My All 2020 Mathematics A to Z: Möbius Strip

Jacob Siehler suggested this topic. I had to check several times that I hadn’t written an essay about the Möbius strip already. While I have talked about it some, mostly in comic strip essays, this is a chance to specialize on the shape in a way I haven’t before.

Color cartoon illustration of a coati in a beret and neckerchief, holding up a director's megaphone and looking over the Hollywood hills. The megaphone has the symbols + x (division obelus) and = on it. The Hollywood sign is, instead, the letters MATHEMATICS. In the background are spotlights, with several of them crossing so as to make the letters A and Z; one leg of the spotlights has 'TO' in it, so the art reads out, subtly, 'Mathematics A to Z'.
Art by Thomas K Dye, creator of the web comics Projection Edge, Newshounds, Infinity Refugees, and Something Happens. He’s on Twitter as @projectionedge. You can get to read Projection Edge six months early by subscribing to his Patreon.

Möbius Strip.

I have ridden at least 252 different roller coasters. These represent nearly every type of roller coaster made today, and most of the types that were ever made. One type, common in the 1920s and again since the 70s, is the racing coaster. This is two roller coasters, dispatched at the same time, following tracks that are as symmetric as the terrain allows. Want to win the race? Be in the train with the heavier passenger load. The difference in the time each train takes amounts to losses from friction, and the lighter train will lose a bit more of its speed.

There are three special wooden racing coasters. These are Racer at Kennywood Amusement Park (Pittsburgh), Grand National at Blackpool Pleasure Beach (Blackpool, England), and Montaña Rusa at La Feria Chapultepec Magico (Mexico City). I’ve been able to ride them all. When you get into the train going up, say, the left lift hill, you return to the station in the train that will go up the right lift hill. These racing roller coasters have only one track. The track twists around itself and becomes a Möbius strip.

Picture of some of the Grand National track, at Blackpool Pleasure Beach, showing off particularly a sign with an illustration of the launch station and 'What The Papers Say', showing the British national papers' 'reviews' of the roller coaster.
I’m not surprised I don’t have good pictures of Grand National. I’ve only been able to visit Blackpool Pleasure Beach the one time. And a few days before my camera had just been thoroughly soaked in heavy rain. I could only take a picture by turning it on; the camera would power up, take a picture as soon as it was ready, and power down again. It’s the other parks I’m surprised I lack better pictures for.

This is a fun use of the Möbius strip. The shape is one of the few bits of advanced mathematics to escape into pop culture. Maybe dominates it, in a way nothing but the blackboard full of calculus equations does. In 1958 the public intellectual and game show host Clifton Fadiman published the anthology Fantasia Mathematica. It’s all essays and stories and poems with some mathematical element. I no longer remember how many of the pieces were about the Möbius strip one way or another. The collection does include A J Deutschs’s classic A Subway Named Möbius. In this story the Boston subway system achieves hyperdimensional complexity. It does not become a Möbius strip, though, in that story. It might be one in reality anyway.

The Möbius strip we name for August Ferdinand Möbius, who in 1858 was the second person known to have noticed the shape’s curious properties. The first — to notice, in 1858, and to publish, in 1862 — was Johann Benedict Listing. Listing seems to have coined the term “topology” for the field that the Möbius strip would be emblem for. He wrote one of the first texts on the field. He also seems to have coined terms like “entrophic phenomena” and “nodal points” and “geoid” and “micron”, for a millionth of a meter. It’s hard to say why we don’t talk about Listing strips instead. Mathematical fame is a strange, unpredictable creature. There is a topological invariant, the Listing Number, named for him. And he’s known to ophthalmologists for Listing’s Law, which describes how human eyes orient themselves.

The Möbius strip is an easy thing to construct. Loop a ribbon back to itself, with an odd number of half-twist before you fasten the ends together. Anyone could do it. So it seems curious that for all recorded history nobody thought to try. Not until 1858 when Lister and then Möbius hit on the same idea.

Kennywood Racer blue roller coaster train, leaving the station on the (camera) left track.
It’s Kennywood’s Racer I’m surprised I don’t have a picture that shows what I really want. We get to Kennywood basically every year, 2020 excepted for obvious reasons. But there also really aren’t good observation tower-type attractions that let you get a photograph of Racer as a whole, I’ll tell myself is the problem.

