I am hosting, later this month, the 141st installment of Denise Gaskins’s Playful Math Education Blog Carnival. If you’ve seen recently any mathematics piece — a blog, a YouTube video, a magazine article — that you found educational or enlightening or just fun, please, share it with me in comments so I can share it with the wider world.
I mentioned yesterday Iva Sallay’s hosting of the 140th Playful Math Education Blog Carnival. This is a collection of pieces of educational, recreational, or otherwise just delightful mathematics posts. I’d said I hoped I might have the energy to host one again this year and, you know? Denise Gaskins, who organizes this monthly event, took me up on the offer.
So, if you write, or read, or are just aware of a good mathematics or mathematics-related blog, please, leave me a comment! I’ll need all the help I can get finding things worth sharing. Anything that you’ve learned from, or that’s delighted you, is worth it. It’ll teach and delight other people too.
Last week saw a modest number of mathematically-themed comic strips. Then it threw in a bunch of them all on Thursday. I’m splitting the week partway through that, since it gives me some theme to this collection.
Tim Rickard’s Brewster Rockit for the 3rd of May is a dictionary joke, with Brewster naming each kind of chart and making a quick joke about it. The comic may help people who’ve had trouble remembering the names of different kinds of graphs. I doubt people are likely to confuse a pie chart with a bar chart, admittedly. But I could imagine thinking a ‘line graph’ is what we call a bar chart, especially if the bars are laid out horizontally as in the second panel here.
The point of all these graphs is to understand data geometrically. We have fair intuitions about relatives lengths and areas. Bar charts represent relative magnitudes in lengths. Pie charts and bubble charts represent magnitudes in area. We have okay skills in noticing structures in complex shapes. Line graphs and scatter plots use that skill. So these pictures can help us understand some abstraction or something we can’t sense using a sense we do have. It’s not necessarily great; note that I said our intuitions were ‘fair’ and ‘okay’. But we hope to use reason helped by intuition to better understand what we are doing.
And, yes, in the greater scheme of things, any homework or classwork problem is trivial. It’s meant to teach how to calculate things we would like to know. The framing of the story is meant to give us a reason to want to know a thing. But they are practice, and meant to be practice. One practices on something of no consequence, where errors in one’s technique can be corrected without breaking anything.
It happens a round of story problems broke out among my family. My sister’s house has some very large trees. There turns out to be a poorly-organized process for estimating the age of these trees from their circumference. This past week saw a lot of chatter and disagreement about what the ages of these trees might be.
Michael Fry’s Committed rerun for the 7th finally gets us to golf. The Lazy Parent tries to pass off watching golf as educational, with working out the distance to the pin as a story problem. Structurally this is just fine, though: a golfer would be interested to know how far the ball has yet to go. All the information needed is given. It’s the question of whether anyone but syndicated cartoonists cares about golf that’s a mystery.
Greetings, friends, and thank you for visiting the 136th installment of Denise Gaskins’s Playful Math Education Blog Carnival. I apologize ahead of time that this will not be the merriest of carnivals. It has not been the merriest of months, even with it hosting Pi Day at the center.
In consideration of that, let me lead with Art in the Time of Transformation by Paula Beardell Krieg. This is from the blog Playful Bookbinding and Paper Works. The post particularly reflects on the importance of creating a thing in a time of trouble. There is great beauty to find, and make, in symmetries, and rotations, and translations. Simple polygons patterned by simple rules can be accessible to anyone. Studying just how these symmetries and other traits work leads to important mathematics. Thus how Kreig’s page has recent posts with names like “Frieze Symmetry Group F7” but also to how symmetry is for five-year-olds. I am grateful to Goldenoj for the reference.
That link was brought to my attention by Iva Sallay, another longtime friend of my little writings here. She writes fun pieces about every counting number, along with recreational puzzles. And asked to share 1458 Tangrams Can Be A Pot of Gold, as an example of what fascinating things can be found in any number. This includes a tangram. Tangrams we see in recreational-mathematics puzzles based on ways that you can recombine shapes. It’s always exciting to be able to shift between arithmetic and shapes. And that leads to a video and related thread again pointed to me by goldenoj …
This video, by Mathologer on YouTube, explains a bit of number theory. Number theory is the field of asking easy questions about whole numbers, and then learning that the answers are almost impossible to find. I exaggerate, but it does often involve questions that just suppose you understand what a prime number should be. And then, as the title asks, take centuries to prove.
Fermat’s Two-Squares Theorem, discussed here, is not the famous one about . Pierre de Fermat had a lot of theorems, some of which he proved. This one is about prime numbers, though, and particularly prime numbers that are one more than a multiple of four. This means it’s sometimes called Fermat’s 4k+1 Theorem, which is the name I remember learning it under. (k is so often a shorthand for “some counting number” that people don’t bother specifying it, the way we don’t bother to say “x is an unknown number”.) The normal proofs of this we do in the courses that convince people they’re actually not mathematics majors.
What the video offers is a wonderful alternate approach. It turns key parts of the proof into geometry, into visual statements. Into sliding tiles around and noticing patterns. It’s also a great demonstration of one standard problem-solving tool. This is to look at a related, different problem that’s easier to say things about. This leads to what seems like a long path from the original question. But it’s worth it because the path involves thinking out things like “is the count of this thing odd or even”? And that’s mathematics that you can do as soon as you can understand the question.
I again thank Iva Sallay for that link, as well as this essay. Dan Meyer’s But Artichokes Aren’t Pinecones: What Do You Do With Wrong Answers? looks at the problem of students giving wrong answers. There is no avoiding giving wrong answers. A parent’s or teacher’s response to wrong answers will vary, though, and Meyer asks why that is. Meyer has some hypotheses. His example notes that he doesn’t mind a child misidentifying an artichoke as a pinecone. Not in the same way identifying the sum of 1 and 9 as 30 would. What is different about those mistakes?
Jessannwa’s Soft Start In The Intermediate Classroom looks to the teaching of older students. No muffins and cookies here. That the students might be more advanced doesn’t change the need to think of what they have energy for, and interest in. She discusses a class setup that’s meant to provide structure in ways that don’t feel so authority-driven. And ways to turn practicing mathematics problems into optimizing game play. I will admit this is a translation of the problem which would have worked well for me. But I also know that not everybody sees a game as, in part, something to play at maximum efficiency. It depends on the game, though. They’re on Twitter as @jesannwa.
These are thoughts about how anyone can start learning mathematics. What does it look like to have learned a great deal, though, to the point of becoming renowned for it? Life Through A Mathematician’s Eyes posted Australian Mathematicians in late January. It’s a dozen biographical sketches of Australian mathematicians. It also matches each to charities or other public-works organizations. They were trying to help the continent through the troubles it had even before the pandemic struck. They’re in no less need for all that we’re exhausted. The page’s author is on Twitter as @lthmath.
