## Reading the Comics, March 6, 2017: Blackboards Edition

I can’t say there’s a compelling theme to the first five mathematically-themed comics of last week. Screens full of mathematics turned up in a couple of them, so I’ll run with that. There were also *just* enough strips that I’m splitting the week again. It seems fair to me and gives me something to remember Wednesday night that I have to rush to complete.

Jimmy Hatlo’s **Little Iodine** for the 1st of January, 1956 was rerun on the 5th of March. The setup demands Little Iodine pester her father for help with the “hard homework” and of course it’s arithmetic that gets to play hard work. It’s a word problem in terms of who has how many apples, as you might figure. Don’t worry about Iodine’s boss getting fired; Little Iodine gets her father fired every week. It’s their schtick.

Dana Simpson’s **Phoebe and her Unicorn** for the 5th mentions the “most remarkable of unicorn confections”, a sugar dodecahedron. Dodecahedrons have long captured human imaginations, as one of the Platonic Solids. The Platonic Solids are one of the ways we can make a solid-geometry analogue to a regular polygon. Phoebe’s other mentioned shape of cubes is another of the Platonic Solids, but that one’s common enough to encourage no sense of mystery or wonder. The cube’s the only one of the Platonic Solids that will fill space, though, that you can put into stacks that don’t leave gaps between them. Sugar cubes, Wikipedia tells me, have been made only since the 19th century; the Moravian sugar factory director Jakub Kryštof Rad got a patent for cutting block sugar into uniform pieces in 1843. I can’t dispute the fun of “dodecahedron” as a word to say. Many solid-geometric shapes have names that are merely descriptive, but which are rendered with Greek or Latin syllables so as to sound magical.

Bud Grace’s **Piranha Club** for the 6th started a sequence in which the Future Disgraced Former President needs the most brilliant person in the world, Bud Grace. A word balloon full of mathematics is used as symbol for this genius. I feel compelled to point out Bud Grace was a physics major. But while Grace could as easily have used something from the physics department to show his deep thinking abilities, that would all but certainly have been rendered as equation and graphs, the stuff of mathematics again.

Scott Meyer’s **Basic Instructions** rerun for the 6th is aptly titled, “How To Unify Newtonian Physics And Quantum Mechanics”. Meyer’s advice is not bad, really, although generic enough it applies to any attempts to reconcile two different models of a phenomenon. Also there’s not particularly a problem reconciling Newtonian physics with quantum mechanics. It’s general relativity and quantum mechanics that are so hard to reconcile.

Still, **Basic Instructions** is about how you can do a thing, or learn to do a thing. It’s not about how to allow anything to be done for the first time. And it’s true that, per quantum mechanics, we can’t predict *exactly* what any one particle will do at any time. We can say what possible things it might do and how relatively probable they are. But big stuff, the stuff for which Newtonian physics is relevant, involve so many particles that the unpredictability becomes too small to notice. We can see this as the Law of Large Numbers. That’s the probability rule that tells us we can’t predict any coin flip, but we know that a million fair tosses of a coin will not turn up 800,000 tails. There’s more to it than that (there’s always more to it), but that’s a starting point.

Michael Fry’s **Committed** rerun for the 6th features Albert Einstein as the icon of genius. Natural enough. And it reinforces this with the blackboard full of mathematics. I’m not sure if that blackboard note of “E = md^{3}” is supposed to be a reference to the famous **Far Side** panel of Einstein hearing the maid talk about everything being *squared* away. I’ll take it as such.

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