An irresistible thing, while riding these roller coasters, is to try to find the spot where you “switch”, where you go from being on the left track to the right. You can’t. The track is — well, the track is a series of metal straps bolted to a base of wood. (The base the straps are bolted to is what makes it a wooden roller coaster. The great lattice holding the tracks above ground have nothing to do with it.) But the path of the tracks is a continuous whole. To split it requires the same arbitrariness with which mapmakers pick a prime meridian. It’s obvious that the “longitude” of a cylinder or a rubber ball is arbitrary. It’s not obvious that roller coaster tracks should have the same property. Until you draw the shape in that ∞-loop figure we always see. Then you can get lost imagining a walk along the surface.

And it’s not true that nobody thought to try this shape before 1858. Julyan H E Cartwright and Diego L González wrote a paper searching for pre-Möbius strips. They find some examples. To my eye not enough examples to support their abstract’s claim of “lots of them”, but I trust they did not list every example. One example is a Roman mosaic showing Aion, the God of Time, Eternity, and the Zodiac. He holds a zodiac ring that is either a Möbius strip or cylinder with artistic errors. Cartwright and González are convinced. I’m reminded of a Looks Good On Paper comic strip that forgot to include the needed half-twist.

Mobius Trip. A car, loaded for vacation, with someone in it asking 'Are we there yet? Are we there yet? Are we there yet?' The road is along a Mobius strip, with roadside bits like deer or road signs or opossums crossing the road on the margins.
Dan Collins’s Looks Good on Paper for the 10th of September, 2018. It originally ran the 10th of September, 2016. It falls a half-twist short of being the Möbius strip it intends to be. Essays in which I discuss Looks Good On Paper are at this link.

Islamic science gives us a more compelling example. We have a book by Ismail al-Jazari dated 1206, The Book of Knowledge of Ingenious Mechanical Devices. Some manuscripts of it illustrate a chain pump, with the chain arranged as a Möbius strip. Cartwright and González also note discussions in Scientific American, and other engineering publications in the United States, about drive and conveyor belts with the Möbius strip topology. None of those predate Lister or Möbius, or apparently credit either. And they do come quite soon after. It’s surprising something might leap from abstract mathematics to Yankee ingenuity that fast.

If it did. It’s not hard to explain why mechanical belts didn’t consider Möbius strip shapes before the late 19th century. Their advantage is that the wear of the belt distributes over twice the surface area, the “inside” and “outside”. A leather belt has a smooth and a rough side. Many other things you might make a belt from have a similar asymmetry. By the late 19th century you could make a belt of rubber. Its grip and flexibility and smoothness is uniform on all sides. “Balancing” the use suddenly could have a point.

I still find it curious almost no one drew or speculated about or played with these shapes until, practically, yesterday. The shape doesn’t seem far away from a trefoil knot. The recycling symbol, three folded-over arrows, suggests a Möbius strip. The strip evokes the ∞ symbol, although that symbol was not attached to the concept of “infinity” until John Wallis put it forth in 1655.

Kennywood Racer blue roller coaster train arriving at the station on the (camera) right track; the red train is approaching the (camera) left track.
Also Racer is usually quite packed, and we’d rather put time into Jackrabbit (100 years old this year) and Thunderbolt (originally built in 1924 as Pippin and extensively rebuilt in 1967). Still, people attending as part of special events can get more revealing photographs.

Even with the shape now familiar, and loved, there are curious gaps. Consider game design. If you play on a board that represents space you need to do something with the boundaries. The easiest is to make the boundaries the edges of playable space. The game designer has choices, though. If a piece moves off the board to the right, why not have it reappear on the left? (And, going off to the left, reappear on the right.) This is fine. It gives the game board, a finite rectangle, the topology of a cylinder. If this isn’t enough? Have pieces that go off the top edge reappear at the bottom, and vice-versa. Doing this, along with matching the left to the right boundaries, makes the game board a torus, a doughnut shape.

A Möbius strip is easy enough to code. Make the top and bottom impenetrable borders. And match the left to the right edges this way: a piece going off the board at the upper half of the right edge reappears at the lower half of the left edge. Going off the lower half of the right edge brings the piece to the upper half of the left edge. And so on. It isn’t hard, but I’m not aware of any game — board or computer — that uses this space. Maybe there’s a backgammon variant which does.

