And now I can finish off last week’s mathematically-themed comic strips. There’s a strong theme to them, for a refreshing change. It would almost be what we’d call a Comics Synchronicity, on Usenet group rec.arts.comics.strips, had they all appeared the same day. Some folks claiming to be open-minded would allow a Synchronicity for strips appearing on subsequent days or close enough in publication, but I won’t have any of that unless it suits my needs at the time.

Ernie Bushmiller’s for the 6th would fit thematically better as a Cameo Edition comic. It mentions arithmetic but only because it’s the sort of thing a student might need a cheat sheet on. I can’t fault Sluggo needing help on adding eight or multiplying by six; they’re hard. Not remembering 4 x 2 is unusual. But everybody has their own hangups. The strip originally ran the 6th of December, 1949.

Bill holbrook’s **On The Fastrack** for the 7th seems like it should be the anthropomorphic numerals joke for this essay. It doesn’t seem to quite fit the definition, but, what the heck.

Brian Boychuk and Ron Boychuk’s **The Chuckle Brothers** on the 7th starts off the run of E = mc^{2} jokes for this essay. This one reminds me of Gary Larson’s Far Side classic with the cleaning woman giving Einstein just that little last bit of inspiration about squaring things away. It shouldn’t surprise anyone that E equalling m times c squared isn’t a matter of what makes an attractive-looking formula. There’s good reasons when one thinks what energy and mass are to realize they’re connected like that. Einstein’s famous, deservedly, for recognizing that link and making it clear.

Mark Pett’s **Lucky Cow** rerun for the 7th has Claire try to use Einstein’s famous quote to look like a genius. The mathematical content is accidental. It could be anything profound yet easy to express, and it’s hard to beat the economy of “E = mc^{2}” for both. I’d agree that it suggests Claire doesn’t know statistics well to suppose she could get a MacArthur “Genius” Grant by being overheard by a grant nominator. On the other hand, does anybody have a better idea how to get their attention?

Harley Schwadron’s **9 to 5** for the 8th completes the “E = mc^{2}” triptych. Calling a tie with the equation on it a power tie elevates the gag for me. I don’t think of “E = mc^{2}” as something that uses powers, even though it literally does. I suppose what gets me is that “c” is a constant number. It’s the speed of light in a vacuum. So “c^{2}” is also a constant number. In form the equation isn’t different from “E = m times seven”, and nobody thinks of seven as a power.

Morrie Turner’s **Wee Pals** rerun for the 8th is a bit of mathematics wordplay. It’s also got that weird Morrie Turner thing going on where it feels unquestionably earnest and well-intentioned but prejudiced in that way smart 60s comedies would be.

Mort Walker’s **Beetle Bailey** for the 18th of May, 1960 was reprinted on the 9th. It mentions mathematics — algebra specifically — as the sort of thing intelligent people do. I’m going to take a leap and suppose it’s the sort of algebra done in high school about finding values of ‘x’ rather than the mathematics-major sort of algebra, done with groups and rings and fields. I wonder when holding a mop became the signifier of not just low intelligence but low ambition. It’s subverted in Jef Mallet’s **Frazz**, the title character of which works as a janitor to support his exercise and music habits. But it is a standard prop to signal something.