I have since the start of this post avoided mentioning the big mathematical holiday of March. Pi Day had the bad luck to fall on a weekend this year, and then was further hit by the Covid-19 pandemic forcing the shutdown of many schools. Iva Sallay again helped me by noting YummyMath’s activities page It’s Time To Gear Up For Pi Day. This hosts several worksheets, about the history of π and ways to calculate it, and several formulas for π. This even gets into interesting techniques like how to use continued fractions in finding a numerical value.
Rolands Rag Bag shared A Pi-Ku for Pi-Day featuring a poem written in a form I wasn’t aware anyone did. The “Pi-Ku” as named here has 3 syllables for the first time, 1 syllable in the second line, 4 syllables in the third line, 1 syllable the next line, 5 syllables after that … you see the pattern. (One of Avery’s older poems also keeps this form.) The form could, I suppose, go on to as many lines as one likes. Or at least to the 40th line, when we would need a line of zero syllables. Probably one would make up a rule to cover that.
I hope to publish the March 2020 Playful Math Education Blog Carnival tomorrow. If you’ve recently seen any web site that shares and explains some aspect of mathematics or mathematics education that interested or delighted you, please, share it with me, so I can share it with more people. If you do, please, let me know of your own projects, besides that, so I can mention that to this month’s audience. Thank you.
So the first bit of news: I’m hosting the Playful Math Education Blog Carnival later this month. This is a roaming blog link party, sharing blogs that delight or educate, or ideally both, about mathematics. As mentioned the other day Iva Sallay of Find the Factors hosted the 135th of these. My entry, the 136th, I plan to post sometime the last week of March.
And I’ll need help! If you’ve run across a web site, YouTube video, blog post, or essay that discusses something mathematical in a way that makes you grin, please let me know, and let me share it with the carnival audience.
This Saturday is March 14th, which we’ve been celebrating as Pi Day. I remain skeptical that it makes a big difference in people’s view of mathematics or in their education. But an afternoon spent talking about mathematics with everyone agreeing that, for today, we won’t complain about how hard it always was or how impossible we always found it, is pleasant. And that’s a good thing. I don’t know how much activity there’ll be for it, since the 14th is a weekend day this year. And the Covid-19 problem has got all the schools in my state closed through to April, so any calendar relevance is shattered.
But I have some things in the archive anyway. Last year I gathered Six Or Arguably Four Things For Pi Day, a collection of short essays about ways to calculate π well or poorly, and about some of the properties we’re pretty sure that π has, even if we can’t prove it. Also this fascinating physics problem that yields the digits of π.
And the middle of March often brings out Comic Strip Master Command. It looks like I’ve had at least five straight Pi Day editions of Reading the Comics, although most of them cover strips from more than just the 14th of March. From the past:
The weekday Doonesbury has been in reruns for a very long while. Recently it’s been reprinting strips from the 1990s and something that I remember producing Very Worried Editorials, back in the day.
Garry Trudeau’s Doonesbury for the 17th reprints a sequence that starts off with the dread menace and peril of Grade Inflation, the phenomenon in which it turns out students of the generational cohort after yours are allowed to get A’s. (And, to a lesser extent, the phenomenon in which instructors respond to the treatment of education as a market by giving the “customers” the grades they’re “buying”.) The strip does depict an attitude common towards mathematics, though, the idea that it must be a subject immune to Grade Inflation: “aren’t there absolute answers”? If we are careful to say what we mean by an “absolute answer” then, sure.
But grades? Oh, there is so much subjectivity as to what goes into a course. And into what level to teach that course at. How to grade, and how harshly to grade. It may be easier, compared to other subjects, to make mathematics grading more consistent year-to-year. One can make many problems that test the same skill and yet use different numbers, at least until you get into topics like abstract algebra where numbers stop being interesting. But the factors that would allow any course’s grade to inflate are hardly stopped by the department name.
Zach Weinersmith’s Saturday Morning Breakfast Cereal for the 18th is a strip about using a great wall of equations as emblem of deep, substantial thought. The equations depicted are several meaningful ones. The top row is from general relativity, the Einstein Field Equations. These relate the world-famous Ricci curvature tensor with several other tensors, describing how mass affects the shape of space. The P = NP line describes a problem of computational science with an unknown answer. It’s about whether two different categories of problems are, in fact, equivalent. The line about is a tensor-based scheme to describe the electromagnetic field. The next two lines look, to me, like they’re deep in Schrödinger’s Equation, describing quantum mechanics. It’s possible Weinersmith has a specific problem in mind; I haven’t spotted it.
Ruben Bolling’s Super-Fun-Pak Comix for the 18th is one of the Guy Walks Into A Bar line, each of which has a traditional joke setup undermined by a technical point. In this case, it’s the horse counting in base four, in which representation the number 2 + 2 is written as 10. Really, yes, “10 in base four” is the number four. I imagine properly the horse should say “four” aloud. But it is quite hard to read the symbols “10” as anything but ten. It’s not as though anyone looks at the hexadecimal number “4C” and pronounces it “76”, either.
Garry Trudeau’s Doonesbury for the 19th twisted the Grade Inflation peril to something that felt new in the 90s: an attack on mathematics as “Eurocentric”. The joke depends on the reputation of mathematics as finding objectively true things. Many mathematicians accept this idea. After all, once we’ve seen a proof that we can do the quadrature of a lune, it’s true regardless of what anyone thinks of quadratures and lunes, and whether that person is of a European culture or another one.
But there are several points to object to here. The first is, what’s a quadrature? … This is a geometric thing; it’s finding a square that’s the same area as some given shape, using only straightedge and compass constructions. The second is, what’s a lune? It’s a crescent moon-type shape (hence the name) that you can make by removing the overlap from two circles of specific different radiuses arranged in a specific way. It turns out you can find the quadrature for the lune shape, which makes it seem obvious that you should be able to find the quadrature for a half-circle, a way easier (to us) shape. And it turns out you can’t. The third question is, who cares about making squares using straightedge and compass? And the answer is, well, it’s considered a particularly elegant way of constructing shapes. To the Ancient Greeks. And to those of us who’ve grown in a mathematics culture that owes so much to the Ancient Greeks. Other cultures, ones placing more value on rulers and protractors, might not give a fig about quadratures and lunes.
This before we get into deeper questions. For example, if we grant that some mathematical thing is objectively true, independent of the culture which finds it, then what role does the proof play? It can’t make the thing more or less true. It doesn’t eve matter whether the proof is flawed, or whether it convinces anyone. It seems to imply a mathematician isn’t actually needed for their mathematics. This runs contrary to intuition.
