Reading the Comics, March 17, 2020: Random Edition


I thought last week’s comic strips mentioning mathematics in detail were still subjects easy to describe in one or two paragraphs each. I wasn’t quite right. So here’s a half of a week, even if it is a day later than I had wanted to post.

John Zakour and Scott Roberts’s Working Daze for the 15th is a straggler Pi Day joke, built on the nerd couple Roy and Kathy letting the date slip their minds. This is a very slight Pi Day reference but I feel the need to include it for completeness’s sake. It reminds me of the sequence where one year Schroeder forgot Beethoven’s birthday, and was devastated.

Sue: 'So, Roy, what big fun did you and Kathy have for Pi Day this year?' Roy, caught by surprise, freezes, and then turns several colors in succession before he starts to cry. Ed, to Sue: 'Hard to say which is worse for him, that you forgot, or that you remembered.'
John Zakour and Scott Roberts’s Working Daze for the 15th of March, 2020. Essays featuring Working Daze, which often turns up in Pi Day events, are at this link. And generally essays tied to Pi Day are at this link.

Lincoln Peirce’s Big Nate for the 15th is a wordy bit of Nate refusing the story problem. Nate complains about a lack of motivation for the characters in it. But then what we need for a story problem isn’t the characters to do something so much as it is the student to want to solve the problem. That’s hard work. Everyone’s fascinated by some mathematical problems, but it’s hard to think of something that will compel everyone to wonder what the answer could be.

At one point Nate wonders what happens if Todd stops for gas. Here he’s just ignoring the premise of the question: Todd is given as travelling an average 55 mph until he reaches Saint Louis, and that’s that. So this question at least is answered. But he might need advice to see how it’s implied.

Quiz: 'Many lives in Los Angeles. Todd lives in Boston. They plan to meet in St Louis, which is 1,825 miles from Los Angeles and 1,192 miles from Boston. If Mandy takes a train travelling a constant 80 mph and Todd drives a car at a constant 55 mph, which of them will reach St Lous first?' Nate's answer: 'That depends. Who ARE these people? Are they a couple? Is this romance? If it is, wouldn't Todd drive way faster than 55 mph? He'd be all fired up to see Many, right? And wouldn't Mandy take a plane and get to St Louis in like three hours? Especially if she hasn't seen Todd in a while? But we don't know how long since they've been together because you decided not to tell us! Plus anything can happen while they're traveling. What if Todd stops for gas and the cashier is a total smoke show and he's like, Mandy Who? I can't answer until I have some real intel on these people. I can't believe you even asked the question.' Out loud, 'Also, Todd and Mandy are dorky names.' Teacher: 'This isn't what I meant by show your work.'
Lincoln Peirce’s Big Nate for the 15th of March, 2020. Essays with something mentioned by either Big Nate or the 1990s-repeats Big Nate: First Class are gathered at this link.

So this problem is doable by long division: 1825 divided by 80, and 1192 divided by 55, and see what’s larger. Can we avoid dividing by 55 if we’re doing it by hand? I think so. Here’s what I see: 1825 divided by 80 is equal to 1600 divided by 80 plus 225 divided by 80. That first is 20; that second is … eh. It’s a little less than 240 divided by 80, which is 3. So Mandy will need a little under 23 hours.

Is 23 hours enough for Todd to get to Saint Louis? Well, 23 times 55 will be 23 times 50 plus 23 times 5. 23 times 50 is 22 times 50 plus 1 times 50. 22 times 50 is 11 times 100, or 1100. So 23 times 50 is 1150. And 23 times 5 has to be 150. That’s more than 1192. So Todd gets there first. I might want to figure just how much less than 23 hours Mandy needs, to be sure of my calculation, but this is how I do it without putting 55 into an ugly number like 1192.

Cow: 'What're you doing?' Billy: 'I'm devising a system to win the lottery! Plugging in what I know about chaos theory and numerical behavior in nonlinear dynamical systems should give me the winning picks.' (Silent penultimate panel.) Cow: 'You're just writing down a bunch of numbers.' Billy: 'Maybe.'
Mark Leiknes’s Cow and Boy repeat for the 17th of March, 2020. The too-rare appearances of Cow and Boy Reruns in my essays are here.

Mark Leiknes’s Cow and Boy repeat for the 17th sees the Boy, Billy, trying to beat the lottery. He throws at it the terms chaos theory and nonlinear dynamical systems. They’re good and probably relevant systems. A “dynamical system” is what you’d guess from the name: a collection of things whose properties keep changing. They change because of other things in the collection. When “nonlinear” crops up in mathematics it means “oh but such a pain to deal with”. It has a more precise definition, but this is its meaning. More precisely: in a linear system, a change in the initial setup makes a proportional change in the outcome. If Todd drove to Saint Louis on a path two percent longer, he’d need two percent more time to get there. A nonlinear system doesn’t guarantee that; a two percent longer drive might take ten percent longer, or one-quarter the time, or some other weirdness. Nonlinear systems are really good for giving numbers that look random. There’ll be so many little factors that make non-negligible results that they can’t be predicted in any useful time. This is good for drawing number balls for a lottery.

Chaos theory turns up a lot in dynamical systems. Dynamical systems, even nonlinear ones, often have regions that behave in predictable patterns. We may not be able to say what tomorrow’s weather will be exactly, but we can say whether it’ll be hot or freezing. But dynamical systems can have regions where no prediction is possible. Not because they don’t follow predictable rules. But because any perturbation, however small, produces changes that overwhelm the forecast. This includes the difference between any possible real-world measurement and the real quantity.

Obvious question: how is there anything to study in chaos theory, then? Is it all just people looking at complicated systems and saying, yup, we’re done here? Usually the questions turn on problems such as how probable it is we’re in a chaotic region. Or what factors influence whether the system is chaotic, and how much of it is chaotic. Even if we can’t say what will happen, we can usually say something about when we can’t say what will happen, and why. Anyway if Billy does believe the lottery is chaotic, there’s not a lot he can be doing with predicting winning numbers from it. Cow’s skepticism is fair.

T-Rex: 'Dromiceiomimus, pick a number between one and a hundred thousand million.' Dromiceiomimus: '17?' T-Rex: 'Gasp! That's the number I was thinking of!' Dromiceiomimus: 'Great! Do I win something?' T-Rex: 'You just came out on a one in a hundred thousand million chance and you want a prize? It's not enough to spit in the face of probability itself?' Utahraptor: 'It's not THAT unlikely she'd chose your number. We're actually pretty bad at random number generation and if you ask folks to pick a number in a range, some choices show up more often than others. It's not that unlikely you'd both land on the same number!' T-Rex: 'But *I* didn't choose 17 randomly! It's ... the number of times I have thought about ice cream today, I'm not even gonna lie.'
Ryan North’s Dinosaur Comics for the 17th of March, 2020. Essays that mention something brought up in Dinosaur Comics are gathered at this link.

