As I said Sunday, last week was a slow one for mathematically-themed comic strips. Here’s the second half of them. They’re not tightly on point. But that’s all right. They all have titles starting with ‘A’. I mean if you ignore the article ‘the’, the way we usually do when alphabetizing titles.
Tony Cochran’s Agnes for the 11th is basically a name-drop of mathematics. The joke would be unchanged if the teacher asked Agnes to circle all the adjectives in a sentence, or something like that. But there are historically links between religious thinking and mathematics. The Pythagoreans, for example, always a great and incredible starting point for any mathematical topic or just some preposterous jokes that might have nothing to do with their reality, were at least as much a religious and philosophical cult. For a long while in the Western tradition, the people with the time and training to do advanced mathematics work were often working for the church. Even as people were more able to specialize, a mystic streak remained. It’s easy to understand why. Mathematics promises to speak about things that are universally true. It encourages thinking about the infinite. It encourages thinking about the infinitely tiny. It courts paradoxes as difficult as any religious Mystery. It’s easy to snark at someone who takes numerology seriously. But I’m not sure the impulse that sees magic in arithmetic is different to the one that sees something supernatural in a “transfinite” item.
Scott Hilburn’s The Argyle Sweater for the 11th is another mistimed Pi Day joke. π is, famously, an irrational number. But so is every number, except for a handful of strange ones that we’ve happened to find interesting. That π should go on and on follows from what an irrational number means. It’s a bit surprising the 4 didn’t know all this before they married.
I appreciate the secondary joke that the marriage counselor is a “Hugh Jripov”, and the counselor’s being a ripoff is signaled by being a ÷ sign. It suggests that maybe successful reconciliation isn’t an option. I’m curious why the letters ‘POV’ are doubled, in the diploma there. In a strip with tighter drafting I’d think it was suggesting the way a glass frame will distort an image. But Hilburn draws much more loosely than that. I don’t know if it means anything.
Mark Anderson’s Andertoons for the 12th is the Mark Anderson’s Andertoons for the essay. I’m so relieved to have a regular stream of these again. The teacher thinks Wavehead doesn’t need to annotate his work. And maybe so. But writing down thoughts about a problem is often good practice. If you don’t know what to do, or you aren’t sure how to do what you want? Absolutely write down notes. List the things you’d want to do. Or things you’d want to know. Ways you could check your answer. Ways that you might work similar problems. Easier problems that resemble the one you want to do. You find answers by thinking about what you know, and the implications of what you know. Writing these thoughts out encourages you to find interesting true things.
And this was too marginal a mention of mathematics even for me, even on a slow week. But Georgia Dunn’s Breaking Cat News for the 12th has a cat having a nightmare about mathematics class. And it’s a fun comic strip that I’d like people to notice more.
This was a slow week for mathematically-themed comic strips. Such things happen. I put together a half-dozen that see on-topic enough to talk about, but I stretched to do it. You’ll see.
Mark Anderson’s Andertoons for the 6th mentions addition as one of the things you learn in an average day of elementary school. I can’t help noticing also the mention of Johnny Appleseed, who’s got a weird place in my heart as he and I share a birthday. He got to it first. Although Johnny Appleseed — John Champan — is legendary for scattering apple seeds, that’s not what he mostly did. He would more often grow apple-tree nurseries, from which settlers could buy plants and demonstrate they were “improving” their plots. He was also committed to spreading the word of Emanuel Swedenborg’s New Church, one of those religious movements that you somehow don’t hear about. But there was this like 200-year-long stretch where a particular kind of idiosyncratic thinker was Swedenborgian, or at least influenced by that. I don’t know offhand of any important Swedenborgian mathematicians, I admit, but I’m glad to hear if someone has news.
Justin Thompson’s MythTickle rerun for the 9th mentions “algebra” as something so dreadful that even being middle-aged is preferable. Everyone has their own tastes, yes, although it would be the same joke if it were “gym class” or something. (I suppose that’s not one word. “Dodgeball” would do, but I never remember playing it. It exists just as a legendarily feared activity, to me.) Granting, though, that I had a terrible time with the introduction to algebra class I had in middle school.
Tom Wilson’s Ziggy for the 9th is a very early Pi Day joke, so, there’s that. There’s not much reason a take-a-number dispenser couldn’t give out π, or other non-integer numbers. What the numbers are doesn’t matter. It’s just that the dispensed numbers need to be in order. It should be helpful if there’s a clear idea how uniformly spaced the numbers are, so there’s some idea how long a wait to expect between the currently-serving number and whatever number you’ve got. But that only helps if you have a fair idea of how long an order should on average take.
With me wrapping up the mathematically-themed comic strips that ran the first of the year, you can see how far behind I’m falling keeping everything current. In my defense, Monday was busier than I hoped it would be, so everything ran late. Next week is looking quite slow for comics, so maybe I can catch up then. I will never catch up on anything the rest of my life, ever.
Scott Hilburn’s The Argyle Sweater for the 2nd is a bit of wordplay about regular and irregular polygons. Many mathematical constructs, in geometry and elsewhere, come in “regular” and “irregular” forms. The regular form usually has symmetries that make it stand out. For polygons, this is each side having the same length, and each interior angle being congruent. Irregular is everything else. The symmetries which constrain the regular version of anything often mean we can prove things we otherwise can’t. But most of anything is the irregular. We might know fewer interesting things about them, or have a harder time proving them.
I’m not sure what the teacher would be asking for in how to “make an irregular polygon regular”. I mean if we pretend that it’s not setting up the laxative joke. I can think of two alternatives that would make sense. One is to draw a polygon with the same number of sides and the same perimeter as the original. The other is to draw a polygon with the same number of sides and the same area as the original. I’m not sure of the point of either. I suppose polygons of the same area have some connection to quadrature, that is, integration. But that seems like it’s higher-level stuff than this class should be doing. I hate to question the reality of a comic strip but that’s what I’m forced to do.
Bud Fisher’s Mutt and Jeff rerun for the 4th is a gambler’s fallacy joke. Superficially the gambler’s fallacy seems to make perfect sense: the chance of twelve bad things in a row has to be less than the chance of eleven bad things in a row. So after eleven bad things, the twelfth has to come up good, right? But there’s two ways this can go wrong.
Suppose each attempted thing is independent. In this case, what if each patient is equally likely to live or die, regardless of what’s come before? And in that case, the eleven deaths don’t make it more likely that the next will live.
Suppose each attempted thing is not independent, though. This is easy to imagine. Each surgery, for example, is a chance for the surgeon to learn what to do, or not do. He could be getting better, that is, more likely to succeed, each operation. Or the failures could reflect the surgeon’s skills declining, perhaps from overwork or age or a loss of confidence. Impossible to say without more data. Eleven deaths on what context suggests are low-risk operations suggest a poor chances of surviving any given surgery, though. I’m on Jeff’s side here.
Mark Anderson’s Andertoons for the 5th is a welcome return of Wavehead. It’s about ratios. My impression is that ratios don’t get much attention in themselves anymore, except to dunk on stupid Twitter comments. It’s too easy to jump right into fractions, and division. Ratios underlie this, at least historically. It’s even in the name, ‘rational numbers’.
Wavehead’s got a point in literally comparing apples and oranges. It’s at least weird to compare directly different kinds of things. This is one of those conceptual gaps between ancient mathematics and modern mathematics. We’re comfortable stripping the units off of numbers, and working with them as abstract entities. But that does mean we can calculate things that don’t make sense. This produces the occasional bit of fun on social media where we see something like Google trying to estimate a movie’s box office per square inch of land in Australia. Just because numbers can be combined doesn’t mean they should be.
Larry Wright’s Motley rerun for the 5th has the form of a story problem. And one timely to the strip’s original appearance in 1987, during the National Football League players strike. The setup, talking about the difference in weekly pay between the real players and the scabs, seems like it’s about the payroll difference. The punchline jumps to another bit of mathematics, the point spread. Which is an estimate of the expected difference in scoring between teams. I don’t know for a fact, but would imagine the scab teams had nearly meaningless point spreads. The teams were thrown together extremely quickly, without much training time. The tools to forecast what a team might do wouldn’t have the data to rely on.
I had not wanted to mention, for fear of setting off a panic. But Mark Anderson’s Andertoons, which I think of as being in every Reading the Comics post, hasn’t been around lately. If I’m not missing something, it hasn’t made an appearance in three months now. I don’t know why, and I’ve been trying not to look too worried by it. Mostly I’ve been forgetting to mention the strange absence. This even though I would think any given Tuesday or Friday that I should talk about the strip not having anything for me to write about. Fretting about it would make a great running theme. But I have never spotted a running theme before it’s finished. In any event the good news is that the long drought has ended, and Andertoons reappears this week. Yes, I’m hoping that it won’t be going to long between appearances this time.
Jef Mallett’s Frazz for the 16th talks about probabilities. This in the context of assessing risks. People are really bad at estimating probabilities. We’re notoriously worse at assessing risks, especially when it’s a matter of balancing a present cost like “fifteen minutes waiting while the pharmacy figures out whether insurance will pay for the flu shot” versus a nebulous benefit like “lessened chance of getting influenza, or at least having a less severe influenza”. And it’s asymmetric, too. We view improbable but potentially enormous losses differently from the way we view improbable but potentially enormous gains. And it’s hard to make the rationally-correct choice reliably, not when there are so many choices of this kind every day.