Anyway, this gets off the point of the student here, who’s making a bad-faith appeal to multiculturalism to excuse laziness. It’s difficult to imagine a culture that doesn’t count, at least, even if they don’t do much work with numbers like 144. Granted that, it seems likely they would recognize that 12 has some special relationship with 144, even if they don’t think too much of square roots as a thing.
Goldenoj suggested my topic for today’s essay. It delighted me because I had no idea what it was. It wasn’t even listed on Mathworld, where I start all my research for these essays. It turned out to be something that I use all the time, but that I learned so long ago that it’s faded to invisibility. I didn’t even know that the concept had a name. So that makes it a great topic for an essay like this. I hope.
I once interviewed for a job I didn’t expect to get (or take). I would have taught for a university that provided courses for United States armed forces dependents. One bit of small talk that I thought went well had my potential department head mention a weird little quirk. United States-raised children were unusually good in multiplying stuff by 25. I had a ready hypothesis: the United States (and Canada) have a quarter-dollar coin. Many other countries just don’t, making do with 20-cent and 50-cent pieces instead. The potential department head said that was a good observation. United States-raised kids got practice turning four 25’s into a block of 100.
And this is the thing labelled as unitizing. A unit is, in this context, the thing we think of as “one thing”. This can be dollars, or feet of distance, or loaves of bread, or weeks of paid vacation. Whatever we need to measure. A unit often is made up of tinier pieces, cents or inches or slices or days. It can often be bundled up into bigger ones. Unitizing is about finding the bundle of things that makes the work one wants to do easy to understand.
This is a difficult topic for me to write about. I find it hard to notice myself doing it. But, for example, consider counting. Most people have a fair time counting up to five or six things at a glance. Eighteen things? There’s no telling that at a glance. What you can do, though, is notice that they group together, a block of six things here, another six here, another six there. Then the mass of things has turned into a manageable several collections of manageable counts of things. And, if we need to reverse the process, we can do that. Recognize that the 36 little triangular-wedge game tokens can be given out nine each to the four players. They can in turn arrange six of the tokens into an attractive complete wheel, and make do with the three remainder.
Slices of things turn up a good bit in thought about unitizing. One of particular delight that I found is this paper, by Susan J Lamon. It’s The Development of Unitizing: Its Role in Children’s Partitioning Strategies. Lamon investigated how children understand quantity, and the paper describes several experiments. A typical example is asking children how to evenly divide four pizzas among six people. And how their strategies change if all the pizzas are cut beforehand, versus whether they have to make the cuts themselves. Or how the question changes if things that are not pizza are considered. One child had different cutting strategies for four pizzas versus four cookies. The good reason: cookies are harder to slice than pizzas. You need to be more economical with your cuts so you don’t ruin the food.
And what kids found to be units depended on what was being divided. Four pizzas with different toppings would be divided differently from four identical pizzas. Four Chinese dinners were split by different strategies too. One child explained it just didn’t seem right to call what each person got four-sixths of each dinners. Lamon speculates this reflects cultural conventions about meals that are often eaten in common, and that feels right to me.
There’s obvious uses to this unitizing, in figuring how to divide pizzas and cases of 24 pop cans. There are subtler uses. Positional notation depends on unitizing. We group ten individual things into a new block, and denote it as something in a tens column. Or ten individual blocks-of-ten, which we denote as something in a hundreds column. And we go the other way as we need, when subtracting or dividing.
When I was learning base-ten (and other) arithmetic, they taught me to think of exchanging ten pennies for a dime, or ten dimes for a dollar, or back the other way. To someone hoarding pennies so as to afford things from the bookmobile the practice working out units worked well.
With that context you see why it’s hard to point out what’s happening. You aren’t reading a pop mathematics blog unless you’re quite at ease with calculation. That there is a particular skill done becomes invisible due to its ubiquity. It takes special circumstances to see it again.
Three of the strips I have for this installment feature kids around mathematics talk. That’s enough for a theme name.
Gary Delainey and Gerry Rasmussen’s Betty for the 23rd is a strip about luck. It’s easy to form the superstitious view that you have a finite amount of luck, or that you have good and bad lucks which offset each other. It feels like it. If you haven’t felt like it, then consider that time you got an unexpected $200, hours before your car’s alternator died.
If events are independent, though, that’s just not so. Whether you win $600 in the lottery this week has no effect on whether you win any next week. Similarly whether you’re struck by lightning should have no effect on whether you’re struck again.
Except that this assumes independence. Even defines independence. This is obvious when you consider that, having won $600, it’s easier to buy an extra twenty dollars in lottery tickets and that does increase your (tiny) chance of winning again. If you’re struck by lightning, perhaps it’s because you tend to be someplace that’s often struck by lightning. Probability is a subtler topic than everyone acknowledges, even when they remember that it is such a subtle topic.
Darrin Bell’s Candorville for the 23rd jokes about the uselessness of arithmetic in modern society. I’m a bit surprised at Lemont’s glee in not having to work out tips by hand. The character’s usually a bit of a science nerd. But liking science is different from enjoying doing arithmetic. And bad experiences learning mathematics can sour someone on the subject for life. (Which is true of every subject. Compare the number of people who come out of gym class enjoying physical fitness.)
If you need some Internet Old, read the comments at GoComics, which include people offering dire warnings about what you need in case your machine gives the wrong answer. Which is technically true, but for this application? Getting the wrong answer is not an immediately awful affair. Also a lot of cranky complaining about tipping having risen to 20% just because the United States continues its economic punishment of working peoples.
Zach Weinersmith’s Saturday Morning Breakfast Cereal for the 25th is some wordplay. Mathematicians often need to find minimums of things. Or maximums of things. Being able to do one lets you do the other, as you’d expect. If you didn’t expect, think about it a moment, and then you expect it. So min and max are often grouped together.
Paul Trap’s Thatababy for the 26th is circling around wordplay, turning some common shape names into pictures. This strip might be aimed at mathematics teachers’ doors. I’d certainly accept these as jokes that help someone learn their shapes.
I’m posting this for several sordid reasons. First is that I want to test whether WordPress has changed something in how pingbacks — a post linking to another post — get handled. Second is I want to get my post count for the month up from its pitifully low number. I’m at something like negative four posts for all April. Third is that oh, yes, it is about that time of the semester when a kind of student is trying to study just hard enough to get a 79.6 percent in their classwork. So they want to study up to an 86.2 on the final and not waste their efforts studying up to an 86.5.
So here’s a couple tables I set up years ago. They show, for some common breakdowns of how much the final exam is worth, and what your class average is before going into the finals, what you’d need to get a 60, 65, 70, 80, or 90.