Ryan North’s Dinosaur Comics for the 17th is one about people asked to summon random numbers. Utahraptor is absolutely right. People are terrible at calling out random numbers. We’re more likely to summon odd numbers than we should be. We shy away from generating strings of numbers. We’d feel weird offering, say, 1234, though that’s as good a four-digit number as 1753. And to offer 2222 would feel really weird. Part of this is that there’s not really such a thing as “a” random number; it’s sequences of numbers that are random. We just pick a number from a random sequence. And we’re terrible at producing random sequences. Here’s one study, challenging people to produce digits from 1 through 9. Are their sequences predictable? If the numbers were uniformly distributed from 1 through 9, then any prediction of the next digit in a sequence should have a one chance in nine of being right. It turns out human-generated sequences form patterns that could be forecast, on average, 27% of the time. Individual cases could get forecast 45% of the time.

There are some neat side results from that study too, particularly that they were able to pretty reliably tell the difference between two individuals by their “random” sequences. We may be bad at thinking up random numbers but the details of how we’re bad can be unique.


And I’m not done yet. There’s some more comic strips from last week to discuss and I’ll have that post here soon. Thanks for reading.

Reading the Comics, February 21, 2020: February 21, 2020 Edition


So way back about fifty years ago, when pop science started to seriously explain how computers worked, and when the New Math fad underscored how much mathematics is an arbitrary cultural choice, the existence of number bases other than ten got some publicity. This offered the chance for a couple of jokes, or at least things which read to pop-science-fans as jokes. For example, playing on a typographical coincidence between how some numbers are represented in octal (base eight) and decimal (base ten), we could put forth this: for computer programmers Halloween is basically another Christmas. After all, 31 OCT = 25 DEC. It’s not much of a joke, but how much of a joke could you possibly make from “writing numbers in different bases”? Anyway, Isaac Asimov was able to make a short mystery out of it.

Tony Cochrane’s Agnes for the 21st is part of a sequence with Agnes having found some manner of tablet computer. Automatic calculation has always been a problem in teaching arithmetic. A computer’s always able to do more calculations, more accurately, than a person is; so, whey do people need to learn anything about how to calculate? The excuse that we might not always have a calculator was at least a little tenable up to about fifteen years ago. Now it’d take a massive breakdown in society for computing devices not to be pretty well available. This would probably take long enough for us to brush up on long division.

Teacher: 'Agnes, take out your math book.' Agnes: 'No need. I now own a semi-educational, quasi-computer electronic pad or something. If I boop enough buttons in the correct sequence, all world info will be there to behold! Including all the indecipherable doggerel *you're* pushing.' [ At the Principal's Office ] Agnes: 'Math teachers are fans of big numbers ... not so much big words.'
Tony Cochrane’s Agnes for the 21st of February, 2020. Essays exploring something mentioned in Agnes appear at this link.

It’s more defensible to say that people need to be able to say whether an answer is plausible. If we don’t have any expectations for the answer, we don’t know whether we’ve gone off and calculated a wrong thing. This is a bit more convincing. We should have some idea whether 25, 2500, or 25 million is the more likely answer. That won’t help us spot whether we made a mistake and got 27 instead of 25, though. It does seem reasonable to say that we can’t appreciate mathematics, so much of which is studying patterns and structures, without practicing. And arithmetic offers great patterns and structures, while still being about things that we find familiar and useful. So that’s likely to stay around.

Miss Prunelly wincing. Jughaid has written on the board '2 + 7 = baseball team', '5 + 6 = football team', and '4 + 1 = basketball team'. Jughaid says 'Gosh, Miz Prunelly, these are easy!' The other students laugh.
John Rose’s Barney Google and Snuffy Smith for the 21st of February, 2020. The occasional strip which mentions Barney Google and Snuffy Smith appears at this link. Google’s in the strip now for one or two weeks a year.

John Rose’s Barney Google and Snuffy Smith for the 21st is a student-subverting-the-blackboard-problem joke. Jughaid’s put the arithmetic problems into terms of what he finds most interesting. To me, it seems like if this is helping him get comfortable with the calculations, let him. If he does this kind of problem often enough, he’ll get good at it and let the false work of going through sports problems fade away.

Pig, reading 'Retirement Calculator: To determine your annual retirement income, just do the following: add your total personal savings to your total employee pension. Divide by the number of retirement years you plan to enjoy.' He works out: 0 + 0 / 0 = 0. Pig, to Goat: 'I love when the math is easy.'
Stephan Pastis’s Pearls Before Swine for the 21st of February, 2020. Essays featuring some point raised by Pearls Before Swine are gathered at this link. No, I don’t know why his every Sunday strip is complaining about the perilously perilous peril of political correctness anymore. I agree it feels like he’s trying to get ahead of something, but, like, he’s got a buffer of like seven years ahead of publication. If he’s got something he’s going to be expected to apologize for you’d think we’d have heard rumors or something by now.

Stephan Pastis’s Pearls Before Swine for the 21st sees Pig working through a simple Retirement Calculator. He appreciates the mathematics being easy. A realistic model would have wrinkles to it. For example, the retirement savings would presumably be returning interest, from investments or from simple deposit accounts. Working out how much one gets from that, combined with possibly spending down the principal, can be involved. But a rough model doesn’t need this sort of detailed complication. It can be pretty simple, and still give you some guidance to what a real answer should look like.

Caption: 'You may be a GEEK if ... you think that doing math in hexadecimal will impress the ladies.' Jay, at a bar, saying, 'Yeah, it's interesting when ya think about it, but 1A + 2B = 45 ... '; two women, walking away, roll their eyes and think of a dripping faucet.
John Zakour and Scott Roberts’s Working Daze for the 21st of February, 2020. This strip doesn’t get a lot of attention from me outside of Pi Day, but when it does, Working Daze gets a mention at this link.

John Zakour and Scott Roberts’s Working Daze for the 21st is a joke about how guys assuming that stuff they like is inherently interesting to other people. In this case, it’s hexadecimal arithmetic. That’s at least got the slight appeal that we’ve settled on using a couple of letters as numerals for it, so that wordplay and word-like play is easier than it is in base ten.


And this wraps up a string of comic strips all with some mathematical theme that all posted on the same day. I grant none of these get very deep into mathematical topics; that’s all right. There’ll be some more next week in a post at this link. Thank you.

Reading the Comics, March 14, 2019: Pi Day 2019 Edition


Some weeks there’s an obvious theme. Most weeks there’s not. But mid-March has formed a traditional theme for at least one day. I’m going to excerpt that from the rest of the week’s comics, because I’ve noticed what readership around here is like for stuff tagged “Pi Day” in mid-March. You all can do what you like with your pop-mathematics blogs.

Pi Day seems to have brought out fewer comics than in years past. The ones that were made, among the set I read, were also less on point. There was a lot of actual physical pie involved, too, suggesting the day might be escaping the realm of pop-mathematics silliness straight into pun nobody thinks about. Or maybe cartoonists just didn’t have a fresh angle this year.