Still, the strip defies our intuition. It has one face and one edge. To reflect a shape across the width of the strip is the same as sliding a shape along its length. Cutting the strip down the center unfurls it into a cylinder. Cutting the strip down, one-third of the way from the edge, divides it into two pieces, a skinnier Möbius strip plus a cylinder. If we could extract the edge we could tug and stretch it until it was a circle.

And it primes our intuition. Once we understand there can be shapes lacking sides we can look for more. Anyone likely to read a pop mathematics blog about the Möbius strip has heard of the Klein bottle. This is a three-dimensional surface that folds back on itself in the fourth dimension of space. The shape is a jug with no inside, or with nothing but inside. Three-dimensional renditions of this get suggested as gifts to mathematicians. This for your mathematician friend who’s already got a Möbius scarf.

Log flume car splashing down at the bottom of its hill. In the background is the rust-red track and structure of the Racer roller coaster.
Anyway the roller coaster in background is Racer. This is a view from the Log Jammer, a log flume ride that Kennywood removed in 2018.

Though a Möbius strip looks — at any one spot — like a plane, the four-color map theorem doesn’t hold for it. Even the five-color theorem won’t do. You need six colors to cover maps on such a strip. A checkerboard drawn on a Möbius strip can be completely covered by T-shape pentominoes or Tetris pieces. You can’t do this for a checkerboard on the plane. In the mathematics of music theory the organization of dyads — two-tone “chords” — has the structure of a Möbius strip. I do not know music theory or the history of music theory. I’m curious whether Möbius strips might have been recognized by musicians before the mathematicians caught on.

And they inspire some practical inventions. Mechanical belts are obvious, although I don’t know how often they’re used. More clever are designs for resistors that have no self-inductance. They can resist electric flow without causing magnetic interference. I can look up the patents; I can’t swear to how often these are actually used. There exist — there are made — Möbius aromatic compounds. These are organic compounds with rings of carbon and hydrogen. I do not know a use for these. That they’ve only been synthesized this century, rather than found in nature, suggests they are more neat than practical.

Perhaps this shape is most useful as a path into a particular type of topology, and for its considerable artistry. And, with its “late” discovery, a reminder that we do not yet know all that is obvious. That is enough for anything.

Photograph of a model of the Montana Rusa roller coaster, under glass, and watched over by a Alebrije-styled dragon-ish figure. It sits on the platform for a roller coaster.
Montaña Rusa, sad to say, when we visited La Feria Chapultepec Magico in 2018 was running only one train at a time. It did have this gorgeous model of the roller coaster, although under plexiglass and roped off so that it was difficult to photograph.

There are three steel roller coasters with a Möbius strip track. That is, the metal rail on which the coaster runs is itself braced directly by metal. One of these is in France, one in Italy, and one in Iran. One in Liaoning, China has been under construction for five years. I can’t say when it might open. I have yet to ride any of them.

This and all the other 2020 A-to-Z essays should be at this link. Both the 2020 and all past A-to-Z essays should be at this link. I am hosting the Playful Math Education Blog Carnival at the end of September, so appreciate any educational or recreational or simply fun mathematics material you know about. And, goodness, I’m actually overdue to ask for topics for the latters P through R; I’ll have a post for that tomorrow, I hope. Thank you for your reading and your help.

Checking Back in On That 117-Year-Old Roller Coaster

I apologize to people who want to know the most they can about the comic strips of the past week. I’ve not had time to write about them. Part of what has kept me busy is a visit to Lakemont Park, in Altoona, Pennsylvania. The park has had several bad years, including two years in which it did not open at all. But still standing at the park is the oldest-known roller coaster, Leap The Dips.

My first visit to this park, in 2013, among other things gave me a mathematical question to ask. That is, could any of the many pieces of wood in it be original? How many pieces would you expect?

Two parts of the white-painted-wood roller coaster track. In front is the diagonal lift hill. Behind is a basically horizontal track which has a small dip in the middle.
One of the dips of Leap The Dips. These hills are not large ones. The biggest drop is about nine feet; the coaster is a total of 41 feet high at its greatest. The track goes back and forth in a figure-eight layout several times, and in the middle of each ‘straightaway’ leg is a dip like this.

Problems of this form happen all the time. They turn up whenever there’s something which has a small chance of happening, but many chances to happen. In this case, there’s a small chance that any particular piece of wood will need replacing. But there are a lot of pieces of wood, and they might need replacement at any ride inspection. So there’s an obvious answer to how likely it is any piece of wood would survive a century-plus. And, from that, how much of that wood should be original.