Tak Bui’s PC and Pixel for the 16th features a wall full of mathematical symbols, used to represent deep thought about a topic. The symbols are gibberish, yes. I’m not sure that an actual “escape probability” could be done in a legible way, though. Or even what precisely Professor Phillip might be calculating. I imagine it would be an estimate of the various ways he might try to escape, and what things might affect that. This might be for the purpose of figuring out what he might do to maximize his chances of a successful escape. Although I wouldn’t put it past the professor to just be quite curious what the odds are. There’s a thrill in having a problem solved, even if you don’t use the answer for anything.
Ruben Bolling’s Super-Fun-Pak Comix for the 18th has a trivia-panel-spoof dubbed Amazing Yet Tautological. One could make an argument that most mathematics trivia fits into this category. At least anything about something that’s been proven. Anyway, whether this is a tautological strip depends on what the strip means by “average” in the phrase “average serving”. There’s about four jillion things dubbed “average” and each of them has a context in which they make sense. The thing intended here, and the thing meant if nobody says anything otherwise, is the “arithmetic mean”. That’s what you get from adding up everything in a sample (here, the amount of egg salad each person in America eats per year) and dividing it by the size of the sample (the number of people in America that year). Another “average” which would make sense, but would break this strip, would be the median. That would be the amount of egg salad that half of all Americans eat more than, and half eat less than. But whether every American could have that big a serving really depends on what that median is. The “mode”, the most common serving, would also be a reasonable “average” to expect someone to talk about.
Mark Anderson’s Andertoons for the 19th is that strip’s much-awaited return to my column here. It features solid geometry, which is both an important part of geometry and also a part that doesn’t get nearly as much attention as plane geometry. It’s reductive to suppose the problem is that it’s harder to draw solids than planar figures. I suspect that’s a fair part of the problem, though. Mathematicians don’t get much art training, not anymore. And while geometry is supposed to be able to rely on pure reasoning, a good picture still helps. And a bad picture will lead us into trouble.
Two of the four comic strips I mean to feature here have credits that feel unsatisfying to me. One of them is someone’s pseudonym and, yeah, that’s their business. One is Dennis the Menace, for which I find an in-strip signature that doesn’t match the credentials on Comics Kingdom’s web site, never mind Wikipedia. I’ll go with what’s signed in the comic as probably authoritative. But I don’t like it.
R Ferdinand and S Ketcham’s Dennis the Menace for the 16th is about calculation. One eternally surprising little thing about calculators and computers is that they don’t do anything you can’t do by hand. Or, for that matter, in your head. They do it faster, typically, and more reliably. They can seem magical. But the only difference between what they do and what we do is the quantity with which they do this work. You can take this as humbling or as inspirational, as fits your worldview.
Ham’s Life on Earth for the 16th is a joke about the magical powers we attribute to mathematics. It’s also built on one of our underlying assumptions of the world, that it must be logically consistent. If one has an irrefutable logical argument that something isn’t so, then that thing must not be so. It’s hard to imagine how an illogical world would work. But it is hard not to wonder if there’s some arrogance involved in supposing the world has to square with the rules of logic that we find sensible. And to wonder whether we perceive world consistent with that logic because our expectations frame what we’re able to perceive.
In any case, as we frame logic, an argument’s validity shouldn’t depend on the person making the argument. Or even whether the argument has been made. So it’s hard to see how simply voicing the argument that one doesn’t exist could have that effect. Except that mathematics has got magical connotations, and vice-versa. That’ll be good for building jokes for a while yet.
Mark Anderson’s Andertoons for the 17th is the Mark Anderson’s Andertoons for the week. It’s wordplay, built on the connotation that division is a bad thing. It seems less dire if we think of division as learning how to equally share something that’s been held in common, though. Or if we think of it as learning what to multiply a thing by to get a particular value. Most mathematical operations can be taken to mean many things. Surely division has some constructive and happy interpretations.
Paul Gilligan’s Pooch Cafe for the 17th is a variation of the monkeys-on-keyboards joke. If what you need is a string of nonsense characters then … well, a cat on the keys is at least famous for producing some gibberish. It’s likely not going to be truly random, though. If a cat’s paw has stepped on, say, the ‘O’, there’s a good chance the cat is also stepping on ‘P’ or ‘9’. It also suggests that if the cat starts from the right, they’re more likely to have a character like ‘O’ early in the string of characters and less likely at the end. A completely random string would be as likely to have an ‘O’ at the start as at the end of the string.
And even if a cat on the keyboard did produce good-quality randomness, well. How likely a randomly-generated string of characters is to match a thing depends on the length of the thing. If the meaning of the symbols doesn’t matter, then ‘Penny Lane’ is as good as ‘*2ft,2igFIt’. This is not to say you can just use, say, ‘asdfghjkl’ as your password, at least not for anything that would hurt you if it were cracked. If everyone picked all passwords with no regard for what the symbols meant, these would be. But passwords that seem easy to think get used more often than they should be. It’s not that they’re easier to guess, but that guessing them is more likely to be correct.
Later this week I’ll host this month’s Playful Mathematics Blog Carnival! If you know of any mathematics that teaches or delights or both please share it with me, and we’ll let the world know. Also this week I should finally start my 2018 Mathematics A To Z, explaining words from mathematics one at a time.
Three of the five comic strips I review today are reruns. I think that I’ve only mentioned two of them before, though. But let me preface all this with a plea I’ve posted before: I’m hosting the Playful Mathematics Blog Carnival the last week in September. Have you run across something mathematical that was educational, or informative, or playful, or just made you glad to know about? Please share it with me, and we can share it with the world. It can be for any level of mathematical background knowledge. Thank you.
Tom Batiuk’s Funky Winkerbean vintage rerun for the 10th is part of an early storyline of Funky attempting to tutor football jock Bull Bushka. Mathematics — geometry, particularly — gets called on as a subject Bull struggles to understand. Geometry’s also well-suited for the joke because it has visual appeal, in a way that English or History wouldn’t. And, you know, I’ll take “pretty” as a first impression to geometry. There are a lot of diagrams whose beauty is obvious even if their reasons or points or importance are obscure.
Dan Collins’s Looks Good on Paper for the 10th is about everyone’s favorite non-orientable surface. The first time this strip appeared I noted that the road as presented isn’t a Möbius strip. The opossums and the car are on different surfaces. Unless there’s a very sudden ‘twist’ in the road in the part obscured from the viewer, anyway. If I’d drawn this in class I would try to save face by saying that’s where the ‘twist’ is, but none of my students would be convinced. But we’d like to have it that the car would, if it kept driving, go over all the pavement.
Bud Fisher’s Mutt and Jeff for the 10th is a joke about story problems. The setup suggests that there’s enough information in what Jeff has to say about the cop’s age to work out what it must be. Mutt isn’t crazy to suppose there is some solution possible. The point of this kind of challenge is realizing there are constraints on possible ages which are not explicit in the original statements. But in this case there’s just nothing. We would call the cop’s age “underdetermined”. The information we have allows for many different answers. We’d like to have just enough information to rule out all but one of them.
John Rose’s Barney Google and Snuffy Smith for the 11th is here by popular request. Jughead hopes that a complicated process of dubious relevance will make his report card look not so bad. Loweezey makes a New Math joke about it. This serves as a shocking reminder that, as most comic strip characters are fixed in age, my cohort is now older than Snuffy and Loweezey Smith. At least is plausibly older than them.
Anyway it’s also a nice example of the lasting cultural reference of the New Math. It might not have lasted long as an attempt to teach mathematics in ways more like mathematicians do. But it’s still, nearly fifty years on, got an unshakable and overblown reputation for turning mathematics into doubletalk and impossibly complicated rules. I imagine it’s the name; “New Math” is a nice, short, punchy name. But the name also looks like what you’d give something that was being ruined, under the guise of improvement. It looks like that terrible moment of something familiar being ruined even if you don’t know that the New Math was an educational reform movement. Common Core’s done well in attracting a reputation for doing problems the complicated way. But I don’t think its name is going to have the cultural legacy of the New Math.
Mark Anderson’s Andertoons for the 11th is another kid-resisting-the-problem joke. Wavehead’s obfuscation does hit on something that I have wondered, though. When we describe things, we aren’t just saying what we think of them. We’re describing what we think our audience should think of them. This struck me back around 1990 when I observed to a friend that then-current jokes about how hard VCRs were to use failed for me. Everyone in my family, after all, had no trouble at all setting the VCR to record something. My friend pointed out that I talked about setting the VCR. Other people talk about programming the VCR. Setting is what you do to clocks and to pots on a stove and little things like that; an obviously easy chore. Programming is what you do to a computer, an arcane process filled with poor documentation and mysterious problems. We framed our thinking about the task as a simple, accessible thing, and we all found it simple and accessible. Mathematics does tend to look at “problems”, and we do, especially in teaching, look at “finding solutions”. Finding solutions sounds nice and positive. But then we just go back to new problems. And the most interesting problems don’t have solutions, at least not ones that we know about. What’s enjoyable about facing these new problems?