John Hambrock’s The Brilliant Mind of Edison Lee shows off a nerd kind of mistake. At least one I think of as particularly nerdy. Wanting to calculate is a natural urge, especially for those who do it well. But to calculate the circumference of a pie from its diameter? What is exciting about that? More, does Grandpa recognize what a circumference is? It’s relatively easy to see the diameter of a pie. Area, also. But circumference? I’m not sure people are good at estimating the circumference of things, not by sight. You’d need a tape measure, or a similar flexible ruler, to start with and we don’t see that. Without the chance to measure it himself, Grandpa has to take the circumference (and, for that matter, diameter) at Edison Lee’s word. What would convince Grandpa of anything?

Edison: 'Happy Pi Day, Grandpa.' Grandpa: 'Is that today?' Edison: 'I'll demonstrate Pi by using it to calculate the circumference of this pie. [ He sets a pie on the table and calculates. ] If the diameter is 12 inches and we multiply by pi, which is 3.14, we'll end up with ... [ he looks up ] nothing.' Grandpa, who's already eaten the whole pie: 'Sorry, were you saying something?'
John Hambrock’s The Brilliant Mind of Edison Lee for the 14th of March, 2019. This and other essays inspired by Edison Lee can be found at this link.

For example, even if Grandpa accepted that Edison Lee had multiplied one number by 3.14 and gotten another number he might ask: how do we know pi is the same for pies of all sizes? Could a small pie’s circumference be only three times the diameter’s length, while a large pie’s is four times that? Could Edison offer an answer for why 3.14, or some nearby number, is all that interesting?

Hamster, holding up a pie: 'Guess what? It's national pie day!' Capybara: 'It's also my birthday.' Hamster: 'uh ... aand I got you this pie!'
Liz Climo’s Cartoons for the 14th of March, 2019. I haven’t had reason to discuss this comic here before. This and any future essays discussing Liz Climo Cartoons should appear at this new tag.

Liz Climo’s Cartoons is an example of the second kind of strip I mentioned during my introductory paragraphs. While it’s nominally built on Pi Day, any mathematics is gone. It’s just about the pun. And, well, the fun of having a capybara around.

Mark Parisi’s Off The Mark is the most on-topic strip for the day. And the anthropomorphic numerals joke for the day, too. It’s built on there being infinitely many digits to π, which, true enough. There are also infinitely many digits to \frac{1}{3} , mind; they’re just not so interesting a set. π being irrational gives us a never-ending variety of digits. It’s almost certainly normal, too. Any finite string of digits most likely appears infinitely often in this string.

Anthropomorphic 3, holding up a selfie stick; a decimal and the digits 1, 4, 1, 5, 9, 2, etc, all waving hands. 3: 'I don't think I can fit everyone in ... '
Mark Parisi’s Off The Mark for the 14th of March, 2019. The essays inspired by Off The Mark should appear at this link.

We won’t ever know enough digits of π to depict all of them. But we can depict the digits we know, and many different ways. Here’s a 2015 Washington Post article with several pictures representing the digits, including some neat “random walk” ones. In those the digits are used to represent directions and distances for a thing to move, and it represents the number as this curious wispy structure. There’s amazing pictures to be made of this.

Roy, who has a pie tin and mess on his face: 'It's OK, Norm. Kath and I agreed we both deserve to wear gag pies for forgetting what yesterday was.' Norm: 'My gosh, Roy --- you mean you both forgot your anniversary?' Roy: 'Oh, that's not yet. No, we forgot it was Pi day!' Norm: 'I'm officially in over my head ... '
John Zakour and Scott Roberts’s Working Daze for the 15th of March, 2019. And this comic appears often enough. Working Days strips should appear in discussions at this link.

John Zakour and Scott Roberts’s Working Daze for the 15th is built more around the pie pun. I was relieved to see this. The kind of nerd jokes routinely made in Working Daze made me think it was bizarre the comic strip didn’t do a Pi Day joke. They were saving the setup.

Pierpoint, porcupine, to Gunther, bear: 'Heh! Heh! If I baked 13 apple pies and gave you half of them, how many would you have?' Gunther: 'Obviously I'd have all of them.' Pierpoint, dejected: 'Obviously.'
Bill Schorr’s The Grizzwells for the 13th of March, 2019. I’ve had a few chances to mention The Grizzwells and those essays are at this link.

And last, a comic strip that I don’t think was trying to set up a Pi Day joke. But Bill Schorr’s The Grizzwells for the 13th is a routine story problem joke. But that the setup mentions pies? If this ran on the 14th I would feel confident Schorr was going for a Pi Day comic. But it didn’t, so I don’t know if Schorr was going for that or not.


And those are the surprisingly few Pi Day 2019 comic strips. Later this week I should post, at this link, other recent mathematically-themed comic strips. Thanks for reading.

Reading the Comics, March 9, 2018: Some Old Lines Edition


To close out last week’s comics I got a bunch of strips that were repeats, or that touch on topics I’ve discussed quite a bit around these parts already. I’m pretty sure all the words I have here are new in their specific organization. The words themselves are pretty old.

Maria Scrivan’s Half Full for the 4th is the Rubik’s Cube joke for the week. I ought to write up a proper description of the algebra of Rubik’s Cubes. The real stuff is several books’ worth of material, yes. But a couple hundred words about what’s interesting should be doable. … Or I could just ask folks if they’ve read good descriptions of the group theory that cubes show off. I’m always open to learning other people have said stuff better than me. This is part of why I’ve never published an essay about Cantor’s Diagonal Proof; many people have written such essays and I couldn’t add anything useful to that heap of words.

Partly scrambled Rubik's Cube to a solved one: 'Rough week.'
Maria Scrivan’s Half Full for the 4th of June, 2018. Yeah, uh, it me.

Ryan North’s Dinosaur Comics for the 5th is about the heap paradox. Or the sorites paradox, depending on what book you’ve been reading from. The problem is straightforward enough. As God, in the strip says, a big pile of sand is clearly a heap. One or two grains of sand is clearly not. If you remove grains from the heap, eventually, you lose the heap-ness. T-Rex suggests solving the question of when that happens by statistical survey, finding what people on average find to be the range where things shift over.

God: 'T-Rex let's say you have a giant heap of sand and I remove one grain of it at a time.' T-Rex: 'Ooh, let's!' God: 'Clearly when there's only one grain of sand left it's not a heap anymore!' T-Rex: 'Clearly!' God: 'Aha my friend but when precisely did it switch from heap to non-heap?' T-Rex: 'I dunno! At some fuzzy point if would switch for most observers from 'heap' to, say, 'small pine', and there we can draw the line. Language isn't that precise.' God: 'Listen this is a classic paradox of Eubulides of Miletus came up with over 2000 years ago. You need to have your mind blown now okay.' T-Rex: 'Sounds kinda dumb to me!' Utahraptor: 'What does?' T-Rex: 'The point at which a shrinking heap of sand becomes a non-heap. Clearly I'm supposed to struggle with an arbitrary threshold, because piles on either side of it look much the same. But it's just language! Look at statistical usage of the word 'heap', decide using that average, end of story. Oh, snap, philosophers! Did T-Rex just totally school you with his statistically-based descriptivist approach to semantics? IT APPEARS THAT HE TOTALLY DID! It also appears he's speaking in the third person because he's so impressed with his awesome self!'
Ryan North’s Dinosaur Comics for the 5th of June, 2018. I get that part of the setup of these comics is that T-Rex is nerdy-smart, but I can also imagine the philosophers rolling their eyes at how he’s missed the point. Maybe if he were asked about the density of a single molecule of water he’d understand better why the question can’t be obvious. (And T-Rex does sometimes revisit issues with deeper understanding of the issues. This might have happened between when this strip first appeared on qwantz.com and when it appeared on GoComics.com.

