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  • Joseph Nebus 4:00 pm on Sunday, 4 June, 2017 Permalink | Reply
    Tags: , , , , , Motley, , , Ripley's Believe It Or Not, The Norm,   

    Reading the Comics, May 31, 2017: Feast Week Edition 

    You know we’re getting near the end of the (United States) school year when Comic Strip Master Command orders everyone to clear out their mathematics jokes. I’m assuming that’s what happened here. Or else a lot of cartoonists had word problems on their minds eight weeks ago. Also eight weeks ago plus whenever they originally drew the comics, for those that are deep in reruns. It was busy enough to split this week’s load into two pieces and might have been worth splitting into three, if I thought I had publishing dates free for all that.

    Larry Wright’s Motley Classics for the 28th of May, a rerun from 1989, is a joke about using algebra. Occasionally mathematicians try to use the the ability of people to catch things in midair as evidence of the sorts of differential equations solution that we all can do, if imperfectly, in our heads. But I’m not aware of evidence that anyone does anything that sophisticated. I would be stunned if we didn’t really work by a process of making a guess of where the thing should be and refining it as time allows, with experience helping us make better guesses. There’s good stuff to learn in modeling how to catch stuff, though.

    Michael Jantze’s The Norm Classics rerun for the 28th opines about why in algebra you had to not just have an answer but explain why that was the answer. I suppose mathematicians get trained to stop thinking about individual problems and instead look to classes of problems. Is it possible to work out a scheme that works for many cases instead of one? If it isn’t, can we at least say something interesting about why it’s not? And perhaps that’s part of what makes algebra classes hard. To think about a collection of things is usually harder than to think about one, and maybe instructors aren’t always clear about how to turn the specific into the general.

    Also I want to say some very good words about Jantze’s graphical design. The mock textbook cover for the title panel on the left is so spot-on for a particular era in mathematics textbooks it’s uncanny. The all-caps Helvetica, the use of two slightly different tans, the minimalist cover art … I know shelves stuffed full in the university mathematics library where every book looks like that. Plus, “[Mathematics Thing] And Their Applications” is one of the roughly four standard approved mathematics book titles. He paid good attention to his references.

    Gary Wise and Lance Aldrich’s Real Life Adventures for the 28th deploys a big old whiteboard full of equations for the “secret” of the universe. This makes a neat change from finding the “meaning” of the universe, or of life. The equations themselves look mostly like gibberish to me, but Wise and Aldrich make good uses of their symbols. The symbol \vec{B} , a vector-valued quantity named B, turns up a lot. This symbol we often use to represent magnetic flux. The B without a little arrow above it would represent the intensity of the magnetic field. Similarly an \vec{H} turns up. This we often use for magnetic field strength. While I didn’t spot a \vec{E} — electric field — which would be the natural partner to all this, there are plenty of bare E symbols. Those would represent electric potential. And many of the other symbols are what would naturally turn up if you were trying to model how something is tossed around by a magnetic field. Q, for example, is often the electric charge. ω is a common symbol for how fast an electromagnetic wave oscillates. (It’s not the frequency, but it’s related to the frequency.) The uses of symbols is consistent enough, in fact, I wonder if Wise and Aldrich did use a legitimate sprawl of equations and I’m missing the referenced problem.

    John Graziano’s Ripley’s Believe It Or Not for the 28th mentions how many symbols are needed to write out the numbers from 1 to 100. Is this properly mathematics? … Oh, who knows. It’s just neat to know.

    Mark O’Hare’s Citizen Dog rerun for the 29th has the dog Fergus struggle against a word problem. Ordinary setup and everything, but I love the way O’Hare draws Fergus in that outfit and thinking hard.

    The Eric the Circle rerun for the 29th by ACE10203040 is a mistimed Pi Day joke.