Rick Kirkman and Jerry Scott’s Baby Blues for the 23rd has a neat variation on story problems. Zoe’s given the assignment to make her own. I don’t remember getting this as homework, in elementary school, but it’s hard to see why I wouldn’t. It’s a great exercise: not just set up an arithmetic problem to solve, but a reason one would want to solve it.
Composing problems is a challenge. It’s a skill, and you might be surprised that when I was in grad school we didn’t get much training in it. We were just taken to be naturally aware of how to identify a skill one wanted to test, and to design a question that would mostly test that skill, and to write it out in a question that challenged students to identify what they were to do and how to do it, and why they might want to do it. But as a grad student I wasn’t being prepared to teach elementary school students, just undergraduates.
Mastroianni and Hart’s B.C. for the 23rd is a joke in the funny-definition category, this for “chaos theory”. Chaos theory formed as a mathematical field in the 60s and 70s, and it got popular alongside the fractal boom in the 80s. The field can be traced back to the 1890s, though, which is astounding. There was no way in the 1890s to do the millions of calculations needed to visualize any good chaos-theory problem. They had to develop results entirely by thinking.
Wiley’s definition is fine enough about certain systems being unpredictable. Wiley calls them “advanced”, although they don’t need to be that advanced. A compound pendulum — a solid rod that swings on the end of another swinging rod — can be chaotic. You can call that “advanced” if you want but then people are going to ask if you’ve had your mind blown by this post-singularity invention, the “screw”.
What makes for chaos is not randomness. Anyone knows the random is unpredictable in detail. That’s no insight. What’s exciting is when something’s unpredictable but deterministic. Here it’s useful to think of continental divides. These are the imaginary curves which mark the difference in where water runs. Pour a cup of water on one side of the line, and if it doesn’t evaporate, it eventually flows to the Pacific Ocean. Pour the cup of water on the other side, it eventually flows to the Atlantic Ocean. These divides are often wriggly things. Water may mostly flow downhill, but it has to go around a lot of hills.
So pour the water on that line. Where does it go? There’s no unpredictability in it. The water on one side of the line goes to one ocean, the water on the other side, to the other ocean. But where is the boundary? And that can be so wriggly, so crumpled up on itself, so twisted, that there’s no meaningfully saying. There’s just this zone where the Pacific Basin and the Atlantic Basin merge into one another. Any drop of water, however tiny, dropped in this zone lands on both sides. And that is chaos.
Neatly for my purposes there’s even a mountain at a great example of this boundary. Triple Divide Peak, in Montana, rests on the divides between the Atlantic and the Pacific basins, and also on the divide between the Atlantic and the Arctic oceans. (If one interprets the Hudson Bay as connecting to the Arctic rather than the Atlantic Ocean, anyway. If one takes Hudson Bay to be on the Atlantic Ocean, then Snow Dome, Alberta/British Columbia, is the triple point.) There’s a spot on this mountain (or the other one) where a spilled cup of water could go to any of three oceans.
John Graziano’s Ripley’s Believe It Or Not for the 23rd mentions one of those beloved bits of mathematics trivia, the birthday problem. That’s finding the probability that no two people in a group of some particular size will share a birthday. Or, equivalently, the probability that at least two people share some birthday. That’s not a specific day, mind you, just that some two people share a birthday. The version that usually draws attention is the relatively low number of people needed to get a 50% chance there’s some birthday pair. I haven’t seen the probability of 70 people having at least one birthday pair before. 99.9 percent seems plausible enough.
The birthday problem usually gets calculated something like this: Grant that one person has a birthday. That’s one day out of either 365 or 366, depending on whether we consider leap days. Consider a second person. There are 364 out of 365 chances that this person’s birthday is not the same as the first person’s. (Or 365 out of 366 chances. Doesn’t make a real difference.) Consider a third person. There are 363 out of 365 chances that this person’s birthday is going to be neither the first nor the second person’s. So the chance that all three have different birthdays is . Consider the fourth person. That person has 362 out of 365 chances to have a birthday none of the first three have claimed. So the chance that all four have different birthdays is . And so on. The chance that at least two people share a birthday is 1 minus the chance that no two people share a birthday.
As always happens there are some things being assumed here. Whether these probability calculations are right depends on those assumptions. The first assumption being made is independence: that no one person’s birthday affects when another person’s is likely to be. Obvious, you say? What if we have twins in the room? What if we’re talking about the birthday problem at a convention of twins and triplets? Or people who enjoyed the minor renown of being their city’s First Babies of the Year? (If you ever don’t like the result of a probability question, ask about the independence of events. Mathematicians like to assume independence, because it makes a lot of work easier. But assuming isn’t the same thing as having it.)
The second assumption is that birthdates are uniformly distributed. That is, that a person picked from a room is no more likely to be born the 13th of February than they are the 24th of September. And that is not quite so. September births are (in the United States) slightly more likely than other months, for example, which suggests certain activities going on around New Year’s. Across all months (again in the United States) birthdates of the 13th are slightly less likely than other days of the month. I imagine this has to be accounted for by people who are able to select a due date by inducing delivery. (Again if you need to attack a probability question you don’t like, ask about the uniformity of whatever random thing is in place. Mathematicians like to assume uniform randomness, because it akes a lot of work easier. But assuming it isn’t the same as proving it.)
Do these differences mess up the birthday problem results? Probably not that much. We are talking about slight variations from uniform distribution. But I’ll be watching Ripley’s to see if it says anything about births being more common in September, or less common on 13ths.
I think there are just barely enough comic strips from the past week to make three essays this time around. But one of them has to be a short group, only three comics. That’ll be for the next essay when I can group together all the strips that ran in February. One strip that I considered but decided not to write at length about was Ed Allison’s dadaist Unstrange Phenomena for the 28th. It mentions Roman Numerals and the idea of sneaking message in through them. But that’s not really mathematics. I usually enjoy the particular flavor of nonsense which Unstrange Phenomena uses; you might, too.
John McPherson’s Close to Home for the 29th uses an arithmetic problem as shorthand for an accomplished education. The problem is solvable. Of course, you say. It’s an equation with quadratic polynomial; it can hardly not be solved. Yes, fine. But McPherson could easily have thrown together numbers that implied x was complex-valued, or had radicals or some other strange condition. This is one that someone could do in their heads, at least once they practiced in mental arithmetic.
I feel reasonably confident McPherson was just having a giggle at the idea of putting knowledge tests into inappropriate venues. So I’ll save the full rant. But there is a long history of racist and eugenicist ideology that tried to prove certain peoples to be mentally incompetent. Making an arithmetic quiz prerequisite to something unrelated echoes that. I’d have asked McPherson to rework the joke to avoid that.