As with many attempts to apply statistical, or experimental, methods to philosophical questions it misses the point. There are properties that things seem to have only as aggregations. Where do they come from? How can there be something true about a collection of things that isn’t true about any part of the thing? This is not just about messy real-world properties either; we can say stuff about groups of mathematical objects that aren’t true about individual objects within the set. For example, suppose we want to draw a real number at random, uniformly, from the continuous interval 0 to 10. There’s a 50% chance we’ll draw a number greater than 5. The chance of drawing any specific number greater than 5, though, is zero. But we can always draw one. Something weird is happening here, as often happens with questions we’ve been trying to answer for thousands of years.

Customer: 'How much will this be at 80% off?' Clerk: 'Ten bucks.' Customer: 'How did you do that in your head so fast?' Clerk: '20% of fifty is ten.' Customer: 'Wow! So you're some kind of super math genius?' Customer: 'Sure.'
Norm Feuti’s Retail for the 6th of June, 2018. This joke, though not this strip, was also run the 26th of June, 2017. There I share my one great retail-mathematics anecdote.

Norm Feuti’s Retail for the 6th is a new strip, although the joke’s appeared before. There’s some arithmetic calculations that are easy to do, or that become easy because you do them a lot. Or because you see them done a lot and learn what the patterns are. A handful of basic tricks — like that 80 percent off is 20 percent of something, or that 20 percent of a thing is one-fifth the original thing — can be stunning. Stage magicians find the same effect.

Rita: 'Tell your group I expect them to give me 110%! Keep in mind, reviews are coming!' Jay: 'Rita --- you should realize that it's impossible to give more than 100%!' Rita: 'No --- not with that kind of attitude!'
John Zakour and Scott Roberts’s Working Daze for the 6th of June, 2018. It ran the 22nd of October, 2014, although that was as part of a “Best Of” week. No idea when it originally ran.

John Zakour and Scott Roberts’s Working Daze for the 6th is another chance for me to talk about the supposed folly of giving 110 percent. Or point you to where I did already. I’m forgiving of the use of the phrase.

Abacus at the bar: 'If you ever find yourself working for Weinstein as a bookkeeper, let me offer you sum advice ... never use the phrase, 'Harvey, you can count on me'.' Hostess: 'Thanks for the tip.'
Bob Shannon’s Tough Town for the 7th of June, 2018. The strip is one about all sorts of odd creatures hanging out in the bar, so, you’re not misunderstanding this.

Bob Shannon’s Tough Town for the 7th is the anthropomorphized abacus joke of the week. Been a while since we had one of those. I suppose an adding machine would be at least as good a representative of the abstract concept of doing arithmetic, but it’s likely harder to draw too. This is just tiring to draw.

Cave-person Father: 'Me have method for knowing how many rocks you have. Called 'counting'. Put up fingers, then say --- ' Cave-person Kid: 'We ever use this in REAL LIFE?' Caption: The First Math Class.
Zach Weinersmith’s Saturday Morning Breakfast Cereal for the 8th of June, 2018. Admit I do wonder how often cave people needed to track the number of rocks they had. I mean, how often do we need to count our rocks? Aren’t the rocks themselves an adequate representation of the number of rocks around?

Zach Weinersmith’s Saturday Morning Breakfast Cereal for the 8th presents the old complaint about mathematics’s utility, here in an ancient setting. I’m intereste that the caveman presents counting in terms of matching up other things to his fingers. We use this matching of one set of things to another even today. It gets us to ordinal and cardinal numbers, and the to what we feel pretty sure about with infinitely large sets. An idea can be ancient and basic and still be vital.

Karen: 'Uuuhhhhggghh!!! I hate math!!!' Dad: 'First of all, don't say 'hate'. It's a very strong word. Secondly, you will always need math. Even if you're in sales like me. In fact, I'm using math right now. I'm figuring out where I stand against my quota for this quarter. Observe ... I take this number, add it to that one. Take a percentage of this value and subtract it here. See, that's my number ... ... ... I hate math.'
Steve Sicula’s Home and Away rerun for the 9th of June, 2018. The strip originally ran the 6th of March, 2011. … How does Karen there say “Uuuhhhggghh”?

Steve Sicula’s Home and Away for the 9th is about the hatred people profess for mathematics. Some of that is more hatred of how it’s taught, which is too often as a complicated and apparently pointless activity. Some of that is hatred of how it’s used, since it turns up in a lot of jobs. And for some reason we’ve designed society so that we do jobs we don’t like. I don’t know why we think that’s a good idea. We should work on that.

Reading the Comics, May 30, 2018: Spherical Photos Edition


Last week’s offerings from Comic Strip Master Command got away from me. Here’s some more of the strips that had some stuff worth talking about. I should have another installment this week. I’m back to nonsense edition names; sorry.

Lincoln Pierce’s Big Nate for the 29th of May is about the gambler’s fallacy. Everyone who learns probability learns about it. The fallacy builds on indisputable logic: your chance of losing at something eighteen times in a row is less than the chance of your losing at that thing seventeen times in a row. So it makes sense that if you’ve lost seventeen times in a row then you must be due.

And that’s one of those lies our intuition tells us about probability. What’s important to Nate here is not the chance he’s in an 18-at-bat losing streak. What’s important is the chance that he’s in an 18-at-bat losing streak, given that he’s already failed 17 times in a row. These are different questions. The chance of an 18th at-bat in a row being a failure (for him) is much larger than the chance of an 18-at-bat losing streak starting from scratch.

Nate: 'Time for me to break this 0-and-17 stretch.' Teddy: 'Exactly! You're due, Nate! You're due!' Francis: 'Not necessarily. The chances of Nate getting a hit aren't enhanced by the fact that he's gone five games without one.' Teddy: 'I lied. You're not due.' Francis: 'But miracles happen, so go for it.'
Lincoln Pierce’s Big Nate rerun for the 29th of May, 2018. The strip first ran the 18th of May, 2010. I’ve not heard anything about why Pierce has been away from the strip since the start of the year.