    Bill Amend’s FoxTrot Classicfor the 31st, a rerun from the 7th of June, 2006, shows the conflation of “genius” and “good at mathematics” in everyday use. Amend has picked a quixotic but in-character thing for Jason Fox to try doing. Euclid’s Fifth Postulate is one of the classic obsessions of mathematicians throughout history. Euclid admitted the thing — a confusing-reading mess of propositions — as a postulate because … well, there’s interesting geometry you can’t do without it, and there doesn’t seem any way to prove it from the rest of his geometric postulates. So it must be assumed to be true.

    There isn’t a way to prove it from the rest of the geometric postulates, but it took mathematicians over two thousand years of work at that to be convinced of the fact. But I know I went through a time of wanting to try finding a proof myself. It was a mercifully short-lived time that ended in my humbly understanding that as smart as I figured I was, I wasn’t that smart. We can suppose Euclid’s Fifth Postulate to be false and get interesting geometries out of that, particularly the geometries of the surface of the sphere, and the geometry of general relativity. Jason will surely sometime learn.

    • goldenoj 9:08 pm on Sunday, 4 June, 2017 Permalink | Reply

      Just found these recently. I really enjoy them and catching up is fun. Thanks!


      • Joseph Nebus 1:05 am on Wednesday, 7 June, 2017 Permalink | Reply

        Thanks for finding the pieces. I hope you enjoy; they’re probably my most reliable feature around here.


  • Joseph Nebus 6:00 pm on Sunday, 21 May, 2017 Permalink | Reply
    Tags: bowling, , , Inspector Danger, , , Questionable Quotebook, Ripley's Believe It Or Not   

    Reading the Comics, May 20, 2017: Major Computer Malfunction Week Edition 

    I was hit by a massive computer malfunction this week, the kind that forced me to buy a new computer and spend half a week copying stuff over from a limping hard drive and hoping it would maybe work if I held things just right. Mercifully, Comic Strip Master Command gave me a relatively easy week. No huge rush of mathematically-themed comic strips and none that are going to take a thousand words of writing to describe. Let’s go.

    Sam Hepburn’s Questionable Quotebook for the 14th includes this week’s anthropomorphic geometry sketch underneath its big text block.

    Eric the Circle for the 15th, this one by “Claire the Square”, is the rare Eric the Circle to show off properties of circles. So maybe that’s the second anthropomorphic geometry sketch for the week. If the week hadn’t been dominated by my computer woes that might have formed the title for this edition.

    Werner Wejp-Olsen’s Inspector Danger’s Crime Quiz for the 15th puts a mathematician in mortal peril and leaves him there to die. As is traditional for this sort of puzzle the mathematician left a dying clue. (Mathematicians were similarly kind to their investigators on the 4th of July, 2016 and the 9th of July, 2012. I was expecting the answer to be someone with a four-letter and an eight-letter name, none of which anybody here had. Doesn’t matter. It’ll never stand up in court.

    John Graziano’s Ripley’s Believe It Or Not for the 17th features one of those astounding claims that grows out of number theory. Graziano asserts that there are an astounding 50,613,244,155,051,856 ways to score exactly 100 points in (ten-pin) bowling. I won’t deny that this seems high to me. But partitioning a number — that is, taking a (positive) whole number and writing down the different ways one can add up (positive) whole numbers to get that sum — often turns up a lot of possibilities. That there should be many ways to get a score of 100 by adding between ten and twenty numbers that could be between zero and ten each, plus the possibility of adding pairs of the numbers (for spares) or trios of numbers (for strikes) makes this less astonishing.

    Wikipedia led me to this page, from Balmoral Software, about all the different ways there are to score different numbers. The most surprising thing it reveals to me is that 100 isn’t even the score with the greatest number of possible scores. 77 is. There are 172,542,309,343,731,946 ways to score exactly 77 points. I agree this ought to make me feel better about my game. It doesn’t. It turns out there are, altogether, something like 5,726,805,883,325,784,576 possible different outcomes for a bowling game. And how we can tell that, given there’s no practical way to go and list all of them, is described at the end of the page.