(I’d also want to rework the composition, since the booth, the swinging arm, and the skirted attendant with the clipboard don’t look like any tollbooth I know. But I don’t have an idea how to redo the layout so it’s more realistic. And it’s not as if that sort of realism would heighten the joke.)
Zach Weinersmith’s Saturday Morning Breakfast Cereal for the 29th riffs on the problem of squaring the circle. This is one of three classical problems of geometry. The lecturer describes it just fine: is it possible to make a square that’s got the same area as a given circle, using only straightedge and compass? There are shapes it’s easy to do this for, such as rectangles, parallelograms, triangles, and (why not?) this odd crescent-moon shaped figure called the lune. Circles defied all attempts. In the 19th century mathematicians found ways to represent the operations of classical geometry with algebra, and could use the tools of algebra to show squaring the circle was impossible. The squaring would be equivalent to finding a polynomial, with integer coefficients, that has as a root. And we know from the way algebra works that this can’t be done. So squaring the circle can’t be done.
Which feeds to the secondary joke, of making the philosophers sad. Often philosophy problems test one’s intuition about an idea by setting out a problem, often with unpleasant choices. A common problem with students that I’m going ahead and guessing are engineers is then attacking the setup of the question, trying to show that the problem couldn’t actually happen. You know, as though there were ever a time significant numbers of people were being tied to trolley tracks. (By the way, that thing about silent movie villains tying women to railroad tracks? Only happened in comedies spoofing Victorian melodramas. It’s always been a parody.) Attacking the logic of a problem may make for good movie drama. But it makes for a lousy student and a worse class discussion.
Ted Shearer’s Quincy rerun for the 30th uses a bit of mathematics and logic talk. It circles the difference between the feeling one can have about the rational meaning of a situation and how the situation feels to someone. It seems like a jump that Quincy goes from being asked about logic to talking about arithmetic. Possibly Quincy’s understanding of logic doesn’t start from the sort of very abstract concept that makes arithmetic hard to get to, though.
Nobody had a suggested topic starting with ‘W’ for me! So I’ll take that as a free choice, and get lightly autobiogrpahical.
Witch of Agnesi.
I know I encountered the Witch of Agnesi while in middle school. Eighth grade, if I’m not mistaken. It was a footnote in a textbook. I don’t remember much of the textbook. What I mostly remember of the course was how much I did not fit with the teacher. The only relief from boredom that year was the month we had a substitute and the occasional interesting footnote.
It was in a chapter about graphing equations. That is, finding curves whose points have coordinates that satisfy some equation. In a bit of relief from lines and parabolas the footnote offered this:
In a weird tantalizing moment the footnote didn’t offer a picture. Or say what an ‘a’ was doing in there. In retrospect I recognize ‘a’ as a parameter, and that different values of it give different but related shapes. No hint what the ‘8’ or the ‘4’ were doing there. Nor why ‘a’ gets raised to the third power in the numerator or the second in the denominator. I did my best with the tools I had at the time. Picked a nice easy boring ‘a’. Picked out values of ‘x’ and found the corresponding ‘y’ which made the equation true, and tried connecting the dots. The result didn’t look anything like a witch. Nor a witch’s hat.
It was one of a handful of biographical notes in the book. These were a little attempt to add some historical context to mathematics. It wasn’t much. But it was an attempt to show that mathematics came from people. Including, here, from Maria Gaëtana Agnesi. She was, I’m certain, the only woman mentioned in the textbook I’ve otherwise completely forgotten.
We have few names of ancient mathematicians. Those we have are often compilers like Euclid whose fame obliterated the people whose work they explained. Or they’re like Pythagoras, credited with discoveries by people who obliterated their own identities. In later times we have the mathematics done by, mostly, people whose social positions gave them time to write mathematics results. So we see centuries where every mathematician is doing it as their side hustle to being a priest or lawyer or physician or combination of these. Women don’t get the chance to stand out here.
Today of course we can name many women who did, and do, mathematics. We can name Emmy Noether, Ada Lovelace, and Marie-Sophie Germain. Challenged to do a bit more, we can offer Florence Nightingale and Sofia Kovalevskaya. Well, and also Grace Hopper and Margaret Hamilton if we decide computer scientists count. Katherine Johnson looks likely to make that cut. But in any case none of these people are known for work understandable in a pre-algebra textbook. This must be why Agnesi earned a place in this book. She’s among the earliest women we can specifically credit with doing noteworthy mathematics. (Also physics, but that’s off point for me.) Her curve might be a little advanced for that textbook’s intended audience. But it’s not far off, and pondering questions like “why ? Why not ?” is more pleasant, to a certain personality, than pondering what a directrix might be and why we might use one.
The equation might be a lousy way to visualize the curve described. The curve is one of that group of interesting shapes you get by constructions. That is, following some novel process. Constructions are fun. They’re almost a craft project.
For this we start with a circle. And two parallel tangent lines. Without loss of generality, suppose they’re horizontal, so, there’s lines at the top and the bottom of the curve.
Take one of the two tangent points. Again without loss of generality, let’s say the bottom one. Draw a line from that point over to the other line. Anywhere on the other line. There’s a point where the line you drew intersects the circle. There’s another point where it intersects the other parallel line. We’ll find a new point by combining pieces of these two points. The point is on the same horizontal as wherever your line intersects the circle. It’s on the same vertical as wherever your line intersects the other parallel line. This point is on the Witch of Agnesi curve.
Now draw another line. Again, starting from the lower tangent point and going up to the other parallel line. Again it intersects the circle somewhere. This gives another point on the Witch of Agnesi curve. Draw another line. Another intersection with the circle, another intersection with the opposite parallel line. Another point on the Witch of Agnesi curve. And so on. Keep doing this. When you’ve drawn all the lines that reach from the tangent point to the other line, you’ll have generated the full Witch of Agnesi curve. This takes more work than writing out , yes. But it’s more fun. It makes for neat animations. And I think it prepares us to expect the shape of the curve.
It’s a neat curve. Between it and the lower parallel line is an area four times that of the circle that generated it. The shape is one we would get from looking at the derivative of the arctangent. So there’s some reasons someone working in calculus might find it interesting. And people did. Pierre de Fermat studied it, and found this area. Isaac Newton and Luigi Guido Grandi studied the shape, using this circle-and-parallel-lines construction. Maria Agnesi’s name attached to it after she published a calculus textbook which examined this curve. She showed, according to people who present themselves as having read her book, the curve and how to find it. And she showed its equation and found the vertex and asymptote line and the inflection points. The inflection points, here, are where the curve chances from being cupped upward to cupping downward, or vice-versa.