And, since this is a probability question, I found reasons not to believe in this answer. These reasons amount to my doubting that the reality is much like the mathematical abstraction. I even found evidence that my doubts were correct.

Covered station for the roller coaster, with 'LEAP THE DIPS' written in what looks like a hand-painted sign hanging from above. Two roller coaster chairs sit by the station.
The station for the Leap The Dips roller coaster, Lakemont Park, Altoona, Pennsylvania. There are two separate cars visible on the tracks by the station. When I last visited there was only one car on the tracks. The cars have a front and a back seat, and while there is a bar to grab hold of, there are no other restraints, which makes the low-speed ride more exciting.

The sad thing to say about revisiting Lakemont Park — well, one is that the park has lost almost all its amusement park rides. It’s got athletic facilities, and a couple miniature golf courses, but besides two wooden and one kiddie roller coaster, and an antique-cars ride, there’s not much left of its long history as an amusement park. But the other thing is that Leap The Dips was closed when I was able to visit. The ride’s under repairs, and seems to be getting painted too. This is sad, but I hope it implies better things soon.

The Summer 2017 Mathematics A To Z: Klein Bottle

Gaurish, of the For The Love Of Mathematics blog, takes me back into topology today. And it’s a challenging one, because what can I say about a shape this involved when I’m too lazy to draw pictures or include photographs most of the time?

Summer 2017 Mathematics A to Z, featuring a coati (it's kind of the Latin American raccoon) looking over alphabet blocks, with a lot of equations in the background.
Art courtesy of Thomas K Dye, creator of the web comic Newshounds. He has a Patreon for those able to support his work. He’s also open for commissions, starting from US$10.

In 1958 Clifton Fadiman, an open public intellectual and panelist on many fine old-time radio and early TV quiz shows, edited the book Fantasia Mathematica. It’s a pleasant read and you likely can find a copy in a library or university library nearby. It’s a collection of mathematically-themed stuff. Mostly short stories, a few poems, some essays, even that bit where Socrates works through a proof. And some of it is science fiction, this from an era when science fiction was really disreputable.

If there’s a theme to the science fiction stories included it is: Möbius Strips, huh? There are so many stories in the book that amount to, “what is this crazy bizarre freaky weird ribbon-like structure that only has the one side? Huh?” As I remember even one of the non-science-fiction stories is a Möbius Strip story.

I don’t want to sound hard on the writers, nor on Fadiman for collecting what he has. A story has to be about people doing something, even if it’s merely exploring some weird phenomenon. You can imagine people dealing with weird shapes. It’s hard to imagine what story you could tell about an odd perfect number. (Well, that isn’t “here’s how we discovered the odd perfect number”, which amounts to a lot of thinking and false starts. Or that doesn’t make the odd perfect number a MacGuffin, the role equally well served by letters of transit or a heap of gold or whatever.) Many of the stories that aren’t about the Möbius Strip are about four- and higher-dimensional shapes that people get caught in or pass through. One of the hyperdimensional stories, A J Deutsch’s “A Subway Named Möbius”, even pulls in the Möbius Strip. The name doesn’t fit, but it is catchy, and is one of the two best tall tales about the Boston subway system.

Besides, it’s easy to see why the Möbius Strip is interesting. It’s a ribbon where both sides are the same side. What’s not neat about that? It forces us to realize that while we know what “sides” are, there’s stuff about them that isn’t obvious. That defies intuition. It’s so easy to make that it holds another mystery. How is this not a figure known to the ancients and used as a symbol of paradox for millennia? I have no idea; it’s hard to guess why something was not noticed when it could easily have been It dates to 1858, when August Ferdinand Möbius and Johann Bendict Listing independently published on it.

The Klein Bottle is newer by a generation. Felix Klein, who used group theory to enlighten geometry and vice-versa, described the surface in 1882. It has much in common with the Möbius Strip. It’s a thing that looks like a solid. But it’s impossible to declare one side to be outside and the other in, at least not in any logically coherent way. Take one and dab a spot with a magic marker. You could trace, with the marker, a continuous curve that gets around to the same spot on the “other” “side” of the thing. You see why I have to put quotes around “other” and “side”. I believe you know what I mean when I say this. But taken literally, it’s nonsense.