Now I’ve finally had the time to deal with the rest of last week’s comics. I’ve rarely been so glad that Comic Strip Master Command has taken it easy on me for this week.
Tom Toles’s Randolph Itch, 2am for the 20th is about a common daydream, that of soap bubbles of weird shapes. There’s fun mathematics to do with soap bubbles. Most of these fall into the “calculus of variations”, which is good at finding minimums and maximums. The minimum here is a surface with zero mean curvature that satisfies particular boundaries. In soap bubble problems the boundaries have a convenient physical interpretation. They’re the wire frames you dunk into soap film, and pull out again, to see what happens. There’s less that’s proven about soap bubbles than you might think. For example: we know that two bubbles of the same size will join on a flat common surface. Do three bubbles? They seem to, when you try blowing bubbles and fitting them together. But this falls short of mathematical rigor.
Parker and Hart’s Wizard of Id Classics for the 21st is a joke about the ignorance of students. Of course they don’t know basic arithmetic. Curious thing about the strip is that you can read it as an indictment of the school system, failing to help students learn basic stuff. Or you can read it as an indictment of students, refusing the hard work of learning while demanding a place in politics. Given the 1968 publication date I have a suspicion which was more likely intended. But it’s hard to tell; 1968 was a long time ago. And sometimes it’s just so easy to crack an insult there’s no guessing what it’s supposed to mean.
Gene Mora’s Graffiti for the 22nd mentions what’s probably the most famous equation after that thing with two times two in it. It does cry out something which seems true, that was there before Albert Einstein noticed it. It does get at one of those questions that, I say without knowledge, is probably less core to philosophers of mathematics than the non-expert would think. But are mathematical truths discovered or invented? There seems to be a good argument that mathematical truths are discovered. If something follows by deductive logic from the axioms of the field, and the assumptions that go into a question, then … what’s there to invent? Anyone following the same deductive rules, and using the same axioms and assumptions, would agree on the thing discovered. Invention seems like something that reflects an inventor.
But it’s hard to shake the feeling that there is invention going on. Anyone developing new mathematics decides what things seem like useful axioms. She decides that some bundle of properties is interesting enough to have a name. She decides that some consequences of these properties are so interesting as to be named theorems. Maybe even the Fundamental Theorem of the field. And there was the decision that this is a field with a question interesting enough to study. I’m not convinced that isn’t invention.
Mark Anderson’s Andertoons for the 23rd sees Wavehead — waaait a minute. That’s not Wavehead! This throws everything off. Well, it’s using mathematics as the subject that Not-Wavehead is trying to avoid. And it’s not using arithmetic as the subject easiest to draw on the board. It needs some kind of ascending progression to make waiting for some threshold make sense. Numbers rising that way makes sense.
That birds will fly in V-formation has long captured people’s imaginations. We’re pretty confident we know why they do it. The wake of one bird’s flight can make it easier for another bird to stay aloft. This is especially good for migrating birds. The fluid-dynamic calculations of this are hard to do, but any fluid-dynamic calculations are hard to do. Verifying the work was also hard, but could be done. I found and promptly lost an article about how heartbeat monitors were attached to a particular flock of birds whose migration path was well-known, so the sensors could be checked and data from them gathered several times over. (Birds take turns as the lead bird, the one that gets no lift from anyone else’s efforts.)
So far as I’m aware there’s still some mystery as to how they do it. That is, how they know to form this V-formation. A particularly promising line of study in the 80s and 90s was to look at these as self-organizing structures. This would have each bird just trying to pay attention to what made sense for itself, where to fly relative to its nearest-neighbor birds. And these simple rules created, when applied to the whole flock, that V pattern. I do not know whether this reflects current thinking about bird formations. I do know that the search for simple rules that produce rich, complicated patterns goes on. Centuries of mathematics, physics, and to an extent chemistry have primed us to expect that everything is the well-developed result of simple components.
I apologize for the ragged nature of this entry, but I’ve had a ragged sort of week and it’s all I can do to keep up. Alert calendar-watchers might have figured out I would have rather had this posted on Thursday or Friday, but I couldn’t make that work. I’m trying. Thanks for your patience.
Mark Anderson’s Andertoons for the 17th feeds rumors that I just reflexively include Mark Anderson’s Andertoons in these posts whenever I see one. But it features the name of something dear to me, so that’s worthwhile. And I love etymology, although not enough to actually learn anything substantive about it. I just enjoy trivia about where some words come from, and sometimes how they change over time. (The average English word meant the exact opposite thing about two hundred years ago, and it meant something hilariously unrelated two centuries before that.)
So I’m not sure how real word-studyers would regard the “geo” in “geometry”. The word is more or less Ancient Greek, given a bit of age and worn down into common English forms. It’s fair enough to describe it as originally meaning “land survey” or “land measure”. This might seem eccentric. But much of the early use of geometry was to figure out where things were, and how far they were from each other. It seems likely the earliest uses, for example, of the Pythagorean Theorem dealt with how to draw right angles on the surface of the Earth. And how to draw boundaries. The Greek fascination with compass-and-straightedge construction — work done without a ruler, so that you know distance only as a thing relative to other things in your figure — obscures how much of the field is about measurement.
Brett Koth’s Diamond Lil for the 17th is another geometry joke, and a much clearer one. And if there’s one thing we can say about parallel lines it’s that they don’t meet. There are some corners of geometry in which it’s convenient to say they “meet at infinity”, that is, they intersect at some point an infinite distance away. I don’t recommend bringing this up in casual conversation. I’m not sure I wanted to bring it up here.
The other half of last week’s mathematically-themed comics were on familiar old themes. I’ll see what I can do with them anyway.
Scott Hilburn’s The Argyle Sweater for the 9th is the anthropomorphic numerals joke for the week. I’m curious why the Middletons would need multiple division symbols, but I suppose that’s their business. It does play on the idea that “division” and “splitting up” are the same thing. And that fits the normal use of these words. We’re used to thinking, say, of dividing a desired thing between several parties. While that’s probably all right in introducing the idea, I do understand why someone would get very confused when they first divide by one-half or one-third or any number between zero and one. And then negative numbers make things even more confusing.
Thaves’s Frank and Ernest for the 9th is the anthropomorphic geometric figures joke for the week. I think I can wrangle a way by which Circle’s question has deeper mathematical context. Mathematicians use the idea of “space” a lot. The use is inspired by how, you know, the geometry of a room works. Euclidean space, in the trade. A Euclidean space is a collection of points that obey a couple simple rules. You can take two points and add them, and get something in the space. You can take any scalar and multiply it by any point and get a point in the space. A scalar is something that acts like a real number. For example, real numbers. Maybe complex numbers, if you’re feeling wild.
A Euclidean space can be two-dimensional. This is the geometry of stuff you draw on paper. It can be three-dimensional. This is the geometry of stuff in the real world, or stuff you draw on paper with shading. It can be four-dimensional. This is the geometry of stuff you draw on paper with big blobby lines around it. Each of these is an equally good space, though, as legitimate and as real as any other. Context usually puts an implicit “three dimensional” before most uses of the word “space”. But it’s not required to be there. There’s many kinds of spaces out there.
And “space” describes stuff that doesn’t look anything like rooms or table tops or sheets of paper. These are spaces built of things like functions, or of sets of things, or of ways to manipulate things. Spaces built of the ways you can subdivide the integers. The details vary. But there’s something in common in all these ideas that communicates.
Mark Anderson’s Andertoons for the 11th is the Mark Anderson’s Andertoons for the week. I think we’ve all seen this joke go across our social media feed and it’s reassuring to know Mark Anderson has social media too. We do talk about solving for x, using the language of describing how we help someone get past a problem. I wonder if people might like this kind of algebra more if we talked more about finding out what values ‘x’ could have that make the equation true. Well, it won’t stop people feeling they don’t like the mathematics they learned in school. But it might help people feel like they know why they’re doing it.
There’s really only the one strip that I talk about today that gets into non-Euclidean geometries. I was hoping to have the time to get into negative temperatures. That came up in the comics too, and it’s a subject close to my heart. But I didn’t have time to write that and so must go with what I did have. I’ve surely used “Non-Euclidean Geometry Edition” as a name before too, but that name and the date of August 2, 2018? Just as surely not.
Mark Anderson’s Andertoons for the 29th is the Mark Anderson’s Andertoons for the week, at last. Wavehead gets to be disappointed by what a numerator and denominator are. Common problem; there are many mathematics things with great, evocative names that all turn out to be mathematics things.
Both “numerator” and “denominator”, as words, trace to the mid-16th century. They come from Medieval Latin, as you might have guessed. “Denominator” parses out roughly as “to completely name”. As in, break something up into some number of equal-sized pieces. You’d need the denominator number of those pieces to have the whole again. “Numerator” parses out roughly as “count”, as in the count of how many denominator-sized pieces you have. So for all that numerator and denominator look like one another, with with the meat of the words being the letters “n-m–ator”, their centers don’t have anything to do with one another. (I would believe a claim that the way the words always crop up together encouraged them to harmonize their appearances.)
