainly will. Run the same simulation many times over. Vary it a little; what happens if the best player is a little worse than average? A little better? What if the referees make a lot of mistakes? What if the weather affects the outcome? What if the weather is a little different? So each possible outcome of the sporting event has some chance. We have a distribution of the possible results. We can judge an expected value, and what the range of likely outcomes is. This demands a lot of data about the players, though. Edison Lee can have it, I suppose. The premise of the strip is that he’s a genius of unlimited competence. It would be more likely to expect for college and professional teams.

Brian Basset’s Red and Rover for the 4th uses arithmetic as the homework to get torn up. I’m not sure it’s just a cameo appearance. It makes a difference to the joke as told that there’s division and long division, after all. But it could really be any subject.

I’m figuring to get to the letter ‘W’ in my Fall 2018 Mathematics A To Z glossary for Tuesday. Reading the Comics posts this week. And I also figure there should be two more When posted, they’ll be at this link.

## Reading the Comics, October 12, 2017: Busy Saturday Soon Edition

The week was looking ready to be one where I have my five paragraphs about how something shows off a word problem and that’s it. And then Comic Strip Master Command turned up the flow of comics for Saturday. So, here’s my five paragraphs about something being word problems and we’ll pick up the other half of them soon.

Bill Whitehead’s Free Range for the 10th is an Albert Einstein joke. That’s usually been enough. That it mentions curved space, the exotic geometries that make general relativity so interesting, gives it a little more grounding as a mathematical comic. It’s a bit curious, surely, that curved space strikes people as so absurd. Nobody serious argues whether we live on a curved space, though, not when we see globes and think about shapes that cover a big part of the surface of the Earth. But there is something different about thinking of three-dimensional space as curved; it’s hard to imagine curved around what.

Brian Basset’s Red and Rover started some word problems on the 11th, this time with trains travelling in separate directions. The word problem seemed peculiar, since the trains wouldn’t be 246 miles apart at any whole number of hours. But they will be at a reasonable fraction more than a whole number of hours, so I guess Red has gotten to division with fractions.

Red and Rover are back at it the 12th with basically the same problem. This time it’s with airplanes. Also this time it’s a much worse problem. While you can do the problem still, the numbers are uglier. It’ll be just enough over two hours and ten minutes that I wonder if the numbers got rewritten away from some nicer set. For example, if the planes had been flying at 360 and 540 miles per hour, and the question was when they would be 2,100 miles apart, then you’d have a nice two-and-a-third hours.

Patrick Roberts’s Todd the Dinosaur for the 12th is another in the line of jokes about fraction-teaching going wrong by picking a bad example.

John Zakour and Scott Roberts’s Maria’s Day for the 12th uses mathematics as the iconic worst-possible-case for a pop quiz. I suppose spelling might have done too.

## Reading the Comics, September 9, 2017: First Split Week Edition, Part 2

I don’t actually like it when a split week has so many more comics one day than the next, but I also don’t like splitting across a day if I can avoid it. This week, I had to do a little of both since there were so many comic strips that were relevant enough on the 8th. But they were dominated by the idea of going back to school, yet.

Randy Glasbergen’s Glasbergen Cartoons rerun for the 8th is another back-to-school gag. And it uses arithmetic as the mathematics at its most basic. Arithmetic might not be the most fundamental mathematics, but it does seem to be one of the parts we understand first. It’s probably last to be forgotten even on a long summer break.

Mark Pett’s Mr Lowe rerun for the 8th is built on the familiar old question of why learn arithmetic when there’s computers. Quentin is unconvinced of this as motive for learning long division. I’ll grant the case could be made better. I admit I’m not sure how, though. I think long division is good as a way to teach, especially, the process of estimating and improving estimates of a calculation. There’s a lot of real mathematics in doing that.