The Klein Bottle’s a two-dimensional surface. By that I mean that could cover it with what look like lines of longitude and latitude. Those coordinates would tell you, without confusion, where a point on the surface is. But it’s embedded in a four-dimensional space. (Or a higher-dimensional space, but everything past the fourth dimension is extravagance.) We have never seen a Klein Bottle in its whole. I suppose there are skilled people who can imagine it faithfully, but how would anyone else ever know?

Big deal. We’ve never seen a tesseract either, but we know the shadow it casts in three-dimensional space. So it is with the Klein Bottle. Visit any university mathematics department. If they haven’t got a glass replica of one in the dusty cabinets welcoming guests to the department, never fear. At least one of the professors has one on an office shelf, probably beside some exams from eight years ago. They make nice-looking jars. Klein Bottles don’t have to. There are different shapes their projection into three dimensions can take. But the only really different one is this sort of figure-eight helical shape that looks like a roller coaster gone vicious. (There’s also a mirror image of this, the helix winding the opposite way.) These representations have the surface cross through itself. In four dimensions, it does no such thing, any more than the edges of a cube cross one another. It’s just the lines in a picture on a piece of paper that cross.

The Möbius Strip is good practice for learning about the Klein Bottle. We can imagine creating a Bottle by the correct stitching-together of two strips. Or, if you feel destructive, we can start with a Bottle and slice it, producing a pair of Möbius Strips. Both are non-orientable. We can’t make a division between one side and another that reflects any particular feature of the shape. One of the helix-like representations of the Klein Bottle also looks like a pool toy-ring version of the Möbius Strip.

And strange things happen on these surfaces. You might remember the four-color map theorem. Four colors are enough to color any two-dimensional map without adjacent territories having to share a color. (This isn’t actually so, as the territories have to be contiguous, with no enclaves of one territory inside another. Never mind.) This is so for territories on the sphere. It’s hard to prove (although the five-color theorem is easy.) Not so for the Möbius Strip: territories on it might need as many as six colors. And likewise for the Klein Bottle. That’s a particularly neat result, as the Heawood Conjecture tells us the Klein Bottle might need seven. The Heawood Conjecture is otherwise dead-on in telling us how many colors different kinds of surfaces need for their map-colorings. The Klein Bottle is a strange surface. And yes, it was easier to prove the six-color theorem on the Klein Bottle than it was to prove the four-color theorem on the plane or sphere.

(Though it’s got the tentative-sounding name of conjecture, the Heawood Conjecture is proven. Heawood put it out as a conjecture in 1890. It took to 1968 for the whole thing to be finally proved. I imagine all those decades of being thought but not proven true gave it a reputation. It’s not wrong for Klein Bottles. If six colors are enough for these maps, then so are seven colors. It’s just that Klein Bottles are the lone case where the bound is tighter than Heawood suggests.)

All that said, do we care? Do Klein Bottles represent something of particular mathematical interest? Or are they imagination-capturing things we don’t really use? I confess I’m not enough of a topologist to say how useful they are. They are easily-understood examples of algebraic or geometric constructs. These are things with names like “quotient spaces” and “deck transformations” and “fiber bundles”. The thought of the essay I would need to write to say what a fiber bundle is makes me appreciate having good examples of the thing around. So if nothing else they are educationally useful.

And perhaps they turn up more than I realize. The geometry of Möbius Strips turns up in many surprising places: music theory and organic chemistry, superconductivity and roller coasters. It would seem out of place if the kinds of connections which make a Klein Bottle don’t turn up in our twisty world.

Roller Coaster Immortality Update!

Several years ago I had the chance to go to Lakemont Park, in Altoona, Pennsylvania. It’s a lovely and very old amusement park, featuring the oldest operating roller coaster, Leap The Dips. As roller coasters go it’s not very large and not very fast, but it’s a great ride. It does literally and without exaggeration leap off the track, though not far enough to be dangerous. I recommend the park and the ride to people who have cause to be in the middle of Pennsylvania.

I wondered whether any boards in it might date from the original construction in 1902 by the E Joy Morris company. If we make some assumptions we can turn this into a probability problem. It’s a problem of a type that always seems to be answered 1/e. (The problem is “what is the probability that any particular piece of wood has lasted 100 years, if a piece of wood has a one percent chance of needing replacement every year?”) That’s a probability of about 37 percent. But I doubted this answer meant anything. My skepticism came from wondering why every piece of wood should be equally likely to survive every year. Different pieces serve different structural roles, and will be exposed to the elements differently. How can I be sure that the probability one piece needs replacement is independent of the probability some other piece needs replacement? But if they’re not independent then my calculation doesn’t give a relevant answer.