Johnny Hart’s Back to BC for the 29th is a surprisingly sly joke about non-Euclidean geometries. You wouldn’t expect that given the reputation of the comic the last decade of Hart’s life. And I did misread it at first, thinking that after circumnavigating the globe Peter had come back to have what had been the right line touch the left. That the trouble was his stick wearing down I didn’t notice until I re-read.
But Peter’s problem would be there if his stick didn’t wear down. “Parallel” lines on a globe don’t exist. One can try to draw a straight line on the surface of a sphere. These are “great circles”, with famous map examples of those being the equator and the lines of longitude. They don’t keep a constant distance from one another, and they do meet. Peter’s experiment, as conducted, would be a piece of proof that they have to live on a curved surface.
And this gets at one of those questions that bothers mathematicians, cosmologists, and philosophers. How do we know the geometry of the universe? If we could peek at it from outside we’d have some help, but that is a big if. So we have to rely on what we can learn from inside the universe. And we can do some experiments that tell us about the geometry we’re in. Peter’s line example would be one; he can use that to show the world’s curved in at least one direction. A couple more lines and he’d be confident the world was a sphere. If we could make precise enough measurements we could do better, with geometric experiments smaller than the circumference of the Earth. (Or universe.) Famously, the sum of the interior angles of a triangle tell us something about the space the triangle’s inscribed in. There are dangers in going from information about one point, or a small area, to information about the whole. But we can tell some things.
Phil Dunlap’s Ink Pen for the 29th is another use of arithmetic as shorthand for intelligence. Might be fun to ponder how Captain Victorious would know that he was right about two plus two equalling four, if he didn’t know that already. But we all are in the same state, for mathematical truths. We know we’ve got it right because we believe we have a sound logical argument for the thing being true.
Brian Boychuk and Ron Boychuk’s Chuckle Brothers for the 30th is a riff on the story of Isaac Newton and the apple. The story of Newton starting his serious thinking of gravity by pondering why apples should fall while the Moon did not is famous. And it seems to trace to Newton. We have a good account of it from William Stukeley, who in the mid-18th century wrote Memoirs of Sir Isaac Newton’s Life. Stukeley knew Newton, and claimed to get the story right from him. He also told it to his niece’s husband, John Conduitt. Whether this is what got Newton fired with the need to create such calculus and physics, or whether it was a story he composed to give his life narrative charm, is beyond my ability to say. It’s an important piece of mathematics history anyway.
If you’d like more Reading the Comics essays you can find them at this link. Some of the many essays to mention Andertoons are at this link. Other essays mentioning B.C. (vintage and current) are at this link. The comic strip Ink Pen gets its mentions at this link, although I’m surprised to learn it’s a new tag today. And the Chuckle Brothers I discuss at this link. Thank you.
The first half of last week’s comics are mostly ones from Comics Kingdom and Creators.com. That’s unusual. GoComics usually far outranks the other sites. Partly for sheer numbers; they have an incredible number of strips, many of them web-only, that Comics Kingdom and Creators.com don’t match. I think the strips on GoComics are more likely to drift into mathematical topics too. But to demonstrate that would take so much effort. Possibly any effort at all. Hm.
Bill Holbrook’s On the Fastrack for the 8th of July is premised on topographic maps. These are some of the tools we’ve made to understand three-dimensional objects with a two-dimensional representation. When topographic maps come to the mathematics department we tend to call them “contour maps” or “contour plots”. These are collections of shapes. They might be straight lines. They might be curved. They often form a closed loop. Each of these curves is called a “contour curve” or a “contour line” (even if it’s not straight). Or it’s called an “equipotential curve”, if someone’s being all fancy, or pointing out the link between potential functions and these curves.
Their purpose is in thinking of three-dimensional surfaces. We can represent a three-dimensional surface by putting up some reasonable coordinate system. For the sake of simplicity let’s suppose the “reasonable coordinate system” is the Cartesian one. So every point in space has coordinates named ‘x’, ‘y’, and ‘z’. Pick a value for ‘x’ and ‘y’. There’s at most one ‘z’ that’ll be on the surface. But there might be many sets of values of ‘x’ and ‘y’ together which have that height ‘z’. So what are all the values of ‘x’ and ‘y’ which match the same height ‘z’? Draw the curve, or curves, which match that particular value of ‘z’.
Topographical maps are a beloved example of this, to mathematicians, because we imagine everyone understands them. A particular spot on the ground at some given latitude and longitude is some particular height above sea level. OK. Imagine the slice of a hill representing all the spots that are exactly 10 feet above sea level, or whatever. That’s a curve. Possibly several curves, but we just say “a curve” for simplicity.
A topographical map will often include more than one curve. Often at regular intervals, say with one set of curves representing 10 feet elevation, another 20 feet, another 30 feet, and so on. Sometimes these curves will be very near one another, where a hill is particularly steep. Sometimes these curves will be far apart, where the ground is nearly level. With experience one can learn to read the lines and their spacing. One can see where extreme values are, and how far away they might be.
Topographical maps date back to 1789. These sorts of maps go back farther. In 1701 Edmond Halley, of comet fame, published maps showing magnetic compass variation. He had hopes that the difference between magnetic north and true north would offer a hint at how to find longitude. (The principle is good. But the lines of constant variation are too close to lines of latitude for the method to be practical. And variation changes over time, too.) And that shows how the topographical map idea can be useful to visualize things that aren’t heights. Weather maps include “isobars”, contour lines showing where the atmospheric pressure is a set vale. More advanced ones will include “isotherms”, each line showing a particular temperature. The isobar and isotherm lines can describe the weather and how it can be expected to change soon.
This idea, rendering three-dimensional information on a two-dimensional surface, is a powerful one. We can use it to try to visualize four-dimensional objects, by looking at the contour surfaces they would make in three dimensions. We can also do this for five and even more dimensions, by using the same stuff but putting a note that “D = 16” or the like in the corner of our image. And, yes, if Cartesian coordinates aren’t sensible for the problem you can use coordinates that are.
If you need a generic name for these contour lines that doesn’t suggest lines or topography or weather or such, try ‘isogonal curves’. Nobody will know what you mean, but you’ll be right.
Ted Key’s Hazel for the 9th is a joke about the difficulties in splitting the bill. It is archetypical of the sort of arithmetic people know they need to do in the real world. Despite that at least people in presented humor don’t get any better at it. I suppose real-world people don’t either, given some restaurants now list 15 and 20 percent tips on the bill. Well, at least everybody has a calculator on their phone so they can divide evenly. And I concede that, yeah, there isn’t really specifically a joke here. It’s just Hazel being competent, like the last time she showed up here.
Mark Anderson’s Andertoons for the 11th is the Mark Anderson’s Andertoons for the week. And it’s a bit of geometry wordplay, too. Also about how you can carry a joke over well enough even without understanding it, or the audience understanding it, if it’s delivered right.
Rick DeTorie’s One Big Happy for the 11th is another strip about arithmetic done in the real world. I’m also amused by Joe’s attempts to distract from how no kid that age has ever not known precisely how much money they have, and how much of it is fairly won.
Bill Griffith’s Zippy the Pinhead for the 11th is another example of using understanding algebra as a show of intelligence. And it follows that up with undrestanding quantum physics as a show of even greater intelligence. One can ask what’s meant by “understanding” quantum physics. Someday someone might even answer. But it seems likely that the ability to do calculations based on a model has to be part of fully understanding it.
There were a bunch of mathematically-themed comic strips this past week. A lot of them are ones I’d seen before. One of them is a bit risque and I’ve put that behind a cut. This saves me the effort of thinking up a good nonsense name to give this edition, so there’s that going for me too.
Bill Amend’s FoxTrot Classics for the 24th of May ought to have run last Sunday, but I wasn’t able to make time to write about it. It’s part of a sequence of Jason tutoring Paige in geometry. She’s struggling with the areas of common shapes which is relatable. Many of these area formulas could be kept straight by thinking back to rectangles. The size of the area is equal to the length of the base times the length of the height. From that you could probably reason right away the area of a trapezoid. It would have the same area as a rectangle with a base of length the mean length of the trapezoid’s different-length sides. The parallelogram works like the rectangle, length of the base times the length of the height. That you can convince yourself of by imagining the parallelogram. Then imagine slicing a right triangle off one of its sides. Move that around to the other side. Put it together right and you have a rectangle. Already know the area of a rectangle. The triangle, then, you can get by imagining two triangles of the same size and shape. Rotate one of the triangles 180 degrees. Slide it over, so the two triangles touch. Do this right and you have a parallelogram and so you know the area. The triangle’s half the area of that parallelogram.
The circle, I don’t know. I think just remember that if someone says “pi” they’re almost certainly going to follow it with either “r squared” or “day”. One of those suggests an area; the other doesn’t. Best I can do.