    The technique is called “divide and conquer”. There’s no way to list all the outcomes of ten frames of bowling, but there’s certainly a way to list all the outcomes of one. Or two. Or three. So, work out how many possible scores there would be in few enough frames you can handle that. Then combine these shortened games into one that’s the full ten frames. There’s some trouble in matching up the ends of the short games. A spare or a strike in the last frame of a shortened game means one has to account for the first or first two frames of the next one. But this is still an easier problem than the one we started with.

    Bill Amend’s FoxTrot Classics for the 18th (rerun from the 25th of May, 2006) is your standard percentages and infinities joke. Really would have expected Paige’s mother to be wise to this game by now, but this sort of thing happens.

  • Joseph Nebus 6:00 pm on Sunday, 26 March, 2017 Permalink | Reply
    Tags: , , , , Pardon My Planet, , , Ripley's Believe It Or Not, , Todd the Dinosaur   

    Reading the Comics, March 25, 2017: Slow Week Edition 

    Slow week around here for mathematically-themed comic strips. These happen. I suspect Comic Strip Master Command is warning me to stop doing two-a-week essays on reacting to comic strips and get back to more original content. Message received. If I can get ahead of some projects Monday and Tuesday we’ll get more going.

    Patrick Roberts’s Todd the Dinosaur for the 20th is a typical example of mathematics being something one gets in over one’s head about. Of course it’s fractions. Is there anything in elementary school that’s a clearer example of something with strange-looking rules and processes for some purpose students don’t even know what they are? In middle school and high school we get algebra. In high school there’s trigonometry. In high school and college there’s calculus. In grad school there’s grad school. There’s always something.

    Teacher: 'Todd, are you wearing water wings? Why, pray tell?' 'So I can make it to the third grade! We're startin' fractions today and YOU said you had a feeling I was gonna get in over my head.' 'Dang!'

    Patrick Roberts’s Todd the Dinosaur for the 20th of March, 2017. I’ll allow the kids-say-the-darndest-things setup for the strip. I’m stuck on wondering just how much good water wings that size could do. Yes, he’s limited by his anatomy but aren’t we all?

    Jeff Stahler’s Moderately Confused for the 21st is the usual bad-mathematics-of-politicians joke. It may be a little more on point considering the Future Disgraced Former President it names, but the joke is surely as old as politicians and hits all politicians with the same flimsiness.

    John Graziano’s Ripley’s Believe It Or Not for the 22nd names Greek mathematician Pythagoras. That’s close enough to on-point to include here, especially considering what a slow week it’s been. It may not be fair to call Pythagoras a mathematician. My understanding is we don’t know that actually did anything in mathematics, significant or otherwise. His cult attributed any of its individuals’ discoveries to him, and may have busied themselves finding other, unrelated work to credit to their founder. But there’s so much rumor and gossip about Pythagoras that it’s probably not fair to automatically dismiss any claim about him. The beans thing I don’t know about. I would be skeptical of anyone who said they were completely sure.

    Vic Lee’s Pardon My Planet for the 23rd is the usual sort of not-understanding-mathematics joke. In this case it’s about percentages, which are good for baffling people who otherwise have a fair grasp on fractions. I wonder if people would be better at percentages if they learned to say “percent” as “out of a hundred” instead. I’m sure everyone who teaches percentages teaches that meaning, but that doesn’t mean the warning communicates.

    'OK, then let's compromise. I'll be right most of the time - at least 46 percent of the time. And you can be right whenever there is math involved.'

    Vic Lee’s Pardon My Planet for the 23rd of March, 2017. Don’t mind me, I’m busy trying to convince myself the back left leg of that park bench is hidden behind the guy’s leg and not missing altogether and it’s still pretty touch-and-go on that.

    Stephan Pastis’s Pearls Before Swine for the 24th jams a bunch of angle puns into its six panels. I think it gets most of the basic set in there.

    Samson’s Dark Side Of The Horse for the 25th mentions sudokus, and that’s enough for a slow week like this. I thought Horace was reaching for a calculator in the last panel myself, and was going to say that wouldn’t help any. But then I checked the numbers in the boxes and that made it all better.