Guy Gilchrist’s Nancy for the 8th is another back-to-school strip. Nancy’s faced with “this much math” so close to summer. Her given problem’s a bit of a mess to me. But it’s mostly teaching whether the student’s got the hang of the order of operations. And the instructor clearly hasn’t got the sense right. People can ask whether we should parse “12 divided by 3 times 4” as “(12 divided by 3) times 4” or as “12 divided by (3 times 4)”, and that does make a major difference. Multiplication commutes; you can do it in any order. Division doesn’t. Leaving ambiguous phrasing is the sort of thing you learn, instinctively, to avoid. Nancy would be justified in refusing to do the problem on the grounds that there is no unambiguous way to evaluate it, and that the instructor surely did not mean for her to evaluate it all four different plausible ways.

By the way, I’ve seen going around Normal Person Twitter this week a comment about how they just discovered the division symbol ÷, the obelus, is “just” the fraction bar with dots above and below where the unknown numbers go. I agree this is a great mnemonic for understanding what is being asked for with the symbol. But I see no evidence that this is where the symbol, historically, comes from. We first see ÷ used for division in the writings of Johann Henrich Rahn, in 1659, and the symbol gained popularity particularly when John Pell picked it up nine years later. But it’s not like Rahn invented the symbol out of nowhere; it had been used for subtraction for over 125 years at that point. There were also a good number of writers using : or / or \ for division. There were some people using a center dot before and after a / mark for this, like the % sign fell on its side. That ÷ gained popularity in English and American writing seems to be a quirk of fate, possibly augmented by it being relatively easy to produce on a standard typewriter. (Florian Cajori notes that the National Committee on Mathematical Requirements recommended dropping ÷ altogether in favor of a symbol that actually has use in non-mathematical life, the / mark. The Committee recommended this in 1923, so you see how well the form agenda is doing.)

Dave Whamond’s Reality Check for the 8th is the anthropomorphic-numerals joke for this week. A week without one is always a bit … peculiar.

Mark Leiknes’s Cow and Boy rerun for the 9th only mentions mathematics, and that as a course that Billy would rather be skipping. But I like the comic strip and want to promote its memory as much as possible. It’s a deeply weird thing, because it has something like 400 running jokes, and it’s hard to get into because the first couple times you see a pastoral conversation interrupted by an orca firing a bazooka at a cat-helicopter while a panda brags of blowing up the moon it seems like pure gibberish. If you can get through that, you realize why this is funny.

Dave Blazek’s Loose Parts for the 9th uses chalkboards full of stuff as the sign of a professor doing serious thinking. Mathematics is will-suited for chalkboards, at least in comic strips. It conveys a lot of thought and doesn’t need much preplanning. Although a joke about the difficulties in planning out blackboard use does take that planning. Yes, there is a particular pain that comes from having more stuff to write down in the quick yet easily collaborative medium of the chalkboard than there is board space to write.

Brian Basset’s Red and Rover for the 9th also really only casually mentions mathematics. But it’s another comic strip I like a good deal so would like to talk up. Anyway, it does show Red discovering he doesn’t mind doing mathematics when he sees the use.

## Reading the Comics, March 11, 2017: Accountants Edition

And now I can wrap up last week’s delivery from Comic Strip Master Command. It’s only five strips. One certainly stars an accountant. one stars a kid that I believe is being coded to read as an accountant. The rest, I don’t know. I pick Edition titles for flimsy reasons anyway. This’ll do.

Ryan North’s Dinosaur Comics for the 6th is about things that could go wrong. And every molecule of air zipping away from you at once is something which might possibly happen but which is indeed astronomically unlikely. This has been the stuff of nightmares since the late 19th century made probability an important part of physics. The chance all the air near you would zip away at once is impossibly unlikely. But such unlikely events challenge our intuitions about probability. An event that has zero chance of happening might still happen, given enough time and enough opportunities. But we’re not using our time well to worry about that. If nothing else, even if all the air around you did rush away at once, it would almost certainly rush back right away.