It’s a neat function. It’s got some uses. It’s a natural smooth-hill shape, for example. So this makes a good generic landscape feature if you’re modeling the flow over a surface. I read that solitary waves can have this curve’s shape, too.
And the curve turns up as a probability distribution. Take a fixed point. Pick lines at random that pass through this point. See where those lines reach a separate, straight line. Some regions are more likely to be intersected than are others. Chart how often any particular line is the new intersection point. That chart will (given some assumptions I ask you to pretend you agree with) be a Witch of Agnesi curve. This might not surprise you. It seems inevitable from the circle-and-intersecting-line construction process. And that’s nice enough. As a distribution it looks like the usual Gaussian bell curve.
It’s different, though. And it’s different in strange ways. Like, for a probability distribution we can find an expected value. That’s … well, what it sounds like. But this is the strange probability distribution for which the law of large numbers does not work. Imagine an experiment that produces real numbers, with the frequency of each number given by this distribution. Run the experiment zillions of times. What’s the mean value of all the zillions of generated numbers? And it … doesn’t … have one. I mean, we know it ought to, it should be the center of that hill. But the calculations for that don’t work right. Taking a bigger sample makes the sample mean jump around more, not less, the way every other distribution should work. It’s a weird idea.
Imagine carving a block of wood in the shape of this curve, with a horizontal lower bound and the Witch of Agnesi curve as the upper bound. Where would it balance? … The normal mathematical tools don’t say, even though the shape has an obvious line of symmetry. And a finite area. You don’t get this kind of weirdness with parabolas.
(Yes, you’ll get a balancing point if you actually carve a real one. This is because you work with finitely-long blocks of wood. Imagine you had a block of wood infinite in length. Then you would see some strange behavior.)
It teaches us more strange things, though. Consider interpolations, that is, taking a couple data points and fitting a curve to them. We usually start out looking for polynomials when we interpolate data points. This is because everything is polynomials. Toss in more data points. We need a higher-order polynomial, but we can usually fit all the given points. But sometimes polynomials won’t work. A problem called Runge’s Phenomenon can happen, where the more data points you have the worse your polynomial interpolation is. The Witch of Agnesi curve is one of those. Carl Runge used points on this curve, and trying to fit polynomials to those points, to discover the problem. More data and higher-order polynomials make for worse interpolations. You get curves that look less and less like the original Witch. Runge is himself famous to mathematicians, known for “Runge-Kutta”. That’s a family of techniques to solve differential equations numerically. I don’t know whether Runge came to the weirdness of the Witch of Agnesi curve from considering how errors build in numerical integration. I can imagine it, though. The topics feel related to me.
I understand how none of this could fit that textbook’s slender footnote. I’m not sure any of the really good parts of the Witch of Agnesi could even fit thematically in that textbook. At least beyond the fact of its interesting name, which any good blog about the curve will explain. That there was no picture, and that the equation was beyond what the textbook had been describing, made it a challenge. Maybe not seeing what the shape was teased the mathematician out of this bored student.
And next is ‘X’. Will I take Mr Wu’s suggestion and use that to describe something “extreme”? Or will I take another topic or suggestion? We’ll see on Friday, barring unpleasant surprises. Thanks for reading.
I’m not sure there is a theme to the back half of last week’s mathematically-based comic strips. If there is, it’s about showing some origins of things. I’ll go with that title, then.
Bill Holbrook’s On The Fastrack for the 21st is another in the curious thread of strips about Fi talking about mathematics. She’s presented as doing a good job inspiring kids to appreciate mathematics as a fun, exciting, interesting thing to think about. It’s good work. And I hope this does not sound like I am envious of a more successful, if fictional, mathematics popularizer. But I don’t see much in the strip of her doing this side job well. That is, of making the case that mathematics is worth the time spent on it. That’s a lot to ask given the confines of a syndicated daily newspaper comic strip, yes. What we can expect is some hint of what the actual good argument would look like. But this particular day’s strip rings false to me, for example. I don’t see how “here’s some pizza — but first, here’s a pop quiz” makes mathematics look as something other than a chore.
Pizza area offers many ways into mathematical ideas. How the area depends on the size of the pizza, for example. How the area depends on the shape, even independently of the size. How to slice a pizza fairly, especially if it’s not to be between four or six or eight people. What is the strangest shape you could make that would give people equal areas? Just the way slices intersect at angles inspires neat little geometry problems. How you might arrange toppings opens up symmetries and tilings, which are surprisingly big areas of mathematics. Setting problems on a pizza gives them a tangibility that could help capture young minds, surely. But I can’t make myself believe that this is a conversation to have when the pizza is entering the room.
Mike Peters’s Mother Goose and Grimm for the 22nd is a lottery joke. So if we suppose this was written about the last time the Powerball jackpot reached a half-billion dollars we can work out how far ahead of publication Mike Peters is working. One solid argument against ever buying a lottery ticket is, as Grimm notes, that you have zero chance of winning. (I’m open to an argument based on expectation value. And even more, I don’t object to people spending a reasonable bit of disposable income “foolishly”.) Mother Goose argues that her chances are vastly worse if she doesn’t buy a ticket. This is true. Are her chances “astronomically” worse? … That depends. A one in three hundred million chance (to use, roughly, the Powerball odds) is so small that it won’t happen to you. Is that any different than a zero in three hundred million chance [*]? Or than a six in three hundred million chance? In any case it won’t happen to you.
[*] Do you actually have zero chance of winning if you don’t have a ticket? I say no, you don’t. Someone might give you a winning ticket. Maybe you find one as a bookmark in a library book. Maybe you find it on the street and figure, what the heck, I’ll check. Unlikely? Sure. But impossible? Hardly.
Johnny Hart’s Back to BC for the 22nd has the form of the world’s oldest story problem. It could also be a joke about the discovery of the concept of zero and the struggle to understand it as a number. Given that clams are used as currency in the BC setting it also shows how finance has driven mathematical development. So the strip actually packs a fair bit of stuff into two panels. … And I’ll admit I’m not quite sure the joke parses, but if you read it quickly it looks like a good enough joke.
Johnny Hart’s Back to BC for the 24th is a more obvious joke. And it’s built on the learning abilities of animals, and the number sense of animals. A large animal stomping a foot evokes, to me at least, Clever Hans. This is a horse presented in the early 20th century as being able to actually do arithmetic. The horse would be given a question and would stop his hoof enough times to get to the right answer. However good the horse’s number sense might be, he had quite good behavioral sense. It turned out — after brilliant and pioneering work in animal cognition — that Hans was observing his trainer’s body language. When Wilhelm von Osten was satisfied that there’d been the right number of stomps, the horse stopped. This is sometimes presented as Hans `merely’ taking subconscious cues from his trainer. But consider how carefully the horse must be observing an animal with a very different body, and how it must have understood cues of satisfaction. I can’t call that `mere’. And the work of tracking down a signal that von Osten himself did not know he was sending (and, apparently, never accepted that he did) is also amazing. It serves as a reminder how hard biologists and zoologists have to work.