That said I can’t go along with Francis’s claim that the chance of Nate getting a hit isn’t enhanced by his long dry spell. We can, and often do, model stuff like at-bats as though they’re independent. That is, that the chance of getting a hit doesn’t depend on what came before. Doing it this way gives results that look like real sports matches do. But it’s very hard to quantify things like losing streaks or their opposite, hot hands. It’s hard to dismiss the evidence of people who compete, though. Everyone who does has known the phenomenon of being “in the zone”, where things seem easier. I was in it for two games out of five just last night at pinball league. (I was dramatically out of it for the other three. I nearly doubled my best-ever game of Spider-Man and still came in second place. And by so little a margin my opponent thought the bonus might make the difference. Such heartbreak.)

But there is a huge psychological component to how one plays at a game. Nate thinks differently about what he’s doing going up to bat after seventeen failures in a row than he would after, say, three home runs in a row. It’s hard to believe that this has no effect on how he plays, even if it’s hard to track down a consistent signal through the noise. Maybe it does wash out. Maybe sometimes striking out the first three at-bats in a game makes the batter give up on the fourth. Meanwhile other times it makes the batter focus better on the fourth, and there’s no pinning down which effect will happen. But I can’t go along with saying there’s no effect.

Melvin: 'Hold on now --- replacement? Who could you find to do all the tasks only Melvin can perform?' Rita: 'A macaque, in fact. Listen, if an infinite number of monkeys can write all the great works, I'm confident that one will more than cover for you.'
John Zakour and Scott Roberts’s Working Daze for the 29th of May, 2018. Earlier in the sequence they had the Zootopia sloth replacing Ed, but there’s no making that on topic for my blog here.

John Zakour and Scott Roberts’s Working Daze for the 29th is an infinite-monkeys joke. Well, given some reasonable assumptions we can suppose that sufficiently many monkeys on typewriters will compose whatever’s needed, given long enough. Figuring someone’s work will take fewer monkeys and less time is a decent probability-based insult.

Hazel, with mathematics book, asking a bored kid: 'Okay, now what's nine times eight?' Next panel: the kid's coming out and saying 'Next'; a sign reads, 'Need help with your homework? See Hazel 1 to 5 pm Saturdays'.
Ted Key’s Hazel rerun for the 30th of May, 2018. I can’t say when this first ran. I’m not sure what the kid’s name is, sorry.

Ted Key’s Hazel for the 30th has the maid doing a bit of tutoring work. That’s about all I can make of this either. Doesn’t seem like a lot of fun, but there is only so much to do with arithmetic computation like this. It’s convenient to know a times table by memory.

Accessories of Famous Teachers: Einstein's Chalkboard; Galileo's Compass; Confucius's Fortune Cookie; Socrates's Hemlock; Miss Othmar's Trombone.
Scott Hilburn’s The Argyle Sweater for the 30th of May, 2018. Are … Einstein, Galileo, and Confucius really famous teachers? Calling Socrates a teacher is a lesser stretch.

Scott Hilburn’s The Argyle Sweater for the 30th has a chalkboard full of mathematical symbols as iconic for deep thinking. And it’s even Einstein’s chalkboard. And it’s even stuff that could plausibly be on Einstein’s chalkboard at some point. Besides E = mc2 the other formulas are familiar ones from relativity. They’re about the ways our ideas of how much momentum or mass a thing has has to change if we see the thing in motion. (I’m a little less sure about that \Delta t expression, but I think I can work something out.) And as a bonus it includes the circle-drawing compass as Galileo might have used. Well, he surely used a compass; I’m just not sure that the model shown wouldn’t be anachronistic. As though that matters; fortune cookies, after all, are a 20th century American invention and we’re letting that pass.

Mathematical Fun Fact: For each of the possible espresso-to-milk ratios, there exists at least one Italian-sounding name: Just Milk; 1:3 'latte', 1:2 'Cappuccino', 1:1 'Antoccino', 2:1 'Macchiato', 3:1 'Antilatte', Just Espresso. Also: 1/c^2 'Relativisto'; (espresso + milk)/espresso = espresso/milk 'Phicetto'; i:1 'Imaginarati', pi:1 'Irratiognito'; 6.022*10^23 : 1, 'Avogadro'; lim_{milk->0} espresso/milk: 'Infiniccino'.
Zach Weinersmiths’s Saturday Morning Breakfast Cereal for the 30th of May, 2018. Kind of curious what sorts of drinks you get from putting in infinitesimals. (You get milk or espresso with a homeopathic bit of the other.)

Zach Weinersmiths’s Saturday Morning Breakfast Cereal for the 30th builds on a fun premise. Underneath the main line it gets into some whimsical ratios built on important numbers you’d never use for this sort of thing, such as π, and the imaginary unit \imath . The Golden Ratio makes an appearance too, sneaking a definition for φ in in terms of espresso and milk. Here’s a free question: is there a difference between the “infiniccino” and “just espresso” except for the way it’s presented? … Well, presentation can be an important part of a good coffee.

π is well-known. Not sure I have anything interesting to add to its legend. φ is an irrational number a bit larger than 1.6. I’m not sure if I’ve ever called it the Boba Fett of numbers, but I should have. It’s a cute enough number, far more popular than its importance would suggest. \imath is far more important. Suppose that there is some number, which we give that name, with the property that \imath^2 equals -1. Then we get complex-valued numbers, which let us solve problems we’d like to know but couldn’t do before. It’s a great advance.

The name tells you how dubiously people approached this number, when it was first noticed. I wonder if people would be less uneasy with “imaginary numbers” if it weren’t for being told how there’s no such thing as the square root of minus one for years before algebra comes along and says, well, yes there is. It’s hard to think of a way that, say, “negative four” is more real than \imath , after all, and people are mostly all right with -4. And I understand why people are more skeptical of -4 than they are of, say, 6. Still, I wonder how weird \imath would look if people weren’t primed to think it was weird.

Reading the Comics, March 24, 2018: Arithmetic and Information Edition


And now I can bring last week’s mathematically-themed comics into consideration here. Including the whole images hasn’t been quite as much work as I figured. But that’s going to change, surely. One of about four things I know about life is that if you think you’ve got your workflow set up to where you can handle things you’re about to be surprised. Can’t wait to see how this turns out.

John Deering’s Strange Brew for the 22nd is edging its way toward an anthropomorphic numerals joke.

Man, to woman at candlelit dinner: 'I can still remember the cute little number you were wearing the day we first met.' He's wearing the number 72102; she, 67350.
John Deering’s Strange Brew for the 22nd of March, 2018. I like to think she was wearing something from the Gary Larson collection.

Brant Parker and Johnny Hart’s Wizard of Id for the 22nd is a statistics joke. Really a demographics joke. Which still counts; much of the historical development of statistics was in demographics. That it was possible to predict accurately the number of people in a big city who’d die, and what from, without knowing anything about whether any particular person would die was strange and astounding. It’s still an astounding thing to look directly at.

The Duke: 'Sire, I have worked out some amazing statistics, here.' The King: 'Let's hear them.' The Duke: 'My figures show that the odds against a short man outliving a tall man are 5 to 1.' The King: 'Have the royal basketball team report to the gallows.'
Brant Parker and Johnny Hart’s Wizard of Id for the 25th of March 1968, and rerun the 22nd of March, 2018. That’s an interesting demographic the Kingdom of Id has there. Just saying.