Allison Barrows’s PreTeena rerun for the 27th discusses self-esteem as though it were a good thing that children ought to have. This is part of the strip’s work to help build up the Old Person Complaining membership that every comics section community group relies on. But. There is mathematics in Jeri’s homework. Not mathematics in the sense of something particular to calculate. There’s just nothing to do there. But it is mathematics, and useful mathematics, to work out the logic of how to satisfy multiple requirements. Or, if it’s impossible to satisfy them all at once, then to come as near satisfying them as possible. These kinds of problems are considered optimization or logistics problems. Most interesting real-world examples are impossibly hard, or at least become impossibly hard before you realize it. You can make a career out of doing as best as possible in the circumstances.
Charles Schulz’s Peanuts rerun for the 27th features an extended discussion by Lucy about the nature of … well, she explicitly talks about “nothing”. Is she talking about zero? Probably; you have to get fairly into mathematics or philosophy to start worrying about the difference between the number zero and the idea of nothing. In Algebra, mathematicians learn to work with systems of things that work like numbers enough that you can add and subtract and multiply them together, without committing to the idea that they’re working with numbers. They will have something that works like zero, though, a “nothing” that can be added to or subtracted from anything without changing it. And for which multiplication turns something into that “nothing”.
I’m with Charlie Brown in not understanding where Lucy was going with all this, though. Maybe she lost the thread herself.
Mark Anderson’sAndertoons for the 28th is Mark Anderson’sAndertoons for the week. Wavehead’s worried about the verbs of both squaring and rounding numbers. Will say it’s a pair of words with contrary alternate meanings that I hadn’t noticed before. I have always taken the use of “square” to reflect, well, if you had a square with sides of size 4, then you’d have a square with area of size 16. The link seems obvious and logical. So on reflection that’s probably not at all where English gets it from. I mean, not to brag or anything but I’ve been speaking English all my life. If I’ve learned anything about it, it’s that the origin is probably something daft like “while Tisquantum [Squanto] was in England he impressed locals with his ability to do arithmetic and his trick of multiplying one number by itself got nicknamed squantuming, which got shortened to squaning to better fit the meter in a music-hall song about him, and a textbook writer in 1704 thought that was a mistake and `corrected’ it to squaring and everyone copied that”. I’m not even going to venture a guess about the etymology of “rounding”.
Marguerite Dabaie and Tom Hart’s Ali’s House for the 28th sets up a homework-help session over algebra. Can’t say where exactly Maisa is going wrong. Her saying “x equals 30 but the train equals” looks like trouble to me. It’s often good practice to start by writing out what are the things in the problem that seem important. And what symbol one wants each to mean. And what one knows about the relationship between these things. It helps clarify why someone would want to do that instead of something else. This is a new comic strip tag and I don’t think I’ve ever had cause to discuss it before.
Hilary Price’s Rhymes With Orange for the 29th is a Rubik’s Cube joke. I’ve counted that as mathematical enough, usually. The different ways that you can rotate parts of the cube form a group. This is something like what I mentioned in the Peanuts discussion. The different rotations you can do can be added to or subtracted from each other, the way numbers can. (Multiplication I’m wary about.)
And now here’s the strip that is unsuitable for reading at work, owing to the appearance of an undressed woman.
I haven’t got any good ideas for the title for this collection of mathematically-themed comic strips. But I was reading the Complete Peanuts for 1999-2000 and just ran across one where Rerun talked about consoling his basketball by bringing it to a nice warm gymnasium somewhere. So that’s where that pile of words came from.
Mark Anderson’s Andertoons for the 21st is the Mark Anderson’s Andertoons for this installment. It has Wavehead suggest a name for the subtraction of fractions. It’s not by itself an absurd idea. Many mathematical operations get specialized names, even though we see them as specific cases of some more general operation. This may reflect the accidents of history. We have different names for addition and subtraction, though we eventually come to see them as the same operation.
In calculus we get introduced to Maclaurin Series. These are polynomials that approximate more complicated functions. They’re the best possible approximations for a region around 0 in the domain. They’re special cases of the Taylor Series. Those are polynomials that approximate more complicated functions. But you get to pick where in the domain they should be the best approximation. Maclaurin series are nothing but a Taylor series; we keep the names separate anyway, for the reasons. And slightly baffling ones; James Gregory and Brook Taylor studied Taylor series before Colin Maclaurin did Maclaurin series. But at least Taylor worked on Taylor series, and Maclaurin on Macularin series. So for a wonder mathematicians named these things for appropriate people. (Ignoring that Indian mathematicians were poking around this territory centuries before the Europeans were. I don’t know whether English mathematicians of the 18th century could be expected to know of Indian work in the field, in fairness.)
In numerical calculus, we have a scheme for approximating integrals known as the trapezoid rule. It approximates the areas under curves by approximating a curve as a trapezoid. (Any questions?) But this is one of the Runge-Kutta methods. Nobody calls it that except to show they know neat stuff about Runge-Kutta methods. The special names serve to pick out particularly interesting or useful cases of a more generally used thing. Wavehead’s coinage probably won’t go anywhere, but it doesn’t hurt to ask.
Percy Crosby’s Skippy for the 22nd I admit I don’t quite understand. It mentions arithmetic anyway. I think it’s a joke about a textbook like this being good only if it’s got the questions and the answers. But it’s the rare Skippy that’s as baffling to me as most circa-1930 humor comics are.
Ham’s Life on Earth for the 23rd presents the blackboard full of symbols as an attempt to prove something challenging. In this case, to say something about the existence of God. It’s tempting to suppose that we could say something about the existence or nonexistence of God using nothing but logic. And there are mathematics fields that are very close to pure logic. But our scary friends in the philosophy department have been working on the ontological argument for a long while. They’ve found a lot of arguments that seem good, and that fall short for reasons that seem good. I’ll defer to their experience, and suppose that any mathematics-based proof to have the same problems.
Bill Amend’s FoxTrot Classics for the 23rd deploys a Maclaurin series. If you want to calculate the cosine of an angle, and you know the angle in radians, you can find the value by adding up the terms in an infinitely long series. So if θ is the angle, measured in radians, then its cosine will be:
60 degrees is in radians and you see from the comic how to turn this series into a thing to calculate. The series does, yes, go on forever. But since the terms alternate in sign — positive then negative then positive then negative — you have a break. Suppose all you want is the answer to within an error margin. Then you can stop adding up terms once you’ve gotten to a term that’s smaller than your error margin. So if you want the answer to within, say, 0.001, you can stop as soon as you find a term with absolute value less than 0.001.
For high school trig, though, this is all overkill. There’s five really interesting angles you’d be expected to know anything about. They’re 0, 30, 45, 60, and 90 degrees. And you need to know about reflections of those across the horizontal and vertical axes. Those give you, like, -30 degrees or 135 degrees. Those reflections don’t change the magnitude of the cosines or sines. They might change the plus-or-minus sign is all. And there’s only three pairs of numbers that turn up for these five interesting angles. There’s 0 and 1. There’s and . There’s and . Three things to memorize, plus a bit of orienteering, to know whether the cosine or the sine should be the larger size and whether they should positive or negative. And then you’ve got them all.
You might get asked for, like, the sine of 15 degrees. But that’s someone testing whether you know the angle-addition or angle-subtraction formulas. Or the half-angle and double-angle formulas. Nobody would expect you to know the cosine of 15 degrees. The cosine of 30 degrees, though? Sure. It’s .
Mike Thompson’s Grand Avenue for the 23rd is your basic confused-student joke. People often have trouble going from percentages to decimals to fractions and back again. Me, I have trouble in going from percentage chances to odds, as in, “two to one odds” or something like that. (Well, “one to one odds” I feel confident in, and “two to one” also. But, say, “seven to five odds” I can’t feel sure I understand, other than that the second choice is a perceived to be a bit more likely than the first.)
… You know, this would have parsed as the Maclaurin Series Edition, wouldn’t it? Well, if only I were able to throw away words I’ve already written and replace them with better words before publishing, huh?
I hate to disillusion anyone but I lack hard rules about what qualifies as a mathematically-themed comic strip. During a slow week, more marginal stuff makes it. This past week was going slow enough that I tagged Wednesday’s Quincy rerun, from March of 1979 for possible inclusion. And all it does is mention that Quincy’s got a mathematics test due. Fortunately for me the week picked up a little. It cheats me of an excuse to point out Ted Shearer’s art style to people, but that’s not really my blog’s business.
Also it may not surprise you but since I’ve decided I need to include GoComics images I’ve gotten more restrictive. Somehow the bit of work it takes to think of a caption and to describe the text and images of a comic strip feel like that much extra work.
Roy Schneider’s The Humble Stumble for the 13th of May is a logic/geometry puzzle. Is it relevant enough for here? Well, I spent some time working it out. And some time wondering about implicit instructions. Like, if the challenge is to have exactly four equally-sized boxes after two toothpicks are moved, can we have extra stuff? Can we put a toothpick where it’s just a stray edge, part of no particular shape? I can’t speak to how long you stay interested in this sort of puzzle. But you can have some good fun rules-lawyering it.