The Leap-The-Dips roller coaster at Lakemont Park, Altoona, Pennsylvania.
The Leap-The-Dips roller coaster at Lakemont Park, Altoona, Pennsylvania.

A recent post on the Usenet roller coaster enthusiast newsgroup rec.roller-coaster, in a discussion titled “Age a coaster should be preserved”, suggests I was right in my skepticism. Derek Gee writes:

According to the video documentary the park produced around
1999, all of the original upright lumber was found to be in excellent shape.
The E. Joy Morris company had waterproofed it by sealing it in ten coats of
paint and it was old-growth hardwood. All the horizontal lumber was
replaced as I recall.

I am aware this is not an academically rigorous answer to the question of how much of the roller coaster’s original construction is still in place. But it is a lead. It suggests that quite a bit of the antique ride is as antique as could be.

Why I Don’t Believe It’s 1/e

The above picture, showing the Leap-the-Dips roller coaster at Lakemont Park before its renovation, kind of answers why despite my neat reasoning and mental calculations I don’t really believe that there’s a chance of something like one in three that any particular board from the roller coaster’s original, 1902, construction is still in place. The picture — from the end of the track, if I’m not mistaken — dates to shortly before the renovation of the roller coaster began in the late 90s. Leap-the-Dips had stood without operating, and almost certainly without maintenance, from 1986 (coincidental to the park’s acquisition by the Boyer Candy company and its temporary renaming as Boyertown USA, in miniature imitation of Hershey Park) to 1998.

The result of this period seems almost to demand replacing every board in the thing. But we don’t know that happened, and after all, surely some boards took it better than others, didn’t they? Not every board was equally exposed to the elements, or to vandalism, or to whatever does smash up wood. And there’s a lot of pieces of wood that go into a wooden roller coaster. Surely some were lucky by virtue of being in the right spot?

Continue reading “Why I Don’t Believe It’s 1/e”

Why I Say 1/e About This Roller Coaster

The Leap-The-Dips at Lakemont Park, Altoona, Pennsylvania, as photographed by Joseph Nebus in July 2013 from the edge of the launch platform.

So in my head I worked out an estimate of about one in three that any particular board would have remained from the Leap-The-Dips’ original, 1902, configuration, even though I didn’t really believe it. Here’s how I got that figure.

First, you have to take a guess as to how likely it is that any board is going to be replaced in any particular stretch of time. Guessing that one percent of boards need replacing per year sounded plausible, what with how neatly a chance of one-in-a-hundred fits with our base ten numbering system, and how it’s been about a hundred years in operation. So any particular board would have about a 99 percent chance of making it through any particular year. If we suppose that the chance of a board making it through the year is independent — it doesn’t change with the board’s age, or the condition of neighboring boards, or anything but the fact that a year has passed — then the chance of any particular board lasting a hundred years is going to be 0.99^{100} . That takes a little thought to work out if you haven’t got a calculator on hand.

Continue reading “Why I Say 1/e About This Roller Coaster”

Just Answer 1/e Whenever Anyone Asks This Kind Of Question

I recently had the chance to ride the Leap-the-Dips at Lakemont Park (Altoona, Pennsylvania), the world’s oldest operating roller coaster. The statistics of this 1902-vintage roller coaster might not sound impressive, as it has a maximum height of about forty feet and a greatest drop of about nine feet, but it gets rather more exciting when you consider that the roller coaster car hasn’t got any seat belts or lap bar or other restraints (just a bar you can grab onto if you so choose), and that the ride was built before the invention of upstop wheels, the wheels that actually go underneath the track and keep roller coaster cars from jumping off. At each of the dips, yes, the car does jump up and off the track, and the car just keeps accelerating the whole ride. (Side boards ensure that once the car jumps off the tracks it falls back into place.) It’s worth the visit.

Looking at the wonderful mesh of wood that makes up a classic roller coaster like this inspired the question: could any of it be original? What’s the chance that any board in it has lasted the hundred-plus years of the roller coaster’s life (including a twelve-year stretch when the ride was not running, a state which usually means routine maintenance is being skipped and which just destroys amusement park rides)? Taking some reasonable guesses about the replacement rate per year, and a quite unreasonable guess about replacement procedure, I worked out my guess, given in the subject line above, and I figure to come back and explain where that all came from.