Hilary Price and Rina Piccolo’s Rhymes with Orange for the 23rd has the form of a story problem. I could imagine turning this into a proper story problem. You’d need some measure of how satisfying the 50-dollar wines are versus the 5-dollar wines. Also how much the wines affect people’s ability to notice the difference. You might be able to turn this into a differential equations problem, but that’s probably overkill.

The Pop^Cork Quiz. Hostess with bottles of wine. Caption: 'If Laura owns 5 bottles of 50-dollar wine and 5 bottles of 5-dollar wine, how many bottles of 50-dollar wine must she serve in order to switch to the 5-dollar wine without anyone noticing?'
Hilary Price and Rina Piccolo’s Rhymes with Orange for the 23rd of March, 2018. Fortunately, one of Laura’s guests brought Jesus of Nazareth along as his `plus one’.

Mark Anderson’s Andertoons for the 23rd is Mark Anderson’s Andertoons for this half of the week. It’s a student-avoiding-the-problem joke. Could be any question. But arithmetic has the advantages of being plausible, taking up very little space to render, and not confusing the reader by looking like it might be part of the joke.

Kid at the blackboard, pondering 72 / 8: 'I know the answer, I'm just letting the suspense build.'
Mark Anderson’s Andertoons for the 23rd of March, 2018. Yeah, don’t try this with your thesis committee. Word to the wise.

John Zakour and Scott Roberts’s Working Daze for the 23rd has another cameo appearance by arithmetic. It’s also a cute reminder that there’s no problem you can compose that’s so simple someone can’t over-think it. And it puts me in mind of the occasional bit where a company’s promotional giveaway will technically avoid being a lottery by, instead of awarding prizes, awarding the chance to demonstrate a skill. Demonstration of that skill, such as a short arithmetic quiz, gets the prize. It’s a neat bit of loophole work and does depend, as the app designers here do, on the assumption there’s some arithmetic that people can be sure of being able to do.

Ed: 'The trick to making an easy quiz app is to come up with questions anybody could get right.' Rita: 'One plus one. Well, that's easy. It's two. No, wait. It's a trick question. It's eleven. Right? Unless ... ' Roy, thinking: 'This is going to be harder than we thought.'
John Zakour and Scott Roberts’s Working Daze for the 23rd of March, 2018. Ask your friend who does web stuff about Javascript and addition. You won’t understand the results but that’s all right; neither do they.

Teresa Burritt’s Frog Applause for the 24th is its usual bit of Dadist nonsense. But in the talk about black holes it throws in an equation: S = \frac{A k c^3}{4 G \hbar} . This is some mathematics about black holes, legitimate and interesting. It is the entropy of a black hole. The dazzling thing about this is all but one of those symbols on the right is the same for every black hole. ‘c’ is the speed of light, as in ‘E = mc2‘. G is the gravitational constant of the universe, a measure of how strong gravity is. \hbar is Planck’s constant, a kind of measure of how big quantum mechanics effects are. ‘k’ is the Boltzmann constant, which normal people never heard of but that everyone in physics and chemistry knows well. It’s what you multiply by to switch from the temperature of a thing to the thermal energy of the thing, or divide by to go the other way. It’s the same number for everything in the universe.

Woman's legs emerging from a portable hole, in three panels. The caption: 'Help! I'm defying the laws of gravity while also being sucked into a black hole that's supposed to be invisible --- except when the hole is in a comic strip!' (And on the side, S = Akc^3/4G h-bar.) 'Holy Hawking! As the space-time continuum continuums, I'm being warped into a state of striped-pants disreality teetering on a crummy fulcrum of fugly shoes. And even if I shout, 'I've fallen in a black hole and I can't get out', I'll forever be sinking deeper into a lamer surreality that never reaches the tendency pit of analyticity.'
Teresa Burritt’s Frog Applause for the 24th of March, 2018. Honestly surprised I didn’t see talk about striped-pants direality in Zippy the Pinhead first.

The only thing custom to a particular black hole is ‘A’, which is the surface area of the black hole. I mean the surface area of the event horizon. Double the surface area of the event horizon and you double its entropy. (This isn’t doubling the radius of the event horizon, but you know how much growth in the radius it is.) Also entropy. Hm. Everyone who would read this far into a pop mathematics blog like this knows that entropy is “how chaotic a thing is”. Thanks to people like Boltzmann we can be quantitative, and give specific and even exact numbers to the entropy of a system. It’s still a bit baffling since, superficially, a black hole seems like it’s not at all chaotic. It’s a point in space that’s got some mass to it, and maybe some electric charge and maybe some angular momentum. That’s about it. How messy can that be? It doesn’t even have any parts. This is how we can be pretty sure there’s stuff we don’t understand about black holes yet. Also about entropy.

This strip might be an oblique and confusing tribute to Dr Stephen Hawking. The entropy formula described was demonstrated by Drs Jacob Bekenstein and Stephen Hawking in the mid-1970s. Or it might be coincidence.

Reading the Comics, March 17, 2018: Pi Day 2018 Edition


So today I am trying out including images for all the mathematically-themed comic strips here. This is because of my discovery that some links even on GoComics.com vanish without warning. I’m curious how long I can keep doing this. Not for legal reasons. Including comics for the purpose of an educational essay about topics raised by the strips is almost the most fair use imaginable. Just because it’s a hassle copying the images and putting them up on WordPress.com and that’s even before I think about how much image space I have there. We’ll see. I might try to figure out a better scheme.

Also in this batch of comics are the various Pi Day strips. There was a healthy number of mathematically-themed comics on the 14th of March. Many of those were just coincidence, though, with no Pi content. I’ll group the Pi Day strips together.

Counselor: 'Come in Funky! What seems to be troubling you?' Funky: 'We're nothing but computer numbers at this school, Mr Fairgood! Nobody cares about us as persons! I'm tired of being just a number! I want a chance to make some of my own decisions!' Counselor: 'Okay! What would you like to be, odd or even?'
Tom Batiuk’s Funky Winkerbean for the 2nd of April, 1972 and rerun the 11th of March, 2018. Maybe I’m just overbalancing for the depression porn that Funky Winkerbean has become, but I find this a funny bordering-on-existential joke.

Tom Batiuk’s Funky Winkerbean for the 2nd of April, 1972 is, I think, the first appearance of Funky Winkerbean around here. Comics Kingdom just started running the strip, as well as Bud Blake’s Tiger and Bill Hoest’s Lockhorns, from the beginning as part of its Vintage Comics roster. And this strip really belonged in Sunday’s essay, but I noticed the vintage comics only after that installment went to press. Anyway, this strip — possibly the first Sunday Funky Winkerbean — plays off a then-contemporary fear of people being reduced to numbers in the face of a computerized society. If you can imagine people ever worrying about something like that. The early 1970s were a time in American society when people first paid attention to the existence of, like, credit reporting agencies. Just what they did and how they did it drew a lot of critical examination. Josh Lauer’s recently published Creditworthy: a History of Consumer Surveillance and Financial Identity in America gets into this.