Jeff Harris’s Shortcuts for the 13th is a children’s informational feature about Aristotle. Aristotle is renowned for his mathematical accomplishments by many people who’ve got him mixed up with Archimedes. Aristotle it’s harder to say much about. He did write great texts that pop-science writers credit as giving us the great ideas about nature and physics and chemistry that the Enlightenment was able to correct in only about 175 years of trying. His mathematics is harder to summarize though. We can say certainly that he knew some mathematics. And that he encouraged thinking of subjects as built on logical deductions from axioms and definitions. So there is that influence.
Dan Thompson’s Brevity for the 15th is a pun, built on the bell curve. This is also known as the Gaussian distribution or the normal distribution. It turns up everywhere. If you plot how likely a particular value is to turn up, you get a shape that looks like a slightly melted bell. In principle the bell curve stretches out infinitely far. In practice, the curve turns into a horizontal line so close to zero you can’t see the difference once you’re not-too-far away from the peak.
Jason Chatfield’s Ginger Meggs for the 16th I assume takes place in a mathematics class. I’m assuming the question is adding together four two-digit numbers. But “what are 26, 24, 33, and 32” seems like it should be open to other interpretations. Perhaps Mr Canehard was asking for some class of numbers those all fit into. Integers, obviously. Counting numbers. Compound numbers rather than primes. I keep wanting to say there’s something deeper, like they’re all multiples of three (or something) but they aren’t. They haven’t got any factors other than 1 in common. I mention this because I’d love to figure out what interesting commonality those numbers have and which I’m overlooking.
Ed Stein’s Freshly Squeezed for the 17th is a story problem strip. Bit of a passive-aggressive one, in-universe. But I understand why it would be formed like that. The problem’s incomplete, as stated. There could be some fun in figuring out what extra bits of information one would need to give an answer. This is another new-tagged comic.
Henry Scarpelli and Craig Boldman’s Archie for the 19th name-drops calculus, credibly, as something high schoolers would be amazed to see one of their own do in their heads. There’s not anything on the blackboard that’s iconically calculus, it happens. Dilton’s writing out a polynomial, more or less, and that’s a fit subject for high school calculus. They’re good examples on which to learn differentiation and integration. They’re a little more complicated than straight lines, but not too weird or abstract. And they follow nice, easy-to-summarize rules. But they turn up in high school algebra too, and can fit into geometry easily. Or any subject, really, as remember, everything is polynomials.
Mark Anderson’s Andertoons for the 19th is Mark Anderson’s Andertoons for the week. Glad that it’s there. Let me explain why it is proper construction of a joke that a Fibonacci Division might be represented with a spiral. Fibonacci’s the name we give to Leonardo of Pisa, who lived in the first half of the 13th century. He’s most important for explaining to the western world why these Hindu-Arabic numerals were worth learning. But his pop-cultural presence owes to the Fibonacci Sequence, the sequence of numbers 1, 1, 2, 3, 5, 8, and so on. Each number’s the sum of the two before it. And this connects to the Golden Ratio, one of pop mathematics’ most popular humbugs. As the terms get bigger and bigger, the ratio between a term and the one before it gets really close to the Golden Ratio, a bit over 1.618.
So. Draw a quarter-circle that connects the opposite corners of a 1×1 square. Connect that to a quarter-circle that connects opposite corners of a 2×2 square. Connect that to a quarter-circle connecting opposite corners of a 3×3 square. And a 5×5 square, and an 8×8 square, and a 13×13 square, and a 21×21 square, and so on. Yes, there are ambiguities in the way I’ve described this. I’ve tried explaining how to do things just right. It makes a heap of boring words and I’m trying to reduce how many of those I write. But if you do it the way I want, guess what shape you have?
And that is why this is a correctly-formed joke about the Fibonacci Division.
I should have got to this yesterday; I don’t know. Something happened. Should be back to normal Sunday.
Bill Rechin’s Crock rerun for the 26th of April does a joke about picking-the-number-in-my-head. There’s more clearly psychological than mathematical content in the strip. It shows off something about what people understand numbers to be, though. It’s easy to imagine someone asked to pick a number choosing “9”. It’s hard to imagine them picking “4,796,034,621,322”, even though that’s just as legitimate a number. It’s possible someone might pick π, or e, but only if that person’s a particular streak of nerd. They’re not going to pick the square root of eleven, or negative eight, or so. There’s thing that are numbers that a person just, offhand, doesn’t think of as numbers.
Mark Anderson’s Andertoons for the 26th sees Wavehead ask about “borrowing” in subtraction. It’s a riff on some of the terminology. Wavehead’s reading too much into the term, naturally. But there are things someone can reasonably be confused about. To say that we are “borrowing” ten does suggest we plan to return it, for example, and we never do that. I’m not sure there is a better term for this turning a digit in one column to adding ten to the column next to it, though. But I admit I’m far out of touch with current thinking in teaching subtraction.
Greg Cravens’s The Buckets for the 26th is kind of a practical probability question. And psychology also, since most of the time we don’t put shirts on wrong. Granted there might be four ways to put a shirt on. You can put it on forwards or backwards, you can put it on right-side-out or inside-out. But there are shirts that are harder to mistake. Collars or a cut around the neck that aren’t symmetric front-to-back make it harder to mistake. Care tags make the inside-out mistake harder to make. We still manage it, but the chance of putting a shirt on wrong is a lot lower than the 75% chance we might naively expect. (New comic tag, by the way.)
Charles Schulz’s Peanuts rerun for the 27th is surely set in mathematics class. The publication date interests me. I’m curious if this is the first time a Peanuts kid has flailed around and guessed “the answer is twelve!” Guessing the answer is twelve would be a Peppermint Patty specialty. But it has to start somewhere.
Knowing nothing about the problem, if I did get the information that my first guess of 12 was wrong, yeah, I’d go looking for 6 or 4 as next guesses, and 12 or 48 after that. When I make an arithmetic mistake, it’s often multiplying or dividing by the wrong number. And 12 has so many factors that they’re good places to look. Subtracting a number instead of adding, or vice-versa, is also common. But there’s nothing in 12 by itself to suggest another place to look, if the addition or subtraction went wrong. It would be in the question which, of course, doesn’t exist.
Maria Scrivan’s Half-Full for the 28th is the Venn Diagram joke for this week. It could include an extra circle for bloggers looking for content they don’t need to feel inspired to write. This one isn’t a new comics tag, which surprises me.
Zach Weinersmith’s Saturday Morning Breakfast Cereal for the 28th uses the M&oum;bius Strip. It’s an example of a surface that you could just go along forever. There’s nothing topologically special about the M&oum;bius Strip in this regard, though. The mathematician would have as infinitely “long” a résumé if she tied it into a simple cylindrical loop. But the M&oum;bius Strip sounds more exotic, not to mention funnier. Can’t blame anyone going for that instead.
And now I can close out last week’s mathematically-themed comic strips. There was a bunch toward the end of the week. And I’m surprised that none of the several comics to appear on Friday the 13th had anything to do with the calendar. Or at least not enough for me to talk about them.
Julie Larson’s Dinette Set rerun for the 12th is a joke built on the defining feature of (high school) algebra. The use of a number whose value we hope to figure out isn’t it. Those appear from the start of arithmetic, often as an empty square or circle or a spot of ____ that’s to be filled out. We used to give these numbers names like “thing” or “heap” or “it” or the like. Something pronoun-like. The shift to using ‘x’ as the shorthand is a legacy of the 16th century, the time when what we see as modern algebra took shape. People are frightened by it, to suddenly see letters in the midst of a bunch of numbers. But it’s no more than another number. And it communicates “algebra” in a way maybe nothing else does.
Ruben Bolling’s Tom the Dancing Bug rerun for the 12th is one of the God-Man stories. I’m delighted by the Freshman Philosophy-Major Man villain. The strip builds on questions of logic, and about what people mean by “omnipotence”. I don’t know how much philosophy of mathematics the average major takes. I suspect it’s about as much philosophy of mathematics as the average mathematics major is expected to take. (It’s an option, but I don’t remember anyone suggesting I do it, and I do feel the lost opportunity.) But perhaps later on Freshman Philosophy-Major Man would ask questions like what do we mean by “one” and “plus” and “equals” and “three”. And whether anything could, by a potent enough entity, be done about them. For the easiest way to let an omnipotent creature change something like that. WordPress is telling me this is a new tag for me. That can’t be right.
Mike Thompson’s Grand Avenue for the 13th is another resisting-the-story-problem joke, attacking the idea that a person would have ten apples. People like to joke about story problems hypothesizing people with ridiculous numbers of pieces of fruit. But ten doesn’t seem like an excessive number of apples to me; my love and I could eat that many in two weeks without trying hard. The attempted diversion would work better if it were something like forty watermelons or the like.
Mark Tatulli’s Heart of the City for the 13th has Heart and Dean complaining about their arithmetic class. I rate it as enough to include here because they go into some detail about things. I find it interesting they’re doing story problems with decimal points; that seems advanced for what I’d always taken their age to be. But I don’t know. I have dim memories of what elementary school was like, and that was in a late New Math-based curriculum.