  • Joseph Nebus 6:00 pm on Sunday, 19 February, 2017 Permalink | Reply
    Tags: , fandom, , , , , Ripley's Believe It Or Not, , Wandering Melon   

    Reading the Comics, February 15, 2017: SMBC Cuts In Line Edition 

    It’s another busy enough week for mathematically-themed comic strips that I’m dividing the harvest in two. There’s a natural cutting point since there weren’t any comics I could call relevant for the 15th. But I’m moving a Saturday Morning Breakfast Cereal of course from the 16th into this pile. That’s because there’s another Saturday Morning Breakfast Cereal of course from after the 16th that I might include. I’m still deciding if it’s close enough to on topic. We’ll see.

    John Graziano’s Ripley’s Believe It Or Not for the 12th mentions the “Futurama Theorem”. The trivia is true, in that writer Ken Keeler did create a theorem for a body-swap plot he had going. The premise was that any two bodies could swap minds at most one time. So, after a couple people had swapped bodies, was there any way to get everyone back to their correct original body? There is, if you bring two more people in to the body-swapping party. It’s clever.

    From reading comment threads about the episode I conclude people are really awestruck by the idea of creating a theorem for a TV show episode. The thing is that “a theorem” isn’t necessarily a mind-boggling piece of work. It’s just the name mathematicians give when we have a clearly-defined logical problem and its solution. A theorem and its proof can be a mind-wrenching bit of work, like Fermat’s Last Theorem or the Four-Color Map Theorem are. Or it can be on the verge of obvious. Keeler’s proof isn’t on the obvious side of things. But it is the reasoning one would have to do to solve the body-swap problem the episode posited without cheating. Logic and good story-telling are, as often, good partners.

    Teresa Burritt’s Frog Applause is a Dadaist nonsense strip. But for the 13th it hit across some legitimate words, about a 14 percent false-positive rate. This is something run across in hypothesis testing. The hypothesis is something like “is whatever we’re measuring so much above (or so far below) the average that it’s not plausibly just luck?” A false positive is what it sounds like: our analysis said yes, this can’t just be luck, and it turns out that it was. This turns up most notoriously in medical screenings, when we want to know if there’s reason to suspect a health risk, and in forensic analysis, when we want to know if a particular person can be shown to have been a particular place at a particular time. A 14 percent false positive rate doesn’t sound very good — except.

    Suppose we are looking for a rare condition. Say, something one person out of 500 will have. A test that’s 99 percent accurate will turn up positives for the one person who has got it and for five of the people who haven’t. It’s not that the test is bad; it’s just there are so many negatives to work through. If you can screen out a good number of the negatives, though, the people who haven’t got the condition, then the good test will turn up fewer false positives. So suppose you have a cheap or easy or quick test that doesn’t miss any true positives but does have a 14 percent false positive rate. That would screen out 430 of the people who haven’t got whatever we’re testing for, leaving only 71 people who need the 99-percent-accurate test. This can make for a more effective use of resources.

    Gary Wise and Lance Aldrich’s Real Life Adventures for the 13th is an algebra-in-real-life joke and I can’t make something deeper out of that.

    Mike Shiell’s The Wandering Melon for the 13th is a spot of wordplay built around statisticians. Good for taping to the mathematics teacher’s walls.

    Eric the Circle for the 14th, this one by “zapaway”, is another bit of wordplay. Tans and tangents.

    Zach Weinersmith’s Saturday Morning Breakfast Cereal for the 16th identifies, aptly, a difference between scientists and science fans. Weinersmith is right that loving trivia is a hallmark of a fan. Expertise — in any field, not just science — is more about recognizing patterns of problems and concepts, ways to bring approaches from one field into another, this sort of thing. And the digits of π are great examples of trivia. There’s no need for anyone to know the 1,681st digit of π. There’s few calculations you could ever do when you needed more than three dozen digits. But if memorizing digits seems like fun then π is a great set to learn. e is the only other number at all compelling.