Bear: 'Can I come in?' Molly: 'Sure.' Bear: 'What happened?' Molly: 'I got an F on my math test.' Bear: 'But you're a genius at math.' Molly: 'I didn't have time to study.' Bear: 'Is it because I distracted you with my troubles yesterday?' Molly: 'No. Well, maybe. Not really. Okay, sure. Yes. I don't know. ARRGHHHH!!!'
Bob Scott’s Bear With Me for the 14th of March, 2018. Every conversation with a high-need, low-self-esteem friend.

Bob Scott’s Bear With Me for the 14th sees Molly struggling with failure on a mathematics test. Could be any subject and the story would go as well, but I suppose mathematics gets a connotation of the subject everybody has to study for, even the geniuses. (The strip used to be called Molly and the Bear. In either name this seems to be the first time I’ve tagged it, although I only started tagging strips by name recently.)

Jeff: 'Next November you and I will have appeared in this comic strip for 45 years!' Mutt: 'Mmm. 45 years! That's 540 months or 2,340 weeks! So, the boss drew us 1,436 times ... one each day of the year! Now, 16,436 until I'm 90 ... ' Jeff: 'What have you been working on?' Mutt: 'Oh, I'm just calculating what we'll be doing during the next 45 years!' (Jeff leaves having clobbered Mutt.) Mutt: 'No! Not this!'
Bud Fisher’s Mutt and Jeff rerun for the 14th of March, 2018. The comic strip ended the 26th of June, 1983 — I remember the announcement of its ending in the (Perth Amboy) News-Tribune, our evening paper, and thinking it seemed illicit that an ancient comic strip like that could end. It was a few months from being 76 years old then.

Bud Fisher’s Mutt and Jeff rerun for the 14th is a rerun from sometime in 1952. I’m tickled by the problem of figuring out how many times Fisher and his uncredited assistants drew Mutt and Jeff. Mutt saying that the boss “drew us 14,436 times” is the number of days in 45 years, so that makes sense if he’s counting the number of strips drawn. The number of times that Mutt and Jeff were drawn is … probably impossible to calculate. There’s so many panels each strip, especially going back to earlier and earlier times. And how many panels don’t have Mutt or don’t have Jeff or don’t have either in them? Jeff didn’t appear in the strip until March of 1908, for example, four months after the comic began. (With a different title, so the comic wasn’t just dangling loose all that while.)

Diagram: Pie Chart, Donut Chart (pie chart with the center missing), Tart Charts (several small pie charts), Shepherd's Pie Chart (multiple-curve plot with different areas colored differently), Tiramisu Chart (multiple-curve plot with all areas colored the same), and Lobster Thermidor Chart (lobster with chunks labelled).
Doug Savage’s Savage Chickens for the 14th of March, 2018. Yeah, William Playfair invented all these too.

Doug Savage’s Savage Chickens for the 14th is a collection of charts. Not all pie charts. And yes, it ran the 14th but avoids the pun it could make. I really like the tart charts, myself.

And now for the Pi Day strips proper.

[PI sces ] Guy at bar talking to Pi: 'Wow, so you were born on March 14th at 1:59, 26 seconds? What're the odds?'
Scott Hilburn’s The Argyle Sweater for the 14th of March, 2018. Also a free probability question, if you’re going to assume that every second of the year is equally likely to be the time of birth.

Scott Hilburn’s The Argyle Sweater for the 14th starts the Pi Day off, of course, with a pun and some extension of what makes 3/14 get its attention. And until Hilburn brought it up I’d never thought about the zodiac sign for someone born the 14th of March, so that’s something.

Pi figure, wearing glasses, reading The Neverending Story.
Mark Parisi’s Off The Mark for the 14th of March, 2018. Really the book seems a little short for that.

Mark Parisi’s Off The Mark for the 14th riffs on one of the interesting features of π, that it’s an irrational number. Well, that its decimal representation goes on forever. Rational numbers do that too, yes, but they all end in the infinite repetition of finitely many digits. And for a lot of them, that digit is ‘0’. Irrational numbers keep going on with more complicated patterns. π sure seems like it’s a normal number. So we could expect that any finite string of digits appears somewhere in its decimal expansion. This would include a string of digits that encodes any story you like, The Neverending Story included. This does not mean we might ever find where that string is.

[ How ancient mathematicians amused themselves, AKA how to celebrate Pi Day today; third annual Pi-Easting Contest. Emcee: 'And HERE he is, our defending champ, that father of conic sections --- ARCHIMEDES!' They're all eating cakes shaped like pi.
Michael Cavna’s Warped for the 14th of March, 2018. Yes, but have you seen Pythagoras and his golden thigh?

Michael Cavna’s Warped for the 14th combines the two major joke threads for Pi Day. Specifically naming Archimedes is a good choice. One of the many things Archimedes is famous for is finding an approximation for π. He’d worked out that π has to be larger than 310/71 but smaller than 3 1/7. Archimedes used an ingenious approach: we might not know the precise area of a circle given only its radius. But we can know the area of a triangle if we know the lengths of its legs. And we can draw a series of triangles that are enclosed by a circle. The area of the circle has to be larger than the sum of the areas of those triangles. We can draw a series of triangles that enclose a circle. The area of the circle has to be less than the sum of the areas of those triangles. If we use a few triangles these bounds are going to be very loose. If we use a lot of triangles these bounds can be tight. In principle, we could make the bounds as close together as we could possibly need. We can see this, now, as a forerunner to calculus. They didn’t see it as such at the time, though. And it’s a demonstration of what amazing results can be found, even without calculus, but with clever specific reasoning. Here’s a run-through of the process.

[ To Stephen Hawking, Thanks for making the Universe a little easier for the rest of us to understand ] Jay: 'I suppose it's only appropriate that he'd go on Pi Day.' Roy: 'Not to mention, Einstein's birthday.' Katherine: 'I'll bet they're off in some far reach of the universe right now playing backgammon.'
John Zakour and Scott Roberts’s Working Daze for the 15th of March, 2018. No, you should never read the comments, but here, really, don’t read the comments.

John Zakour and Scott Roberts’s Working Daze for the 15th is a response to Dr Stephen Hawking’s death. The coincidence that he did die on the 14th of March made for an irresistibly interesting bit of trivia. Zakour and Roberts could get there first, thanks to working on a web comic and being quick on the draw. (I’m curious whether they replaced a strip that was ready to go for the 15th, or whether they normally work one day ahead of publication. It’s an exciting but dangerous way to go.)

Reading the Comics, August 12, 2017: August 10 and 12 Edition


The other half of last week’s comic strips didn’t have any prominent pets in them. The six of them appeared on two days, though, so that’s as good as a particular theme. There’s also some π talk, but there’s enough of that I don’t want to overuse Pi Day as an edition name.

Mark Anderson’s Andertoons for the 10th is a classroom joke. It’s built on a common problem in teaching by examples. The student can make the wrong generalization. I like the joke. There’s probably no particular reason seven was used as the example number to have zero interact with. Maybe it just sounded funnier than the other numbers under ten that might be used.