A Cedar Point Follow-Up

I’m sure multiple people have a faint memory of several months ago, when I asked a question about getting the best view of something obstructed by a construction fence. The point was to catch the view at the Cedar Point amusement park, where the Disaster Transport bobsled coaster (and its building) and the Space Spiral were being torn out to be replaced with the GateKeeper roller coaster. The point of interest was whether the small collection of buildings which made up the Transport Refreshments stand was being preserved through all the demolition, and as of September 2012, there wasn’t any way to say.

I was happily able to get to Cedar Point this week and can offer the photograph here to show that they did indeed preserve the area. It’s been repainted and retitled, but probably we should have realized the logic: if there was enough need for someplace to sell Cheese on a Stick when the immediately adjacent rides were among the older and less flashy attractions, they’d surely want Cheese on a Stick when a new marquee ride was right across the entrance. (Well, they might have torn down all the buildings and put up new ones, but, they didn’t.)

I admit there’s not really fresh mathematics content here, but maybe someone was curious about the follow-up. There should be a couple of other pictures past the page cut, here.

Continue reading “A Cedar Point Follow-Up”

On Peeking At Cedar Point

A glimpse of the Transport Refreshments stand, in September 2012, hidden from view by the construction fence.

I hadn’t intended to leave unanswered my little question about getting the best view of an obstructed attraction at Cedar Point, and apologize for that. Matters got in my way. And I really want to commend people to Geoffrey Brent’s solution, which avoids calculus in favor of geometric reasoning and so has that nice satisfying nature to it. (The part that turns into gibberish is rot13’d, so as not to spoil people: copy it to the box on and hit ‘Cypher’ to read it if you aren’t able to do the rot13 stuff in your head somehow.)

I do want to work out the solution by calculus methods, though, partly because that was actually easier for me, and partly to see whether my audience will put up with such. I’m trying to figure out how to present a more complicated subject which sure looks like it needs calculus to explain, and I’d like to have some sense whether I can write coherently on that topic so.

To set the stage: the problem was about where to stand, behind a tall obscuring fence, so as to see the greatest view of a building hidden behind the fence. To make for simple enough numbers, the viewer is assumed to have eyes six feet off the ground, the fence is eight feet tall, and the building, four feet beyond the fence, is twelve feet tall. Trusting that the ground is level — the reality isn’t quite, as it is at an amusement park — and that you can get as near or as far from the fence as you like, when does the angle between the top of the building and the top of the fence get its biggest?

Continue reading “On Peeking At Cedar Point”

Peeking At Cedar Point

A glimpse of the Transport Refreshments stand, in September 2012, hidden from view by the construction fence.

Back a couple months I wrote way too much about the problem of how many rides to expect on Cedar Point’s Disaster Transport, if we chose whether to re-ride it based on a random event. It struck me there’s another problem created by the amusement park’s removal of the indoor bobsled roller coaster. This one is based on Transport Refreshments, the block of food and drink stands which stood by the removed Disaster Transport and Space Spiral.

Specifically: what’s to become of that area? When my Dearly Beloved and I visited in late September the area was walled off, for construction, but one could rationalize any kind of fate for it. The block might get torn down to provide space for new rides; it might be left as-is, with the name Transport Refreshments left as a mysterious reference that new visitors would have to learn something of park history to understand; or the stands might be re-themed to the GateKeeper roller coaster being built. By now, probably, park-watchers really know, but when we visited, there wasn’t any telling, except by peeking over the fence.

The problem is you can’t see very much, because the fence is in the way. I’m tall and can hold my camera pretty high and so could get glimpses showing that the buildings hadn’t as of late September been torn down, and that they even had the sign in place, but that doesn’t mean much.

It does suggest a cute problem, though, one that’s easy to solve using calculus and maybe is solvable by easier tools. That problem’s, how do you get the best view of the hidden Transport Refreshments? Going up close to the fence means the fence obscures more of your field of view; getting farther away — the ground is roughly level here — reduces the field of view obscured by the fence, but also reduces the Transport Refreshments’ angular diameter. There’s probably a best spot to see what’s beyond, but, where is it?

To turn this into a word problem, let’s pretend things are nice round numbers: that the person doing the viewing has eyes about six feet off the ground, that the fence is eight feet tall, and that — four feet past the fence — the main sign for the Transport Refreshments stands twelve feet tall. I am sure these arbitrarily plucked numbers will produce only good results.