    The thing is, it’s very hard to become an expert in something without first being a fan of it. It’s possible, but if a field doesn’t delight you why would you put that much work into it? So even though the scientist might have long since gotten past caring how many digits of π, it’s awfully hard to get something memorized in the flush of fandom out of your head.

    I know you’re curious. I can only remember π out to 3.14158926535787962. I might have gotten farther if I’d tried, but I actually got a digit wrong, inserting a ‘3’ before that last ’62’, and the effort to get that mistake out of my head obliterated any desire to waste more time memorizing digits. For e I can only give you 2.718281828. But there’s almost no hope I’d know that far if it weren’t for how e happens to repeat that 1828 stanza right away.

  • Joseph Nebus 6:00 pm on Sunday, 1 January, 2017 Permalink | Reply
    Tags: , , Bad Machinery, Buni, Daily Drawing, , Madeline L'Engle, , Ripley's Believe It Or Not, , Speechless, Wrong Hands   

    Reading the Comics, December 30, 2016: New Year’s Eve Week Edition 

    So last week, for schedule reasons, I skipped the Christmas Eve strips and promised to get to them this week. There weren’t any Christmas Eve mathematically-themed comic strips. Figures. This week, I need to skip New Year’s Eve comic strips for similar schedule reasons. If there are any, I’ll talk about them next week.

    Lorie Ransom’s The Daily Drawing for the 28th is a geometry wordplay joke for this installment. Two of them, when you read the caption.

    John Graziano’s Ripley’s Believe It or Not for the 28th presents the quite believable claim that Professor Dwight Barkley created a formula to estimate how long it takes a child to ask “are we there yet?” I am skeptical the equation given means all that much. But it’s normal mathematician-type behavior to try modelling stuff. That will usually start with thinking of what one wants to represent, and what things about it could be measured, and how one expects these things might affect one another. There’s usually several plausible-sounding models and one has to select the one or ones that seem likely to be interesting. They have to be simple enough to calculate, but still interesting. They need to have consequences that aren’t obvious. And then there’s the challenge of validating the model. Does its description match the thing we’re interested in well enough to be useful? Or at least instructive?

    Len Borozinski’s Speechless for the 28th name-drops Albert Einstein and the theory of relativity. Marginal mathematical content, but it’s a slow week.

    John Allison’s Bad Machinery for the 29th mentions higher dimensions. More dimensions. In particular it names ‘ana’ and ‘kata’ as “the weird extra dimensions”. Ana and kata are a pair of directions coined by the mathematician Charles Howard Hinton to give us a way of talking about directions in hyperspace. They echo the up/down, left/right, in/out pairs. I don’t know that any mathematicians besides Rudy Rucker actually use these words, though, and that in his science fiction. I may not read enough four-dimensional geometry to know the working lingo. Hinton also coined the “tesseract”, which has escaped from being a mathematician’s specialist term into something normal people might recognize. Mostly because of Madeline L’Engle, I suppose, but that counts.

    Samson’s Dark Side of the Horse for the 29th is Dark Side of the Horse‘s entry this essay. It’s a fun bit of play on counting, especially as a way to get to sleep.

    John Graziano’s Ripley’s Believe It or Not for the 29th mentions a little numbers and numerals project. Or at least representations of numbers. Finding other orders for numbers can be fun, and it’s a nice little pastime. I don’t know there’s an important point to this sort of project. But it can be fun to accomplish. Beautiful, even.

    Mark Anderson’s Andertoons for the 30th relieves us by having a Mark Anderson strip for this essay. And makes for a good Roman numerals gag.

    Ryan Pagelow’s Buni for the 30th can be counted as an anthropomorphic-numerals joke. I know it’s more of a “ugh 2016 was the worst year” joke, but it parses either way.

    John Atkinson’s Wrong Hands for the 30th is an Albert Einstein joke. It’s cute as it is, though.

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