Zach Weinersmith’s Saturday Morning Breakfast Cereal for the 24th gives a bit of Dad History about perspective. And, particularly, why artists didn’t seem to use it much before the 16th century. It gets more blatantly tied to mathematics by pointing out how it took ten thousand years of civilization to get Cartesian coordinates. We can argue about how many years civilization has been around. But it does seem strange that we went along for certainly the majority of that time without Cartesian coordinates. They seem so obvious it’s almost hard to not think of them. Many good ideas have such a legacy.
It’s easy to say why older pictures didn’t use perspective, though. For the most part, artists didn’t think perspective gave them something they wanted to show. Ancient peoples knew of perspective. It’s not as if ancient peoples were any dumber than we are, or any less able to look at square tiles held at different angles and at different distances. But we can convey information about the importance of things, or the flow of action of things, using position and relative size. That can be more important than showing that yes, an artist is aware that a square building far away looks small.
I’m less sure what I know about the history of coordinate systems, though, and particularly why it took until René Descartes to describe them. We have a legend of Descartes laying in bed, watching a fly on the tiled ceiling, and realizing he could describe where the fly was by what row and column of tile it was on. (In the past I have written this as though it happened. In writing this essay I went looking for a primary source and found nobody seems to have one. I shall try not to pass it on again without being very clear that it is just a legend.) But there have been tiled floors and walls and ceilings for a very long time. There have been flies even longer. Why didn’t anyone notice this?
One answer may be that they did. We just haven’t heard about it, because it was found by someone who didn’t catch the interest of a mathematical community. There’s likely a lot of such lost mathematics out there. But still, why not? Wouldn’t anyone with a mathematical inclination see that this is plainly a great discovery? And maybe not. What made Cartesian coordinates great was the realization that arithmetic and geometry, previously seen as separate liberal arts, were duals. A problem in one had an expression as a problem in the other. If you don’t make that connection, then Cartesian coordinates don’t solve any problems you have. They’re just a new way to index things you didn’t need indexed. So that would slow down using them any.
Greetings one and all! Come, gather round! Wonder and spectate and — above all else — tell your friends of the Playful Mathematics Blog Carnival! Within is a buffet of delights and treats, fortifications for the mind and fire for the imagination.
121 is a special number. When I was a mere tot, growing in the wilds of suburban central New Jersey, it stood there. It held a spot of privilege in the multiplication tables on the inside front cover of composition books. On the forward diagonal, yet insulated from the borders. It anchors the safe interior. A square number, eleventh of that set in the positive numbers.
121 is more than just a square. It is the lone square known to be the sum of the first several powers of a prime number: it is , a fantastic combination. If there is another square that is such a sum of primes, it is unknown to any human — and must be at least 35 digits long.
We look now for a moment at some astounding animals. From the renowned Dr Nic: Introducing Cat Maths cards, activities, games and lessons — a fine collection of feline companions, such toys as will enterain them. A dozen attributes each; twenty-seven value cards. These cats, and these cards, and these activity puzzles, promise games and delights, to teach counting, subtraction, statistics, and inference!
Next and no less incredible is the wooly Mathstodon. Christian Lawson-Perfect hosts this site, an instance of the open-source Twitter-like service Mastodon. Its focus: a place for people interested in mathematicians to write of what they know. To date over 1,300 users have joined, and have shared nearly 25,000 messages. You need not join to read many of these posts — your host here has yet to — but may sample its wares as you like.
The Second Tent
121 is one of only two perfect squares known to be four less than the cube of a whole number. The great Fermat conjectured that 4 and 121 are the only such numbers; no one has found a counter-example. Nor a proof.
Friends, do you know the secret to popularity? There is an astonishing truth behind it. Elias Worth of the MathSection blog explains the Friendship Paradox. This mind-warping phenomenon tells us your friends have more friends than you do. It will change forever how you look at your followers and following accounts.
And now to thoughts of learning. Stepping forward now is Monica Utsey, @Liveonpurpose47 of Chocolate Covered Boy Joy. Her declaration: “I incorporated Montessori Math materials with my right brain learner because he needed literal representations of the work we were doing. It worked and we still use it.” See now for yourself the representations, counting and comparing and all the joys of several aspects of arithmetic.
Take now a moment for your own fun. Blog Carnival patron and organizer Denise Gaskins wishes us to know: “The fun of mathematical coloring isn’t limited to one day. Enjoy these coloring resources all year ’round!” Happy National Coloring Book Day offers the title, and we may keep the spirit of National Coloring Book Day all the year round.
121 is a star number, the fifth of that select set. 121 identical items can be tiled to form a centered hexagon. You may have seen it in the German game of Chinese Checkers, as the board of that has 121 holes.
We come back again to teaching. “Many homeschoolers struggle with teaching their children math. Here are some tips to make it easier”, offers Denise Gaskins. Step forth and benefit from this FAQ: Struggling with Arithmetic, a collection of tips and thoughts and resources to help make arithmetic the more manageable.
Step now over to the arcade, and to the challenge of Pac-Man. This humble circle-inspired polygon must visit the entirety of a maze, and avoid ghosts as he does. Matthew Scroggs of Chalk Dust Magazine here seeks and shows us Optimal Pac-Man. Graph theory tells us there are thirteen billion different paths to take. Which of them is shortest? Which is fastest? Can it be known, and can it help you through the game?
121 is furthermore the sixth of the centered octagonal numbers. 121 of a thing may be set into six concentric octagons of one, then two, then three, then four, then five, and then six of them on a side.
Step now back to the amazing Mathstodon. Gaze in wonder at the account @dudeney_puzzles. Since the September of 2017 it has brought out challenges from Henry Ernest Dudeney’s Amusements in Mathematics. Puzzles given, yes, with answers that follow along. The impatient may find Dudeney’s 1917 book on Project Gutenberg among other places.
The Fifth Tent
Sum the digits of 121; you will find that you have four. Take its prime factors, 11 and 11, and sum their digits; you will find that this is four again. This makes 121 a Smith number. These marvels of the ages were named by Albert Wilansky, in honor of his brother-in-law, a man known to history as Harold Smith, and whose telephone number of 4,937,775 was one such.