Mark Anderson’s Andertoons for the 14th is the Mark Anderson’s Andertoons for the week. It starts at least with teaching ordinal numbers. In normal English that’s the adjective form of a number. Ordinal numbers reappear in the junior or senior year of a mathematics major’s work, as they learn enough set theory to be confused by infinities. In this guise they describe the sizes of sets of things. And they’re introduced as companions to cardinal numbers, which also describe the sizes of sets of things. They’re different, in ways that I feel like I always forget in-between reading books about infinitely large sets. The kids don’t need to worry about this yet.
And now I can bring last week’s mathematically-themed comics into consideration here. Including the whole images hasn’t been quite as much work as I figured. But that’s going to change, surely. One of about four things I know about life is that if you think you’ve got your workflow set up to where you can handle things you’re about to be surprised. Can’t wait to see how this turns out.
Brant Parker and Johnny Hart’s Wizard of Id for the 22nd is a statistics joke. Really a demographics joke. Which still counts; much of the historical development of statistics was in demographics. That it was possible to predict accurately the number of people in a big city who’d die, and what from, without knowing anything about whether any particular person would die was strange and astounding. It’s still an astounding thing to look directly at.
Hilary Price and Rina Piccolo’s Rhymes with Orange for the 23rd has the form of a story problem. I could imagine turning this into a proper story problem. You’d need some measure of how satisfying the 50-dollar wines are versus the 5-dollar wines. Also how much the wines affect people’s ability to notice the difference. You might be able to turn this into a differential equations problem, but that’s probably overkill.
Mark Anderson’s Andertoons for the 23rd is Mark Anderson’s Andertoons for this half of the week. It’s a student-avoiding-the-problem joke. Could be any question. But arithmetic has the advantages of being plausible, taking up very little space to render, and not confusing the reader by looking like it might be part of the joke.
John Zakour and Scott Roberts’s Working Daze for the 23rd has another cameo appearance by arithmetic. It’s also a cute reminder that there’s no problem you can compose that’s so simple someone can’t over-think it. And it puts me in mind of the occasional bit where a company’s promotional giveaway will technically avoid being a lottery by, instead of awarding prizes, awarding the chance to demonstrate a skill. Demonstration of that skill, such as a short arithmetic quiz, gets the prize. It’s a neat bit of loophole work and does depend, as the app designers here do, on the assumption there’s some arithmetic that people can be sure of being able to do.
Teresa Burritt’s Frog Applause for the 24th is its usual bit of Dadist nonsense. But in the talk about black holes it throws in an equation: . This is some mathematics about black holes, legitimate and interesting. It is the entropy of a black hole. The dazzling thing about this is all but one of those symbols on the right is the same for every black hole. ‘c’ is the speed of light, as in ‘E = mc2‘. G is the gravitational constant of the universe, a measure of how strong gravity is. is Planck’s constant, a kind of measure of how big quantum mechanics effects are. ‘k’ is the Boltzmann constant, which normal people never heard of but that everyone in physics and chemistry knows well. It’s what you multiply by to switch from the temperature of a thing to the thermal energy of the thing, or divide by to go the other way. It’s the same number for everything in the universe.
The only thing custom to a particular black hole is ‘A’, which is the surface area of the black hole. I mean the surface area of the event horizon. Double the surface area of the event horizon and you double its entropy. (This isn’t doubling the radius of the event horizon, but you know how much growth in the radius it is.) Also entropy. Hm. Everyone who would read this far into a pop mathematics blog like this knows that entropy is “how chaotic a thing is”. Thanks to people like Boltzmann we can be quantitative, and give specific and even exact numbers to the entropy of a system. It’s still a bit baffling since, superficially, a black hole seems like it’s not at all chaotic. It’s a point in space that’s got some mass to it, and maybe some electric charge and maybe some angular momentum. That’s about it. How messy can that be? It doesn’t even have any parts. This is how we can be pretty sure there’s stuff we don’t understand about black holes yet. Also about entropy.
This strip might be an oblique and confusing tribute to Dr Stephen Hawking. The entropy formula described was demonstrated by Drs Jacob Bekenstein and Stephen Hawking in the mid-1970s. Or it might be coincidence.
For this, the second of my Reading the Comics postings with all the comics images included, I’ve found reason to share some old and traditional mathematicians’ jokes. I’m not sure how this happened, but sometimes it just does.
Zach Weinersmith’s Saturday Morning Breakfast Cereal for the 18th brings to mind a traditional mathematics joke. A dairy hires a mathematician to improve operations. She tours the place, inspecting the cows and their feeding and the milking machines. She speaks with the workers. She interviews veterinarians. She talks with the truckers who haul out milk. She interviews the clients. Finally she starts to work on a model of better milk production. The first line: “Assume a spherical cow.”
One big field of mathematics is model-building. When doing that you have to think about the thing you model. It’s hard. You have to throw away all the complicating stuff that makes your questions too hard to answer. But you can’t throw away all the complicating stuff or you have a boring question to answer. Depending on what kinds of things you want to know, you’ll need different models. For example, for some atmosphere problems you’ll do fine if you assume the air has no viscosity. For others that’s a stupid assumption. For some you can ignore that the planet rotates and is heated on one side by the sun. For some you don’t dare do that. And so on. The simplifications you can make aren’t always obvious. Sometimes you can ignore big stuff; a satellite’s orbit, for example, can be treated well by pretending that the whole universe except for the Earth doesn’t exist. Depends what you’re looking for. If the universe were homogenous enough, it would all be at the same temperature. Is that useful to your question? That’s the trick.
Mark Anderson’s Andertoons for the 20th is the Mark Anderson’s Andertoons for this essay. It’s just a student trying to distract the issue from fractions. I suppose mathematics was chosen for the blackboard problem because if it were, say, a history or an English or a science question someone would think that was part of the joke and be misled. Fractions, though, those have the signifier of “the thing we’d rather not talk about”.
Daniel Beyer’s Long Story Short for the 21st is a mathematicians-mindset sort of joke. Let me offer another. I went to my love’s college reunion. On the mathematics floor of the new sciences building the dry riser was labelled as “N Bourbaki”. Let me explain why is a correctly-formed and therefore very funny mathematics joke. “Nicolas Bourbaki” was the pseudonym used by the mathematical equivalent of an artist’s commune, in France, through several decades of the mid-20th century. Their goal was setting mathematics on a rigorous and intuition-free basis, the way mathematicians sometimes like to pretend it is. Bourbaki’s influential nonexistence lead to various amusing-for-academia problems and you can see why a fake office is appropriately named so, then. (This is the first time I’ve tagged this strip, looks like.)
Harley Schwadron’s 9 to 5 for the 21st is a name-drop of Einstein’s famous equation as a power tie. I must agree this meets the literal specification of a power tie since, you know, c2 is in it. Probably something more explicitly about powers wouldn’t communicate as well. Possibly Fermat’s Last Theorem, although I’m not sure that would fit and be legible on the tie as drawn.
Mark Pett’s Lucky Cow rerun for the 21st has the generally inept Neil work out a geometry problem in his head. The challenge is having a good intuitive model for what the relationship between the shapes should be. I’m relieved to say that Neil is correct, to the number of decimal places given. I’m relieved because I’ve spent embarrassingly long at this. My trouble was missing, twice over, that the question gave diameters instead of radiuses. Pfaugh. Saving me was just getting answers that were clearly crazy, including at one point 21 1/3.
Zach Weinersmith, Chris Jones and James Ashby’s Snowflakes for the 21st mentions Euler’s Theorem in the first panel. Trouble with saying “Euler’s Theorem” is that Euler had something like 82 trillion theorems. If you ever have to bluff your way through a conversation with a mathematician mention “Euler’s Theorem”. You’ll probably have said something on point, if closer to the basics of the problem than people figured. But the given equation — — is a good bet for “the” Euler’s Theorem. It’s a true equation, and it ties together a lot of interesting stuff about complex-valued numbers. It’s the way mathematicians tie together exponentials and simple harmonic motion. It makes so much stuff easier to work with. It would not be one of the things presented in a Distinctly Useless Mathematics text. But it would be mentioned along the way to something fascinating and useless. It turns up everywhere. (This is another strip I’m tagging for the first time.)
Wulff and Morgenthaler’s WuMo for the 21st uses excessively complicated mathematics stuff as a way to signify intelligence. Also to name-drop Massachusetts Institute of Technology as a signifier of intelligence. (My grad school was Rensselaer Polytechnic Institute, which would totally be MIT’s rival school if we had enough self-esteem to stand up to MIT. Well, on a good day we can say snarky stuff about the Rochester Institute of Technology if we don’t think they’re listening.) Putting the “Sigma” in makes the problem literally nonsense, since “Sigma” doesn’t signify any particular number. The rest are particular numbers, though. π/2 times 4 is just 2π, a bit more than 6.28. That’s a weird number of apples to have but it’s perfectly legitimate a number. The square root of the cosine of 68 … ugh. Well, assuming this is 68 as in radians I don’t have any real idea what that would be either. If this is 68 degrees, then I do know, actually; the cosine of 68 degrees is a little smaller than ½. But mathematicians are trained to suspect degrees in trig functions, going instead for radians.