Mike Baldwin’s Cornered for the 10th uses a chalkboard of symbols to imply deep thinking. The symbols on the board look to me like they’re drawn from some real mathematics or physics source. There’s force equations appropriate for gravity or electric interactions. I can’t explain the whole board, but that’s not essential to work out anyway.

Marty Links’s Emmy Lou for the 17th of March, 1976 was rerun the 10th of August. It name-drops the mathematics teacher as the scariest of the set. Fortunately, Emmy Lou went to her classes in a day before Rate My Professor was a thing, so her teacher doesn’t have to hear about this.

Scott Hilburn’s The Argyle Sweater for the 12th is a timely remidner that Scott Hilburn has way more Pi Day jokes than we have Pi Days to have. Also he has octopus jokes. It’s up to you to figure out whether the etymology of the caption makes sense.

John Zakour and Scott Roberts’s Working Daze for the 12th presents the “accountant can’t do arithmetic” joke. People who ought to be good at arithmetic being lousy at figuring tips is an ancient joke. I’m a touch surprised that Christopher Miller’s American Cornball: A Laffopedic Guide to the Formerly Funny doesn’t have an entry for tips (or mathematics). But that might reflect Miller’s mission to catalogue jokes that have fallen out of the popular lexicon, not merely that are old.

Michael Cavna’s Warped for the 12th is also a Pi Day joke that couldn’t wait. It’s cute and should fit on any mathematics teacher’s office door.

Reading the Comics, March 18, 2017: Pi Day Edition


No surprise what the recurring theme for this set of mathematics-mentioning comic strips is. Look at the date range. But here goes.

Henry Scarpelli and Craig Boldman’s Archie rerun for the 13th uses algebra as the thing that will stun a class into silence. I know the silence. As a grad student you get whole minutes of instructions on how to teach a course before being sent out as recitation section leader for some professor. And what you do get told is the importance of asking students their thoughts and their ideas. This maybe works in courses that are obviously friendly to opinions or partially formed ideas. But in Freshman Calculus? It’s just deadly. Even if you can draw someone into offering an idea how we might start calculating a limit (say), they’re either going to be exactly right or they’re going to need a lot of help coaxing the idea into something usable. I’d like to have more chatty classes, but some subjects are just hard to chat about.

Mr Weatherby walks past a silent class. 'What a well-behaved class! ... Flutesnoot, how do you get them to be so quiet and still?' 'I just asked for a volunteer to solve an algebra problem!'
Henry Scarpelli and Craig Boldman’s Archie rerun for the 13th of March, 2017. I didn’t know the mathematics teacher’s name and suppose that “Flutesnoot” is as plausible as anything. Anyway, I admire his ability to stand in front of a dead-silent class. The stage fright the scenario produces is powerful. At least when I was taught how to teach we got nothing about stage presence or how to remain confident during awkward pauses. What I know I learned from a half-year Drama course in high school.

Steve Skelton’s 2 Cows And A Chicken for the 13th includes some casual talk about probability. As normally happens, they figure the chances are about 50-50. I think that’s a default estimate of the probability of something. If you have no evidence to suppose one outcome is more likely than the other, then that is a reason to suppose the chance of something is 50 percent. This is the Bayesian approach to probability, in which we rate things as more or less likely based on what information we have about how often they turn out. It’s a practical way of saying what we mean by the probability of something. It’s terrible if we don’t have much reliable information, though. We need to fall back on reasoning about what is likely and what is not to save us in that case.

Scott Hilburn’s The Argyle Sweater lead off the Pi Day jokes with an anthropomorphic numerals panel. This is because I read most of the daily comics in alphabetical order by title. It is also because The Argyle Sweater is The Argyle Sweater. Among π’s famous traits is that it goes on forever, in decimal representations, yes. That’s not by itself extraordinary; dull numbers like one-third do that too. (Arguably, even a number like ‘2’ does, if you write all the zeroes in past the decimal point.) π gets to be interesting because it goes on forever without repeating, and without having a pattern easily describable. Also because it’s probably a normal number but we don’t actually know that for sure yet.

Mark Parisi’s Off The Mark panel for the 14th is another anthropomorphic numerals joke and nearly the same joke as above. The answer, dear numeral, is “chained tweets”. I do not know that there’s a Twitter bot posting the digits of π in an enormous chained Twitter feed. But there’s a Twitter bot posting the digits of π in an enormous chained Twitter feed. If there isn’t, there is now.

John Zakour and Scott Roberts’s Working Daze for the 14th is your basic Pi Day Wordplay panel. I think there were a few more along these lines but I didn’t record all of them. This strip will serve for them all, since it’s drawn from an appealing camera angle to give the joke life.

Dave Blazek’s Loose Parts for the 14th is a mathematics wordplay panel but it hasn’t got anything to do with π. I suspect he lost track of what days he was working on, back six or so weeks when his deadline arrived.

Keith Tutt and Daniel Saunders’s Lard’s World Peace Tips for the 15th is some sort of joke about the probability of the world being like what it seems to be. I’m not sure precisely what anyone is hoping to express here or how it ties in to world peace. But the world does seem to be extremely well described by techniques that suppose it to be random and unpredictable in detail. It is extremely well predictable in the main, which shows something weird about the workings of the world. It seems to be doing all right for itself.

Zach Weinersmith’s Saturday Morning Breakfast Cereal for the 15th is built on the staggering idea that the Earth might be the only place with life in the universe. The cosmos is a good stand-in for infinitely large things. It might be better as a way to understand the infinitely large than actual infinity would be. Somehow thinking of the number of stars (or whatnot) in the universe and writing out a representable number inspires an understanding for bigness that the word “infinity” or the symbols we have for it somehow don’t seem to, at least to me.

Mikael Wulff and Anders Morgenthaler’s TruthFacts for the 17th gives us valuable information about how long ahead of time the comic strips are working. Arithmetic is probably the easiest thing to use if one needs an example of a fact. But even “2 + 2 = 4” is a fact only if we accept certain ideas about what we mean by “2” and “+” and “=” and “4”. That we use those definitions instead of others is a reflection of what we find interesting or useful or attractive. There is cultural artifice behind the labelling of this equation as a fact.

Jimmy Johnson’s Arlo and Janis for the 18th capped off a week of trying to explain some point about the compression and dilution of time in comic strips. Comic strips use space and time to suggest more complete stories than they actually tell. They’re much like every other medium in this way. So, to symbolize deep thinking on a subject we get once again a panel full of mathematics. Yes, I noticed the misquoting of “E = mc2” there. I am not sure what Arlo means by “Remember the boat?” although thinking on it I think he did have a running daydream about living on a boat. Arlo and Janis isn’t a strongly story-driven comic strip, but Johnson is comfortable letting the setting evolve. Perhaps all this is forewarning that we’re going to jump ahead to a time in Arlo’s life when he has, or has had, a boat. I don’t know.