And now to an astounding challenge. Imagine an assassin readies your death. Can you protect yourself? At all? Tai-Danae Bradley invites you to consider: Is the Square a Secure Polygon? This question takes you on a tour of geometries familiar and exotic. Learn how mathematicians consider how to walk between places on a torus — and the lessons this has for a square room. The fate of the universe itself may depend on the methods described herein — the techniques used to study it relate to those that study whether a physical system can return to its original state. And then J2kun turned this into code, Visualizing an Assassin Puzzle, for those who dare to program it.
Have you overcome this challenge? Then step into the world of linear algebra, and this delight from the Mathstodon account of Christian Lawson-Perfect. The puzzle is built on the wonders of eigenvectors, those marvels of matrix multiplication. They emerge from multiplication longer or shorter but unchanged in direction. Lawson-Perfect uses whole numbers, represented by Scrabble tiles, and finds a great matrix with a neat eigenvalue. Can you prove that this is true?
The Sixth Tent
Another wonder of the digits of 121. Take them apart, then put them together again. Contorted into the form 112 they represent the same number. 121 is, in the base ten commonly used in the land, a Friedman Number, second of that line. These marvels, in the Arabic, the Roman, or even the Mayan numerals schemes, are named for Erich Friedman, a figure of mystery from the Stetson University.
Denise Gaskins coordinates the Playful Mathematics Education Blog Carnival. Upcoming scheduled carnivals, including the chance to volunteer to host it yourself, or to recommend your site for mention, are listed here. And October’s 122nd Playful Mathematics Education Blog Carnival is scheduled to be hosted by Arithmophobia No More, and may this new host have the best of days!
This one I saw through John Allen Paulos’s twitter feed. He points out that it’s like the Collatz conjecture but is, in fact, proven. If you try this yourself don’t make the mistake of giving up too soon. You might figure, like start with 12. Sum the squares of its digits and you get 5, which is neither 1 nor anything in that 4-16-37-58-89-145-42-20 cycle. Not so! Square 5 and you get 25. Square those digits and add them and you get 29. Square those digits and add them and you get 40. And what comes next?
This is about a proof of Fermat’s Theorem of Sums of Two Squares. According to it, a prime number — let’s reach deep into the alphabet and call it p — can be written as the sum of two squares if and only if p is one more than a whole multiple of four. It’s a proof by using fixed point methods. This is a fun kind of proof, at least to my sense of fun. It’s an approach that’s got a clear physical interpretation. Imagine picking up a (thin) patch of bread dough, stretching it out some and maybe rotating it, and then dropping it back on the board. There’s at least one bit of dough that’s landed in the same spot it was before. Once you see this you will never be able to just roll out dough the same way. So here the proof involves setting up an operation on integers which has a fixed point, and that the fixed point makes the property true.
John D Cook, who runs a half-dozen or so mathematics-fact-of-the-day Twitter feeds, looks into calculating the volume of an egg. It involves calculus, as finding the volume of many interesting shapes does. I am surprised to learn the volume can be written out as a formula that depends on the shape of the egg. I would have bet that it couldn’t be expressed in “closed form”. This is a slightly flexible term. It’s meant to mean the thing can be written using only normal, familiar functions. However, we pretend that the inverse hyperbolic tangent is a “normal, familiar” function.
For example, there’s the surface area of an egg. This can be worked out too, again using calculus. It can’t be written even with the inverse hyperbolic cotangent, so good luck. You have to get into numerical integration if you want an answer humans can understand.
Comic Strip Master Command spent most of February making sure I could barely keep up. It didn’t slow down the final week of the month either. Some of the comics were those that I know are in eternal reruns. I don’t think I’m repeating things I’ve already discussed here, but it is so hard to be sure.
Bill Amend’s FoxTrot for the 24th of February has a mathematics problem with a joke answer. The approach to finding the area’s exactly right. It’s easy to find areas of simple shapes like rectangles and triangles and circles and half-circles. Cutting a complicated shape into known shapes, finding those areas, and adding them together works quite well, most of the time. And that’s intuitive enough. There are other approaches. If you can describe the outline of a shape well, you can use an integral along that outline to get the enclosed area. And that amazes me even now. One of the wonders of calculus is that you can swap information about a boundary for information about the interior, and vice-versa. It’s a bit much for even Jason Fox, though.
Jef Mallett’s Frazz for the 25th is a dispute between Mrs Olsen and Caulfield about whether it’s possible to give more than 100 percent. I come down, now as always, on the side that argues it depends what you figure 100 percent is of. If you mean “100% of the effort it’s humanly possible to expend” then yes, there’s no making more than 100% of an effort. But there is an amount of effort reasonable to expect for, say, an in-class quiz. It’s far below the effort one could possibly humanly give. And one could certainly give 105% of that effort, if desired. This happens in the real world, of course. Famously, in the right circles, the Space Shuttle Main Engines normally reached 104% of full throttle during liftoff. That’s because the original specifications for what full throttle would be turned out to be lower than was ultimately needed. And it was easier to plan around running the engines at greater-than-100%-throttle than it was to change all the earlier design documents.
Matt Janz’s Out of the Gene Pool rerun for the 25th tosses off a mention of “New Math”. It’s referenced as a subject that’s both very powerful but also impossible for Pop, as an adult, to understand. It’s an interesting denotation. Usually “New Math”, if it’s mentioned at all, is held up as a pointlessly complicated way of doing simple problems. This is, yes, the niche that “Common Core” has taken. But Janz’s strip might be old enough to predate people blaming everything on Common Core. And it might be character, that the father is old enough to have heard of New Math but not anything in the nearly half-century since. It’s an unusual mention in that “New” Math is credited as being good for things. (I’m aware this strip’s a rerun. I had thought I’d mentioned it in an earlier Reading the Comics post, but can’t find it. I am surprised.)
The end of the (US) semester snuck up on me but, in my defense, I’m not teaching this semester. If you know someone who needs me to teach, please leave me a note. But as a service for people who are just trying to figure out exactly how much studying they need to do for their finals, knock it off. You’re not playing a video game. It’s not like you can figure out how much effort it takes to get an 83.5 on the final and then put the rest of your energy into your major’s classes.
For those not interested in grade-grubbing, here’s some old-time radio. Vic and Sade was a longrunning 15-minute morning radio program written with exquisite care by Paul Rhymer. It’s not going to be to everyone’s taste. But if it is yours, it’s going to be really yours: a tiny cast of people talking not quite past one another while respecting the classic Greek unities. Part of the Overnightscape Underground is the Vic and Sadecast, which curates episodes of the show, particularly trying to explain the context of things gone by since 1940. This episode, from October 1941, is aptly titled “It’s Algebra, Uncle Fletcher”. Neither Vic nor Sade are in the episode, but their son Rush and Uncle Fletcher are. And they try to work through high school algebra problems. I’m tickled to hear Uncle Fletcher explaining mathematics homework. I hope you are too.