Well, hm. 68 would be between 11 times 2π and 12 times 2π. I think that’s just a little more than 11 times 2π. Oh, maybe it is something like ½. Let me check with an actual calculator. Huh. It is a little more than 0.440. Well, that’s a once-in-a-lifetime shot. Anyway the square root of that is a little more than 0.663. So you’d be left with about five and a half apples. Never mind this Sigma stuff. (A little over 5.619, to be exact.)
Comic Strip Master Command spent most of February making sure I could barely keep up. It didn’t slow down the final week of the month either. Some of the comics were those that I know are in eternal reruns. I don’t think I’m repeating things I’ve already discussed here, but it is so hard to be sure.
Bill Amend’s FoxTrot for the 24th of February has a mathematics problem with a joke answer. The approach to finding the area’s exactly right. It’s easy to find areas of simple shapes like rectangles and triangles and circles and half-circles. Cutting a complicated shape into known shapes, finding those areas, and adding them together works quite well, most of the time. And that’s intuitive enough. There are other approaches. If you can describe the outline of a shape well, you can use an integral along that outline to get the enclosed area. And that amazes me even now. One of the wonders of calculus is that you can swap information about a boundary for information about the interior, and vice-versa. It’s a bit much for even Jason Fox, though.
Jef Mallett’s Frazz for the 25th is a dispute between Mrs Olsen and Caulfield about whether it’s possible to give more than 100 percent. I come down, now as always, on the side that argues it depends what you figure 100 percent is of. If you mean “100% of the effort it’s humanly possible to expend” then yes, there’s no making more than 100% of an effort. But there is an amount of effort reasonable to expect for, say, an in-class quiz. It’s far below the effort one could possibly humanly give. And one could certainly give 105% of that effort, if desired. This happens in the real world, of course. Famously, in the right circles, the Space Shuttle Main Engines normally reached 104% of full throttle during liftoff. That’s because the original specifications for what full throttle would be turned out to be lower than was ultimately needed. And it was easier to plan around running the engines at greater-than-100%-throttle than it was to change all the earlier design documents.
Matt Janz’s Out of the Gene Pool rerun for the 25th tosses off a mention of “New Math”. It’s referenced as a subject that’s both very powerful but also impossible for Pop, as an adult, to understand. It’s an interesting denotation. Usually “New Math”, if it’s mentioned at all, is held up as a pointlessly complicated way of doing simple problems. This is, yes, the niche that “Common Core” has taken. But Janz’s strip might be old enough to predate people blaming everything on Common Core. And it might be character, that the father is old enough to have heard of New Math but not anything in the nearly half-century since. It’s an unusual mention in that “New” Math is credited as being good for things. (I’m aware this strip’s a rerun. I had thought I’d mentioned it in an earlier Reading the Comics post, but can’t find it. I am surprised.)
And it’s not always fair to say that the gods mock any plans made by humans, but Comic Strip Master Command has been doing its best to break me of reading and commenting on any comic strip with a mathematical theme. I grant that I could make things a little easier if I demanded more from a comic strip before including it here. But even if I think a theme is slight that doesn’t mean the reader does, and it’s easy to let the eye drop to the next paragraph if the reader does think it’s too slight. The anthology nature of these posts is part of what works for them. And then sometimes Comic Strip Master Command sends me a day like last Sunday when everybody was putting in some bit of mathematics. There’ll be another essay on the past week’s strips, never fear. But today’s is just for the single day.
Susan Camilleri Konar’s Six Chix for the 11th illustrates the Lemniscate Family. The lemniscate is a shape well known as the curve made by a bit of water inside a narrow tube by people who’ve confused it with a meniscus. An actual lemniscate is, as the chain of pointing fingers suggests, a figure-eight shape. You get — well, I got — introduced to them in prealgebra. They’re shapes really easy to describe in polar coordinates but a pain to describe in Cartesian coordinates. There are several different kinds of lemniscates, each satisfying slightly different conditions while looking roughly like a figure eight. If you’re open to the two lobes of the shape not being the same size there’s even a kind of famous-ish lemniscate called the analemma. This is the figure traced out by the sun if you look at its position from a set point on the surface of the Earth at the same clock time each day over the course of the year. That the sun moves north and south from the horizon is easy to spot. That it is sometimes east or west of some reference spot is a surprise. It shows the difference between the movement of the mean sun, the sun as we’d see it if the Earth had a perfectly circular orbit, and the messy actual thing. Dr Helmer Aslasken has a fine piece about this, and how it affects when the sun rises earliest and latest in the year.
There’s also a thing called the “polynomial lemniscate”. This is a level curve of a polynomial. That is, what are all the possible values of the independent variable which cause the polynomial to evaluate to some particular number? This is going to be a polynomial in a complex-valued variable, in order to get one or more closed and (often) wriggly loops. A polynomial of a real-valued variable would typically give you a boring shape. There’s a bunch of these polynomial lemniscates that approximate the boundary of the Mandelbrot Set, that fractal that you know from your mathematics friend’s wall in 1992.
Mark Anderson’s Andertoons took care of being Mark Anderson’s Andertoons early in the week. It’s a bit of optimistic blackboard work.
Lincoln Pierce’s Big Nate features the formula for calculating the wind chill factor. Francis reads out what is legitimately the formula for estimating the wind chill temperature. I’m not going to get into whether the wind chill formula makes sense as a concept because I’m not crazy. The thinking behind it is that a windless temperature feels about the same as a different temperature with a particular wind. How one evaluates those equivalences offers a lot of room for debate. The formula as the National Weather Service, and Francis, offer looks frightening, but isn’t really hard. It’s not a polynomial, in terms of temperature and wind speed, but it’s close to that in form. The strip is rerun from the 15th of February, 2009, as Lincoln Pierce has had some not-publicly-revealed problem taking him away from the comic for about a month and a half now.
Jim Scancarelli’s Gasoline Alley included a couple of mathematics formulas, including the famous E = mc2 and the slightly less famous πr2, as part of Walt Wallet’s fantasy of advising scientists and inventors. (Scientists have already heard both.) There’s a curious stray bit in the corner, writing out 6.626 x 102 x 3 that I wonder about. 6.626 is the first couple digits of Planck’s Constant, as measured in Joule-seconds. (This is h, not h-bar, I say for the person about to complain.) It’d be reasonable for Scancarelli to have drawn that out of a physics book or reference page. But the exponent is all wrong, even if you suppose he mis-wrote 1023. It should be 6.626 x 10-34. So I don’t know whether Scancarelli got things very garbled, or if he just picked a nice sciencey-looking number and happened to hit on a significant one. (There’s enough significant science numbers that he’d have a fair chance of finding something.) The strip is a reprint from the 4th of February, 2007, as Jim Scancarelli has been absent for no publicly announced reason for four months now.
Greg Evans and Karen Evans’s Luann is not perfectly clear. But I think it’s presenting Gunther doing mathematics work to support his mother’s contention that he’s smart. There’s no working out what work he’s doing. But then we might ask how smart his mother is to have made that much food for just the two of them. Also that I think he’s eating a potato by hand? … Well, there are a lot of kinds of food that are hard to draw.
Greg Evans’s Luann Againn reprints the strip from the 11th of February (again), 1990. It mentions as one of those fascinating things of arithmetic an easy test to see if a number’s a multiple of nine. There are several tricks like this, although the only ones anybody can remember are finding multiples of 3 and finding multiples of 9. Well, they know the rules for something being a multiple of 2, 5, or 10, but those hardly look like rules, and there’s no addition needed. Similarly with multiples of 4.
Modular arithmetic underlies all these rules. Once you know the trick you can use it to work out your own add-up-the-numbers rules to find what numbers are multiples of small numbers. Here’s an example. Think of a three-digit number. Suppose its first digit is ‘a’, its second digit ‘b’, and its third digit ‘c’. So we’d write the number as ‘abc’, or, 100a + 10b + 1c. What’s this number equal to, modulo 9? Well, 100a modulo 9 has to be equal to whatever a modulo 9 is: (100 a) modulo 9 is (100) modulo 9 — that is, 1 — times (a) modulo 9. 10b modulo 9 is (10) modulo 9 — again, 1 — times (b) modulo 9. 1c modulo 9 is … well, (c) modulo 9. Add that all together and you have a + b + c modulo 9. If a + b + c is some multiple of 9, so must be 100a + 10b + 1c.
The rules about whether something’s divisible by 2 or 5 or 10 are easy to work with since 10 is a multiple of 2, and of 5, and for that matter of 10, so that 100a + 10b + 1c modulo 10 is just c modulo 10. You might want to let this settle. Then, if you like, practice by working out what an add-the-digits rule for multiples of 11 would be. (This is made a lot easier if you remember that 10 is equal to 11 – 1.) And if you want to show off some serious arithmetic skills, try working out an add-the-digits rule for finding whether something’s a multiple of 7. Then you’ll know why nobody has ever used that for any real work.
J C Duffy’s Lug Nuts plays on the equivalence people draw between intelligence and arithmetic ability. Also on the idea that brain size should have something particularly strong link to intelligence. Really anyone having trouble figuring out 15% of $10 is psyching themselves out. They’re too much overwhelmed by the idea of percents being complicated to realize that it’s, well, ten times 15 cents.